The Art of Disappearing

by John Talbot Smith

Horace Endicott, though not a youth of deep sentiment, had capacities in that direction. Life so far had been chiefly of the surface for him. Happiness had hidden the deep and dangerous meanings of things. He was a child yet in his unconcern for the future, and the child, alone of mortals, enjoys a foretaste of immortality, in his belief that happiness is everlasting. The shadow of death clouding the pinched face of Tim Hurley was his first glimpse of the real. He had not seen his father and mother die. The thought that followed, Sonia's beloved face lying under that shadow, had terrified him. It was the uplifting of the veil of illusion that enwraps childhood. The thought stayed his foot that night as he turned into the avenue leading up to his own house, and he paused to consider this new dread.

The old colonial house greeted his eyes, solemn and sweet in the moonlight, with a few lights of human comfort in its windows. He had never thought so before, but now it came straight to his heart that this was his home, his old friend, steadfast and unchanging, which had welcomed him into the world, and had never changed its look to him, never closed its doors against him; all that remained of the dear, but almost forgotten past; the beautiful stage from which all the ancient actors had made irrevocable exit. What beauty had graced it for a century back! What honors its children had brought to it from councils of state and of war! What true human worth had sanctified it! Last and the least of the splendid throng, he felt his own unworthiness sadly; but he was young yet, only a boy, and he said to himself that Sonia had crowned the glory of the old house with her beauty, her innocence, her devoted love. In making her its mistress he had not wronged its former rulers, nor broken the traditions of beauty. He stood a long time looking at the old place, wondering at the charm which it had so suddenly flung upon him. Then he shook off the new and weird feeling and flew to embrace his Sonia of the starry eyes.

Alas, poor boy! He stood for a moment on the threshold. He could hear the faint voices of servants, the shutting of distant doors, and a hundred sweet sounds within; and around him lay the calmness of the night, with a drowsy moon overhead lolling on lazy clouds. Nothing warned him that he stood on the threshold of pain. No instinct hinted at the horror within. The house that sheltered his holy mother and received her last breath, that covered for a few hours the body of his heroic father, the house of so many honorable memories, had become the habitation of sinners, whose shame was to be everlasting. He stole in on tiptoe, with love stirring his young pulses. For thirty minutes there was no break in the silence. Then he came out as he entered, on tiptoe, and no one knew that he had seen with his own eyes into the deeps of hell. For thirty minutes, that seemed to have the power of as many centuries, he had looked on sin, shame, disgrace, with what seemed to be the eyes of God; so did the horror shock eye and heart, yet leave him sight and life to look again and again.

In that time he tasted with his own lips the bitterness which makes the most wretched death sweeter by comparison than bread and honey to the hungry. At the end of it, when he stole away a madman, he felt within his own soul the cracking and upheaving of some immensity, and saw or felt the opening of abysses from which rose fearful exhalations of crime, shapes of corruption, things without shape that provoked to rage, pain and madness. He was not without cunning, since he closed the doors softly, stole away in the shadows of the house and the avenue, and escaped to a distant wood unseen. From his withered face all feeling except horror had faded. Once deep in the wood, he fell under the trees like an epileptic, turned on his face, and dug the earth with hands and feet and face in convulsions of pain.

The frightened wood-life, sleeping or waking, fled from the great creature in its agony. In the darkness he seemed some monster, which in dreadful silence, writhed and fought down a slow road to death. He was hardly conscious of his own behavior, poor innocent, crushed by the sins of others. He lived, and every moment was a dying. He gasped as with the last breath, yet each breath came back with new torture. He shivered to the root of nature, like one struck fatally, and the convulsion revived life and thought and horror. After long hours a dreadful sleep bound his senses, and he lay still, face downward, arms outstretched, breathing like a child, a pitiful sight. Death must indeed be a binding thing, that father and mother did not leave the grave to soothe and strengthen their wretched son. He lay there on his face till dawn. The crowing of the cock, which once warned Peter of his shame, waked him. He turned over, stared at the branches above, sat up puzzled, and showed his face to the dim light. His arms gathered in his knees, and he made an effort to recollect himself. But no one would have mistaken that sorrowful, questioning face; it was Adam looking toward the lost Eden with his arms about the dead body of his son. A desolate and unconscious face, wretched and vacant as a lone shore strewn with wreckage.

