As the retainers lift the body of Aethelwold and bear it away, the orchestra again plays the pledge motive, and the curtain falls.
Facsimile page from the manuscript orchestra score
“The King’s Henchman”—Act III
LIST OF COMPOSITIONS BY DEEMS TAYLOR
Note:—The numbers before each group of titles refer to the publisher.
| LYRIC DRAMA | ||
| [1] The King’s Henchman (Edna St. Vincent Millay), Op. 19 | ||
| In three acts | ||
| CHAMBER MUSIC AND ORCHESTRA | ||
| [1] The Siren Song, Op. 2 | ||
| Symphonic Poem for Orchestra | ||
| [1] Through the Looking-Glass, Op. 12 (Five Pictures from Lewis Carroll) | ||
| 1a Dedication | ||
| 1b The Garden of Live Flowers | ||
| 2. Jabberwocky | ||
| 3. Looking Glass Insects | ||
| 4. The White Knight | ||
| Suite for | ||
| Symphony orchestra | ||
| Symphony orchestra—reduced | ||
| Strings, wind and piano | ||
| [1] The Portrait of a Lady, Op. 14 | ||
| Rhapsody for strings, wind and piano | ||
| [1] Jurgen, Op. 17 | ||
| Symphonic poem for orchestra | ||
| [1] Circus Day, Op. 18 | ||
| Suite for jazz orchestra (Scored by Ferdie Grofé) | ||
| For symphony orchestra (Scored by the composer) | ||
| CHORAL-CANTATAS | ||
| [2] The Chambered Nautilus (Oliver Wendell Holmes), Op. 7 | ||
| For mixed voices and orchestra | ||
| [2] The Highwayman (Alfred Noyes), Op. 8 | ||
| For women’s voices and orchestra | ||
| Also for mixed voices and orchestra | ||
| PART-SONGS | ||
| [2] May Eve (Thomas S. Jones), Op. 11, No. 1, S.S.A.A. | ||
| [1] Tricolor (Paul Scott Mowrer), Op. 11, No. 2, S.S.A.A. T.T.B.B. | ||
| [1] Valse Ariette (Humming chorus), Op. 11, No. 3, S.S.A.A. | ||
| [1] Banks o’Doon (Robert Burns), S.S.A. (arranged) | ||
| [1] Plantation Love Song (“My Rose”) (Ruth McEnery Stuart), S.S.A.A. T.T.B.B. (arranged) | ||
| [5] Little Dancing Leaves (Lucy Larcom), Unison | ||
| [5] The Day Is Done (H. W. Longfellow), S.S.A. | ||
| [5] Old Ironsides (Oliver Wendell Holmes), S.S.A.B. | ||
| (Written for the Universal School Music Series) | ||
| HARMONIZATIONS AND TRANSCRIPTIONS | ||
| [1] Armenian Folksongs: | ||
| By the Cradle, S.S.A. | ||
| Heart-Longings, S.S.A. | ||
| My Grief, S.S.A. | ||
| The Well-Beloved, S.S.A. T.T.B.B. S.A.T.B. | ||
| [1] Belgian Folksongs: | ||
| The Faithless Lover (L’Abandonnée), S.S.A. | ||
| Grizzly, Grumpy Granny (La Boiteuse), S.S.A. | ||
| In the Country (La Vie Rustique), S.S.A. | ||
| The Siesta (La Sieste), S.S.A. | ||
| [1] Breton Folksongs: | ||
| Before the Shrine (Disons le Chapelet), S.S.A.A. T.T.B.B. S.A.T.B. | ||
| The Sabot-Maker (Le Sabotier), S.S.A. | ||
| The Soul’s Departure (Le Départ de l’Ame), S.S.A. | ||
| The Wedding Dress (La Petite Robe), S.S.A. | ||
