Minot Pratt was at one time foreman printer at the office of the Christian Register—a finely formed, large, graceful-featured, modest man. His voice was low, soft and calm. His presence inspired confidence and respect. Whatever he touched was well done. He was faithful and dignified, and the serenity of his nature welled up in genial smiles. In farm work he was Mr. Ripley's right hand. He was not far from him in age. They agreed in practical matters; indeed, Mr. Ripley deferred to him. His wife was an earnest, strong, faithful worker. They entered into the scheme with fervor, and it was often said of him that he was first to give Mr. Ripley the hand of fellowship in the practical work of organizing the society.

John Sullivan Dwight was born in Boston, and was keenly sensitive to harmony of all kinds; amiable, thoughtful, kind. Touched with the divine desire to do good to all, he entered into the work with his whole earnest soul. Modest to a fault, but singularly persistent in what he felt to be his duty, he never flinched or failed to act when occasion required it. His tastes were of the most refined order. He shrank from coarse contact with an unusual degree of sensitiveness, but his great heart embraced all mankind in brotherhood. He graduated at Harvard College, and rumor says that he had more than ordinarily the goodwill of his classmates. He studied and made some fine translations from French and German authors, and was ordained to the ministry. He soon left the pulpit, feeling that it was better to try to actualize a Christian life, preaching it by deeds himself, than to preach it by words to others. He was supremely musical, though his musical feeling sometimes showed itself in verse, and he stamped Brook Farm with his musical influence. Short in stature, delicate in physical organization, the school claimed the major part of his services.

Mrs. Ripley was born under favorable stars and had superior mental talent and training, with hosts of friends and relatives. Her devotion to the "Community" caused a great flutter in her social circle. Her relatives were noted for their position, their personal dignity, and generally for a haughtiness of manner unknown in these days. In person she was tall, slender and graceful, with rather light, smooth hair, worn in the plain style of the day. Being near-sighted she was obliged to use a glass when looking at a distant person or thing. Her manner was vivacious and she was a good conversationalist. Mr. Ripley had changed since the description given of his appearance in earlier days, and had grown stouter; had lost his pallor and gained a good, healthy color. He had allowed a vigorous beard to grow, and shaved only his upper lip.

A young man of education, culture and marked ability was Charles Anderson Dana when from Harvard College he presented himself at the farm. He was strong of purpose and lithe of frame, and it was not long before Mr. Ripley found it out and gave him a place at the front. He was about four and twenty years of age, and he took to books, language and literature. Social, good-natured and animated, he readily pleased all with whom he came in contact. He was above medium height; his complexion was light, and his beard, which he wore full but well trimmed, was vigorous and of auburn hue, and his thick head of hair was well cut to moderate shortness. His features were quite regular; his forehead high and full, and his head large. His face was pleasant and animated, and he had a genial smile and greeting for all. His voice was musical and clear, and his language remarkably correct. He loved to spend a portion of his time in work on the farm and in the tree nursery, and you might be sure of finding him there when not otherwise occupied. Enjoying fun and social life, there was always a dignity remaining which gave him influence and commanded respect. If you looked into his room you saw pleasant volumes in various languages peeping at you from the table, chair, bookcase, and even from the floor, and they gave one the impression that for so young a person he was remarkably studious and well informed.

George P. Bradford had the department of Belle Lettres. Of him, after his decease, his former friend and pupil, George William Curtis, wrote as follows in Harper's Monthly for May, 1890:—

"The recollection of George Bradford is that of a long life as serene and happy as it was blameless and delightful to others. It was a life of affection and many interests and friendly devotion; but it was not that of a recluse scholar like Edward Fitzgerald, with the pensive consciousness of something desired but undone. George Bradford was in full sympathy with the best spirit of his time. He had all the distinctive American interest in public affairs. His conscience was as sensitive to public wrongs and perilous tendencies as to private and personal conduct. He voted with strong convictions, and wondered sometimes that the course so plain to him was not equally plain to others.

"It was a life with nothing of what we call achievement, and yet a life beneficent to every other life that it touched, like a summer wind laden with a thousand invisible seeds that, dropping everywhere, spring up into flowers and fruit. It is a name which to most readers of these words is wholly unknown, and which will not be written, like that of so many of the friends of him who bore it, in our literature and upon the memory of his countrymen. But to those who knew him well, and who therefore loved him, it recalls the most essential human worth and purest charm of character, the truest manhood, the most affectionate fidelity. To those who hear of him now, and perhaps never again, these words may suggest that the personal influences which most envelop and sweeten life may escape fame, but live immortal in the best part of other lives."

Among the signers was also Nathaniel Hawthorne, the writer, and it may not be out of place to make here a few comments on his relation to the Brook Farm life, so often alluded to by writers.

Hawthorne was an idealist in its broad sense. The idea of a juster and more rational social state pleased him. He felt himself honored, and was very grateful for the appreciation of the men and women by whom he was surrounded in the literary circle of the Transcendental Club, but he never surrendered the well-matured plan of his youth, to be a writer of stories.

When, he went to Brook Farm he thought that his manual labors might in a small way do a trifle towards aiding the formation of the ideal state, and evidently felt that in his leisure hours he could compose, write for magazines, and the like; but the hard, unwonted though self-imposed labor, the peculiar surroundings, the buzz and hum of the large family in which he could not fail to take an interest, distracted him from his purpose. James T. Fields, the publisher, said of him, "He was a man who had, so to speak, a physical affinity with solitude." He could not put his mind to his special work. The seclusion in which he had worked before, he could not find, and though "no one intruded on him," as he says, yet he was not in his best element.