"Dillon is a very close man."
"Endicott had to be among that long-tongued Irish crowd. I watched him. He was stupid at first ... stuck to the house ... no one saw him for weeks ... except the few. He listened and watched ... I saw him ... his eyes and his ears ought to be as big as a donkey's from it ... and he said nothing. They made excuses for a thing that everyone saw and talked about. He was ill. I say he wanted to make no mistakes; he was learning his part; there was nothing of the Irish in him, only the sharp Yankee. It made me wonder for weeks what was wrong. He looked as much like the boy that ran away as you do. And then I had no suspicions, mind you. I believed Anne Dillon's boy had come back with a fortune, and I was thinking how I could get a good slice of it."
"And you didn't get a cent," Curran remarked.
"He hated me from the beginning. It takes one that is playing a part to catch another in the same business. After a while he began to bloom. He got more Irish than the Irish. There's no Yankee living, no Englishman, can play the Irishman. He can give a good imitation maybe, d'ye hear? That's what Dillon gave. He did everything that young Dillon used to do before he left home ... a scamp he was too. He danced jigs, flattered the girls, chummed with the ditch-diggers and barkeepers ... and he hated them all, women and men. The Yankees hate the Irish as easy as they breathe. I tell you he had forgotten nothing that he used to do as a boy. And the fools that looked on said, oh, it's easy to see he was sick, for now that he is well we can all recognize our old dare-devil, Arthur."
"He's dare-devil clear enough," commented her husband.
"First point you've scored," she said with contempt. "Horace Endicott was a milksop: to run away when he should have killed the two idiots. Dillon is a devil, as I ought to know. But the funniest thing was his dealings with his mother. She was afraid of him ... as much as I am ... she is till this minute. Haven't I seen her look at him, when she dared to say a sharp thing? And she's a good actress, mind you. It took her years to act as a mother can act with a son."
"Quite natural, I think. He went away a boy, came back a rich man, and was able to boss things, having the cash."
"You think! You! I've seen ten years of your thinking! Well, I thought too. I saw a chance for cash, where I smelled a mystery. Do you know that he isn't a Catholic? Do you know that he's strange to all Catholic ways? that he doesn't know how to hear Mass, to kneel when he enters a pew, to bless himself when he takes the holy water at the door? Do you know that he never goes to communion? And therefore he never goes to confession. Didn't I watch for years, so that I might find out what was wrong with him, and make some money?"
"All that's very plausible," said her husband. "Only, there are many Catholics in this town, and in particular the Californians, that forgot as much as he forgot about their religion, and more."
"But he is not a Catholic," she persisted. "There's an understanding between him and Monsignor O'Donnell. They exchange looks when they meet. He visits the priest when he feels like it, but in public they keep apart. Oh, all round, that Arthur Dillon is the strangest fellow; but he plays his part so well that fools like you, Dick, are tricked."