"Of course. But I knew Tims. I met him for an hour, and I did not feel like hanging him."

"You are a celibate."

"Therefore unprejudiced. But he was condemned by a jury of unmarried men. A clever fellow he is, and yet he made some curious blunders in his attempt to escape the other night. I would like to have helped him. I have a theory of disappearing from the sight of men, which would help the desperate much. This Tims was a lad of your own appearance, disposition, history even. I had a feeling that he ought not to die. What a pity we are too wise to yield always to our feelings."

"But about your theory, Monsignor?" said Horace. "A theory of disappearing?"

"A few nights ago some friends of mine were discussing the possible methods by which such a man as Tims might make his escape sure. You know that the influences at his command were great, and tremendous efforts were made to spare his family the disgrace of the gallows. The officers of the law were quite determined that he should not escape. If he had escaped, the pursuit would have been relentless and able. He would have been caught. And as I maintained, simply because he would never think of using his slight acquaintance with me. You smile at that. So did my friends. I have been reading up the escapes of famous criminals—it is quite a literature. I learned therein one thing: that they were all caught again because they could not give up connection with their past: with the people, the scenes, the habits to which they had been accustomed. So they left a little path from their hiding-place to the past, and the clever detectives always found it. Thinking over this matter I discovered that there is an art of disappearing, a real art, which many have used to advantage. The principle by which this art may be formulated is simple: the person disappearing must cut himself off from his past as completely as if he had been secretly drowned in mid-ocean."

"They all seem to do that," said Horace, "and yet they are caught as easily as rats with traps and cheese."

"I see you think this art means running away to Brazil in a wig and blue spectacles, as they do in a play. Let me show some of the consequences a poor devil takes upon himself who follows the art like an artist. He must escape, not only from his pursuers—that's easy—but from his friends—not so easy—and chiefly from himself—there's the rub. He who flies from the relentless pursuit of the law must practically die. He must change his country, never meet friend or relative again, get a new language, a new trade, a new place in society; in fact a new past, peopled with parents and relatives, a new habit of body and life, a new appearance; the color of hair, eyes, skin must be changed; and he must eat and drink, walk, sleep, think, and speak differently. He must become another man almost as if he had changed his nature for another's."

"I understand," said Horace, interested; "but the theory is impossible. No one could do that even if they desired."

"Tims would have desired it and accomplished it had I thought of suggesting it to him. Here is what would have happened. He escapes from the prison, which is easy enough, and comes straight to me. We never met but once. Therefore not a man in the world would have thought of looking for him at my house. A week later he is transferred to the house of Judy Trainor, who has been expecting a sick son from California, a boy who disappeared ten years previous and is probably dead. I arrange her expectation, and the neighbors are invited to rejoice with her over the finding of her son. He spends a month or two in the house recovering from his illness, and when he appears in public he knows as much about the past of Tommy Trainor as Tommy ever knew. He is welcomed by his old friends. They recognize him from his resemblance to his father, old Micky Trainor. He slips into his position comfortably, and in five years the whole neighborhood would go to court and swear Tims into a lunatic asylum if he ever tried to resume his own personality."

The two men set up a shout at this sound conclusion.