There was another factor in the situation which would have made it even more trying for anyone but Townsend. Directly I became sole Proprietor, I threw myself with all the energy at my command into the business side of the paper, and within a couple of years had doubled the circulation and greatly increased the profits. This did not, of course, take anything away from Townsend's share in the paper, but it might very well have made him feel, had he been of a grudging spirit, that he had made a mistake in selling out when he did. As a matter of fact, the paper would not have done so well under the partnership. I should have hesitated to risk his property by launching out, and he would probably have thought it his duty to restrain me. He disliked anything speculative in business, did not believe in the possibilities of expansion, and preferred the atmosphere of the Three per Cents. That being so, I could not have appealed to him to put more capital into The Spectator.

In effect, we should each have waited on the other and done nothing. However, the fact remains that there never was a trace of jealousy on his part. I have no doubt that he occasionally wished he had retained a share in the paper. He would hardly have been human if he had not done so; but he never showed any regret of a kind which would have been painful or embarrassing to me. Under conditions which might have been most trying we continued and maintained a close and unclouded friendship. It was unaffected by the slightest touch of friction. Take a small point: he even insisted on changing his room at the office for mine. His room, the room he had occupied for over thirty years, was on the first floor, and this, he insisted, was the place for the Editor-in- Chief, and so must be mine. I yielded only to his peremptory request.

Of Townsend's intellectual gifts I cannot speak without expressing a keen admiration. It is my honest belief that he was, in the matter of style, the greatest leader-writer who has ever appeared in the English Press. He developed the exact compromise between a literary dignity and a colloquial easiness of exposition which completely fills the requirements of journalism. He was never pompous, never dull, or common, and never trivial. When I say that he was the greatest of leader-writers I am not forgetting that at this moment we have in Mr. Ian Colvin of The Morning Post a superb artist in the three-paragraph style of matutinal exhortation. Bagehot, again, was a great leader-writer; so were Robert Low and Sir Henry Mayne; and so also was Hutton. But these men, great publicists as they were, never attained to quite Townsend's verbal accomplishment. I fully admit that many of them could, on occasion, write with far greater political judgment, and with greater learning, and with greater force and eloquence. But where Townsend excelled them and was easily first was in his power of dramatic expression and what can only be described as verbal fascination. No one could excite the mind and exalt the imagination as he did. And the miracle was that he did it all the time in language which appeared to be nothing more than that of a clever, competent man talking at his club. He used no literary artifice, no rhetorical emphasis, no elaboration of language, no finesse of phrase. His style was easy but never elegant or precious or ornamented. It was familiar without being common- place, free without discursiveness, and it always had in it the note of distinction. What was as important, he contrived, even in his most paradoxical moments, to give a sense of reserve power, of a heavy balance at the Bank of Intellect.

He never appeared to preach or to explain to his readers. But though he had all the air of assuming that they were perfectly well-read and highly experienced in great affairs, he yet managed to tell them very clearly what they did not and could not know. He could give instruction without the slightest assumption of the schoolmaster. In truth, his writing at its best was in form perfect journalism.

But, all the same, Townsend both in matter and in style had his faults as a leader-writer. Though he was never carried away by language, was never blatant and never hectoring, he was often much too sensational in his thoughts and so necessarily in the phrases in which he clothed them. He let his ideas run away with him, and would sometimes say very dangerous and even very absurd things—things which became all the more dangerous and all the more absurd because they were, as a rule, conveyed in what were apparently carefully-balanced and carefully-selected words. His wildest words were prefaced with declarations of reticence and repression.

It was said of a daily newspaper in the 'sixties that its proprietor's instructions to his leader-writers were framed in these words:

"What we want from you is common sense conveyed in turgid language."

What the world sometimes got from Townsend was turgid thought conveyed, I will not say in commonplace language, for his style could never be that, but in the language of sobriety, good sense, and good taste.

Let no one think that in saying this I am being false to my friend. Townsend's faults of judgment were all upon the surface. At heart he had a great and sound mind, though sometimes he could not resist the temptation to drop the reins on his horse's neck and let it carry him where it would, and at a pace unbecoming a responsible publicist. Sometimes, too, the horse was actually pressed and encouraged to kick up its heels and go snorting down the flowery meads of sensationalism!

People generally went through three phases in the process of getting to know Townsend. To begin with, they thought he was a man inspired with the highest political wisdom and knowledge. His gifts of dialectical vaticination made them look upon him as the lively oracle of the special Providence which he himself was accustomed to say presided over the British Empire. After a time, however, they began to think that he was what they called too "viewy," too much inclined to paradox, too wild. Often, alas! the feeling in regard to him ended here, and he was written down as impracticable if amusing. That view, though probable, was certainly false. Those who had the good fortune and the good sense to persist, and were not put off by this discovery of a superficial flightiness of thought, but dug deeper in his mind, ended, as I ended, in something like veneration for his essential wisdom. They found again, as I did, that he was very apt to be in the right when he seemed most fallacious. After all, a house may be cool and comfortable, even if the front door is painted in flame-colour and has a knocker of rock crystal set in gold.