(IV. vi. 21, 22.)
With this vision of the resplendent beauty of chastity begins Arthegal’s love for Britomart. It has been pointed out by critics that the love episode between Britomart and Arthegal was a suggestion—so far as plot goes—which Spenser found in Ariosto’s account of the love of Ruggiero and Bradamante in the “Orlando Furioso.”[[1]] But the great difference in the poets appears in the contrast of the passionate love of beauty revealed in Spenser’s poem with the superficial delights of love as explained in Ariosto. As has already been seen, Platonism as a system of ethics disappears from the “Faerie Queene” after the second book; but so deeply had Spenser been impressed with the worship of beauty characteristic of Plato’s manner, that when he came to recount the history of the passion of love, in his Knight of Justice, for his heroine, Chastity, he centred attention upon the feeling of awe and reverence inspired by the beauty of chastity, and intimated the sobering effect of this vision upon the behavior of the lover. He found nothing like this in the “Orlando Furioso.” The love episode in Ariosto is thus briefly described:
“Rogero looks on Bradamant, and she
Looks on Rogero in profound surprise
That for so many days that witchery
Had so obscured her altered mind and eyes.
Rejoiced, Rogero clasps his lady free,
Crimsoning with deeper than the rose’s dyes,
And his fair love’s first blossoms, while he clips
The gentle damsel, gathers from her lips.