| [1] Czecho-Slovak Folksongs: | ||
| Good Night (Dobru Noc), S.S.A. | ||
| Lightning Now Flashes (Nad Tatrou sa Blyska), S.S.A. | ||
| Song to Bohemia (Tesme se Blahou Nadeji), S.S.A. | ||
| Wake Thee, Now, Dearest (Pridi ty Suhajko), S.S.A. | ||
| Waters Ripple and Flow (Tece Voda, Tece), S.S.A. T.T.B.B. S.A.T.B. | ||
| [1] English Folksongs: | ||
| The Loyal Lover, S.S.A.A. S.A.T.B. | ||
| Mayday Carol, S.A. S.S.A. S.S.A.A. S.A.B. T.T.B.B. S.A.T.B. | ||
| My Johnny Was a Shoemaker, S.S.A. T.T.B.B. S.A.T.B. | ||
| Twenty, Eighteen, S.S.A. T.T.B.B. S.A.T.B. | ||
| [1] Scotch Songs: | ||
| Ae Fond Kiss, S.S.A.A. | ||
| Hame, Hame, Hame, S.S.A.A. T.T.B.B. | ||
| Rantin’, Rovin’ Robin, S.S.A.A. | ||
| Whistle, My Lad, S.S.A.A. | ||
| ARRANGEMENTS | |
| [2] —— —— | Southern Medley, S.S.A.A. |
| [1] J. S. Bach | Air (Humming Chorus), Unison |
| [1] G. B. Bassani | Rest and Slumber (Posate, Dormite), S.S.A.A. |
| [1] G. M. Bononcini | Turn Not From Me (Non V’Ascondete), S.S.A. |
| [3] H. T. Burleigh | De Gospel Train, S.S.A. |
| Hard Trials, S.S.A. | |
| Heav’n, Heav’n, S.S.A. | |
| [1] J. Brahms | Crimson Clouds (Rothe Abendwolken), S.S.A.A. |
| Gypsy Minstrel (He, Zigeuner), S.S.A.A. | |
| The Mountains Are Cold (Die Berge sind Spitz), S.S.A.A. | |
| Now Sounds the Harp (Es Tönt ein Harfenklang), S.S.A. | |
| When Sweetly Blossom Roses (Nun steh’n die Rosen), S.S.A. | |
| [1] G. Caccini | Amaryllis My Fair One (Amarilli, Mia Bella), S.S.A.A. |
| [1] M. A. Cesti | Where Sleeps My Beloved (Intorno all’Idol Mio), S.S.A.A. |
| [1] E. Chausson | The Humming Bird (Le Colibri), S.S.A.A. |
| [1] C. Debussy | Afterglow (Beau Soir), S.S.A. |
| [1] J. Des Pres | What Sorrow Mine (J’ay Mil Regrets), S.S.A.A. |
| [3] S. Donaudy | Fragrant Groves and Flowery Meadows (Freschi Luoghi, Prati Aulenti), S.S.A. |
| Oh, Hasten, Beloved (Madonna Renzuola), S.S.A.A. | |
| O, Likeness, Dim and Faded (Vaghissima Sembianza), S.S.A. | |
| O, Vanished Loveliness (O Del Mio Amato Ben), S.S.A. | |
| Spring Song (Sorge il Sol!), S.S.A. | |
| The Lover’s Tale (Ognun Ripicchia e Nicchia), S.S.A. | |
| ’Tis Love That Sets Me Singing (Amor Mi Fa Cantare), S.S.A. | |
| When You Love’s Game Were Learning (Quand’ il tuo Diavol Nacque), S.S.A. | |
| [1] H. F. Duparc | A Sigh (Soupir), S.S.A.A. |
| [1] F. Durante | Dance, Little Maid (Danza, Danza), S.S.A. |
| Virgin, All of Love (Vergin, Tutto Amor), S.S.A. | |
| [1] G. B. Fasolo | Give Me Peace (Cangia, Cangia), S.S.A. |
| [1] G. Fauré | After a Dream (Après un Reve), S.S.A.A. |
| The Cradles (Les Berceaux), S.S.A.A. | |
| [1] John of Fornsete | Sumer Is Icumen In, S.S.S.S.A.A. |
| [2] C. Forsyth | From the Hills of Dream, S.S.A.A. |
