WANTS INFORMATION
W. F. Turrentine, in Spectator
A few days ago J. T. Bristow received a letter from Albert T. Reid, national vice-chairman of The American Artists Professional League, Incorporated, complimenting him on his article, “The Overland Trail,” and asking for information regarding “Old Bob Ridley,” a famous frontiersman well known to what few of the old settlers are left in this vicinity. “Old Bob Ridley” was Robert Sewell who lived in this part of Kansas in an early day and had a lot of vivid experiences, some of which Mr. Bristow recorded in the article mentioned. Robert Sewell’s wife, several years his junior, was a sister of Mrs. V. O. Hough. We quote the following from Mr. Reid’s letter to Mr. Bristow:
16 Georgia Ave., Long Beach, N. Y., November 14, 1937.
Dear Mr. Bristow:
Ralph Tennal of Sabetha sent me your story, “The Old Overland Trail,” a few days ago and I read it from kiver to kiver without stopping to catch my breath. It is very fascinating and a swell job.
I was particularly interested in it because I had done a sketch which I intended painting sometime. I made the sketch about two years ago and from my memory of the incident which fascinated me particularly. I called it “Old Bob Ridley Brings in the Mall.”
Recently I put a mural in place in the Post Office at Sabetha which was called “The Coming of the New Fast Mail.” It is of the Pony Express rider passing the old Mail Stage. It has made a hit far beyond my wildest hopes and leads me to believe this is the sort of thing the public likes, and particularly our Kansas people—they like something which is out of their past, realistic, romantic, colorful.
Possibly you may remember me as the fellow who published the Leavenworth Daily Post for 18 1/2 years and the Kansas Farmer for almost eleven years during that period. I started to stick type on the Clyde papers. Was born up in Concordia and I never saw a railroad train until I was well up to six — just my father’s old stages which ran from Concordia to Waterville and Marysville.
So you see why the painting of our old past particularly interests me and why I have a considerable first hand knowledge and feeling for it. The details are most important to me. I made a most careful research for my Pony Express and I want to be very accurate with Old Bob when I start in to paint it. There are a few details I want to get straightened out, so I am imposing on you to help me, thinking you may have some interest in seeing the incident preserved.