He struggled to his feet after a time, wondering at his weakness. The effort roused and steadied him, his mind cleared as he walked to the edge of the wood and stared at the old house, which now in the mist of morning had the fixed, still, reproachful look of the dead. As if a spirit had leaped upon him, memory brought back his personality and his grief together. Men told afterwards, early laborers in the fields, of a cry from the Endicott woods, so strange and woful that their hearts beat fast and their frightened ears strained for its repetition. Sonia heard it in her adulterous dreams. It was not repeated. The very horror of it terrified the man who uttered it. He stood by a tree trembling, for a double terror fell upon him, terror of her no less than of himself. He staggered through the woods, and sought far-away places in the hills, where none might see him. When the sun drifted in through dark boughs he cursed it, the emblem of joy. The singing of the birds sounded to his ears like the shriek of madmen. When he could think and reason somewhat, he called up the vision of Sonia to wonder over it. The childlike eyes, the beautiful, lovable face, the modest glance, the innocent blushes—had nature such masks for her vilest offspring? The mere animal senses should have recognized at the first this deadly thing, as animals recognize their foes; and he had lived with the viper, believing her the peer of his spotless mother. She was his wife! Even at that moment the passionate love of yesterday stirred in his veins and moved him to deeper horror.

He doubted that he was Horace Endicott. Every one knew that boy to be the sanest of young men, husband to the loveliest of women, a happy, careless, wealthy fellow, almost beside himself with the joy of life. The madman who ran about the desolate wilds uttering strange and terrible things, who was wrapped within and without in torments of flame, who refrained from crime and death only because vengeance would thus be cheaply satisfied, could hardly be the boy of yesterday. Was sin such a magician that in a day it could evolve out of merry Horace and innocent Sonia two such wretches? The wretch Sonia had proved her capacity for evil; the wretch Horace felt his capabilities for crime and rejoiced in them. He must live to punish. A sudden fear came upon him that his grief and rage might bring death or madness, and leave him incapable of vengeance. They would wish nothing better. No, he must live, and think rationally, and not give way. But the mind worked on in spite of the will. It sat like Penelope over the loom, weaving terrible fancies in blood and flame! the days that had been, the days that were passing; the scenes of love and marriage; the old house and its latest sinners; and the days that were to come, crimson-dyed, shameful; the dreadful loom worked as if by enchantment, scene following scene, the web endless, and the woven stuff flying into the sky like smoke from a flying engine, darkening all the blue.

The days and nights passed while he wandered about in the open air. Hunger assailed him, distances wearied him, he did not sleep; but these hardships rather cooled the inward fire, and did not harm him. One day he came to a pool, clear as a spring to its sandy bottom, embowered in trees, except on one side where the sun shone. He took off his clothes and plunged in. The waters closed over him sweet and cool as the embrace of death. The loom ceased its working a while, and the thought rose up, is vengeance worth the trouble? He sank to the sandy bed, and oh, it was restful! A grip on a root held him there, and a song of his boyhood soothed his ears until it died away in heavenly music, far off, enticing, welcoming him to happier shores. He had found all at once forgetfulness and happiness, and he would remain. Then his grip loosened, and he came to the surface, swimming mechanically about, debating with himself another descent into the enchanted region beneath.

Some happy change had touched him. He felt the velvety waters grasp his body and rejoiced in it; the little waves which he sent to the reedy bank made him smile with their huddling and back-rushing and laughing; he held up his arm as he swam to see the sun flash through the drops of water from his hand. What a sweet bed of death! No hard-eyed nurses and physicians with their array of bottles, no hypocrites snuffling sympathy while dreaming of fat legacies, no pious mummeries, only the innocent things direct from the hand of God, unstained by human sin and training, trees and bushes and flowers, the tender living things about, the voiceless and passionless music of lonely nature, the hearty sun, and the maternal embrace of the sweet waters. It was dying as the wild animals die, without ceremony; as the flowers die, a gentle weakening of the stem, a rush of perfume to the soft earth, and the caressing winds to do the rest. Yes, down to the bottom again! Who would have looked for so pleasant a door to death in that lonely and lovely pool!

He slipped his foot under the root so that it would hold him if he struggled, put his arms under his head like one about to sleep, and yielded his senses to that far-off, divine music, enticing, welcoming.... It ceased, but not until he had forgotten all his sorrows and was speeding toward death. Sorrow rescued sorrow, and gave him back to the torturers. The old woman who passed by the pond that morning gathering flowers, and smiling as if she felt the delight of a child—the smile of a child on the mask of grief-worn age—saw his clothes and then his body floating upward helpless from the bottom. She seized his arm, and pulled him up on the low bank. He gasped a little and was able to thank her.