| French: | |
| [1] XII. Century | La Bele Yolans (Fair Yolanthe), S.S.A. |
| La Reine d’Avril (The Queen of April), S.S.A.A. | |
| [1] XIV. Century | Je Suis Trop Jeunette (Nay, My Years Are Tender), S.S.A.A. |
| [1] XVII. Century | Le Berger Discret (The Timid Shepherd), S.S.A.A. |
| [1] XVIII. Century | Ah, Mon Berger (Shepherd Mine Own), S.S.A.A. |
| Chaque Chose à Son Temps (Everything Has Its Time), S.S.A.A. | |
| La Chanson du Tambourineur (The Drummer-Boy’s Song), S.S.A.A. | |
| Les Belles Manières (The Ways of the World), S.S.A.A. | |
| [1] J. Gallus | O Salutaris, S.S.A.A. |
| [1] German Folksong | Spinnerliedchen (Spinning Song), S.S.A.A. |
| [2] R. M. Gliere | Ah, Twine No Blossoms, S.S.A.A. |
| [1] E. Grieg | Are They Tears, Beloved? (Warum schimmert dein Auge?), S.S.A. |
| Christmas Snow (Neige de Noel), S.S.A.A. | |
| A Dream (Ein Traum), S.S.A.A. | |
| Rosebud (Rosenknospe), S.S.A. | |
| [1] J. L. Hatton | To Anthea, S.S.A. |
| [1] Dorothy Herbert | After Sunset, S.S.A. |
| The Song of Desire, S.S.A. | |
| [1] Hungarian Folksongs | For But One (Nur ein schönes Mädchen), S.S.A. |
| O Marie (Marishka), S.S.A. | |
| Whither Going Shepherd? (Sag’ Mir Csikos), S.S.A. | |
| Play, O Gypsy (Spiel! Zigeuner), S.S.A. | |
| [1] Eastwood Lane | The Little Fisherman, S.S.A.A. |
| Latin: | |
| [1] XIV. Century | Concordi Laetitia (Hymn to the Virgin), S.S.A.A. T.T.B.B. S.A.T.B. |
| [1] J. B. de Lully | Lonely Wood (Bois Epais), S.S.A. |
| [4] Ethelbert Nevin | The Land of Heart’s Desire, Cantata, Baritone Solo, S.S.A. |
| [1] G. P. da Palestrina | Sub Tuum, S.S.A. |
| O Bone Jesu, S.S.A.A. | |
| [2] Edna R. Park | The Romaika, S.S.A. |
| [3] G. Puccini | Love and Music (Vissi d’Arte), S.S.A. |
| One Fine Day (Un Bel Di), S.S.A. | |
| [1] S. Rachmaninoff | Cry of Russia (A Lament), Vocalise, S.S.A.A. |
| [2] N. Rimsky-Korsakoff | Nightingale and the Rose, S.S.A. |
| [3] Geni Sadero | Beautiful Vine (Pampina Pampinedda), S.S.A. |
| Hush-A-By (Era la Vo), S.S.A. | |
| My Love, My Darling (Curi, Curuzzu), S.S.A. | |
| Out Seaward (In Mezo al Mar), S.S.A. | |
| Rock-a-Bye Baby Mine (Fa la nanna Bambin), S.S.A. | |
| [1] A. Scarlatti | If Florindo Be Faithful (Se Florindo e Fedele), S.S.A. |
| [1] R. Schumann | Bride’s Song (Lied der Braut), S.S.A.A. |
| Dedication (Widmung), S.S.A.A. | |
| [1] C. Sinding | Anemone, S.S.A.A. |
| [1] Percy Rector Stephens | To the Spirit of Music, S.S.A.A. T.T.B.B. S.A.T.B. |
| [1] R. Strauss | Devotion (Zueignung), S.S.A. |
| [1] T. L. da Vittoria | Ave Maria, S.S.A.A. |
| [1] Hugo Wolf | Insatiable Love (Nimmersatte Liebe), S.S.A. |
| The Drummer-Boy (Der Tambour), S.S.A. | |