XXV
CHINESE DAILY LIFE
The happy Leigh Hunt, who was half American by blood, in one of his incomparable Addisonian essays, Tea Drinking, wrote as follows of the daily life and surroundings of the Chinese: “The very word tea, so petty, so infantine, so winking-eyed, so expressive, somehow or other, of something inexpressibly minute and satisfied with a little (tee!) resembles the idea one has (perhaps a very mistaken one) of that extraordinary people of whom Europeans know little or nothing, except that they sell us this preparation, bow back again our ambassadors, have a language consisting of only a few hundred words, gave us chinaware and the strange pictures on our teacups, made a certain progress in civilization long before we did, mysteriously stopped at it and would go no further, and if numbers and the customs of venerable ancestors are to carry the day, are at once the most populous and the most respectable nation on the face of the earth. As a population they certainly are a most enormous and wonderful body, but as individuals, their ceremonies, their trifling edicts, their jealousy of foreigners, and their teacup representations of themselves impress us irresistibly with a fancy that they are a people all toddling, little-eyed, little-footed, little-bearded, little-minded, quaint, overweening, pig-tailed, bald-headed, cone-capped or pagoda-hatted, having childish houses and temples with bells at every corner and story, and shuffling about in blue landscapes, over nine-inch bridges, with little mysteries of bell-hung whips in their hands,—a boat or a house or a tree, made of a pattern, being over their heads or underneath them, and a bird as large as the boat, always having a circular white space to fly in! Such are the Chinese of the teacups and the grocers’ windows, and partly of their own novels, too, in which everything seems as little as their eyes, little odes, little wine parties and a series of little satisfactions. However, it must be owned that from these novels one gradually acquires a notion that there is a great deal more good sense and even good poetry among them than one had fancied from the accounts of embassies and the autobiographical paintings on the chinaware, and this is the most probable supposition. An ancient and great nation as civilized as they is not likely to be so much behind hand with us in the art of living as our self-complacency leads us to imagine. If their contempt of us amounts to the barbarous, perhaps there is a greater share of barbarism than we suspect in our scorn of them.”
Copyright, 1913, The Bobbs-Merrill Company.
Buddhist temples, now used as schools. Fine type of architecture; ornamented ridge, curving eaves; unique medallions.
Copyright, 1913, The Bobbs-Merrill Company.
Actors, in characters of general, emperor and prime minister. Note use of modern scenery. The old stage did not use scenery.
