And moreover, one cannot get too much of it—if one learns at the same time to “carry it like a gentleman.” Firsthand knowledge of the matter one chooses to write about, when presented in an interesting and readable manner, even though devoid of the earmarks of higher education, always scores high.
For example, the late Ed. Howe, “The Sage of Potato Hill,” (his country estate), publisher of Atchison Daily Globe, and writer of numerous magazine articles, and a highly acclaimed novel, “The Story of a Country Town,” once told me that he had never studied grammar a day in his life. Like Mark Twain and Damon Runyan and Charles Dickens, Howe’s education really began when he entered his father’s newspaper office at the age of thirteen years.
Now, since I have brought the name of this successful author into this writing, I would like to tell you a little more about him—and his. Ed. Howe was the father of three noted writers. Jim Howe, now living on a ranch in California, was a top overseas correspondent throughout the first World War. Gene Howe is publisher of the Amarillo (Texas) Daily Globe—and a magazine writer. And Mateel Howe-Farnham wrote a book. Before writing her story, “Rebellion,” Mateel’s father advised her to select characters from real life. And this she did. It was said in Atchison that Mateel made her father the main character in her book; that she was a bit rough in her delineation—and that she painted the picture so well that everyone in Atchison knew without further telling. This may be true to a certain extent — but I hardly think a dutiful daughter would have gone the limit in portraying her father uncharitably. Ed Howe was my friend—and I don’t hold with those rumors. Doubtless, Mateel padded, and built her rebellious character into a personage that did not exist. But her “homey” line made the story. It was a big success. Mateel’s “Rebellion” won the $10,000 Bok prize—and become a best seller.
Mateel was living in New York City, while her father was in Atchison, Kansas—and thus widely separated they could not compare notes. Ed Howe was asked by Mateel’s publishers to write a foreword to the story. For this he got big pay—I believe the amount he received was fifteen hundred dollars for an equal number of words. I think also that the liberality of the publishers was influenced less by the Sage’s fine wording of his contribution than it was by his veiled admission that he had been flailed rather unmercifully by his daughter.
Here, I should maybe pick up a few hanging threads and backstitch a little. My entry into the newspaper field was purely accidental. Being a chum of the junior partner of Clough & Wolfley, who were preparing to launch The Spectator, Theodore Wolfley invited me to stick around — said I might learn something. Mr. Clough, obviously recognizing my need for it, observed “There’s nothing like a newspaper connection to bolster your education.”
Major Clough had brought along from Sabetha his foreman, George Fabrick, to get out the first few issues. Then, after Fabrick had gone back to Sabetha, a printer came over from Falls City—but Will Allen played pool most of the time while here. Allen stayed ten weeks, went home for a visit, and failed to come back. Then the “Devil” took over. It was as simple—and raw—as that.
The Spectator passed through several ownerships — Lawyer F. M. Jeffries, Don Perry, John Stowell, Curt and Marie (Polly) Shuemaker. I worked for all the separate owners—but there was a time between Jeffries and Perry that publication was suspended for over a year. The newspaper business in small towns was not very remunerative in those days. To keep going, the publisher often had to take up side lines, but Jeffries rather overdid the matter—and failed, even then. He made a pretense of keeping up his law practice, taught the Hayden school, walked three miles out and back, and, after a few week’s help from me, tried to do all the mechanical work, with only the help of his inexperienced wife.
The ownership had reverted back to Wolfley, and so remained, camouflaged, through the Perry regime, which also was of short duration. Perry was a good newspaperman — when sober—having conducted the Seneca Courier-Democrat for a number of years. Jake Cober, also of Seneca, was his first printer here.
One evening Don Perry came rushing up to the office—-that is, moving as swiftly as he could make the stairs, in his cups, otherwise very drunk, saying, “They are after me — I want to make you safe.” I had drawn no wages, and the amount due me was $127.00. He grabbed up a piece of yellow scratch paper and penciled a due bill for the amount, and said, “There now, my patient friend, you’re safe—that’s as good as gold,” with emphasis. And the surprising thing is that, though he could not have paid cash for another half-pint of booze, that yellow memento, regarded worthless, was indeed good as gold. But the payment would have fallen on my friend Wolfley—and that might have complicated matters between us. I decided to forget it—and went to Centralia to work for Bill Granger. And The Spectator went into suspension again.
Then, after I had worked as compositor on the Seneca Tribune, (with Wolfley again), the Centralia Journal, the Greenleaf Sentinel, the Atchison Daily Globe, the Atchison Daily Times, and the Kansas City Daily Journal—subbed for Harvey Hyde—I became owner of the Wetmore Spectator, buying it from Polly Shuemaker after Curt Shuemaker’s death, in December, 1890. And my education, so long neglected and retarded by circumstances, had now begun. Let me say here and now that I cherish the memory of Theodore J. Wolfley, from whom I derived, at an impressionable age, the still unshakable conviction that a newspaperman is a pretty good thing to be.