Brook Farm: Historic and Personal Memoirs

by John Thomas Codman

But the next day neither chill nor cold resulted from the long exposure. Was it because our lives were more in harmony with nature than is usual?

At the Eyry all through the winter, in its cosy little parlor, reigned our queens and kings of art and music. I was partial to the room and the company, yet neither felt nor understood the deep music. It is true that I sang songs of my own and made my own harmonies as I wandered over the fields and meadows. The mystic measure of the sunny waltz haunted me happily at times, and my heart kept time to its rhythm even as my feet had kept time in the merry dance; but it seemed to me as though there was a lack of sense in the jingle, and a depth of feeling untouched in me that the music of the parlor had not or could not reach—I did not appreciate it.

It was a pleasure for Mr. Dwight to secure a quartette of singers from the city. I could mention names, but I forbear, yet there are two faces so indelibly linked with those most happy hours, that I must, in order to be true to this sketch of Brook Farm life, twine them into my narrative.

The first face was serene, charming and dignified. Its cheeks were round and gracefully full, and colored with delicious pink, and a dimple rounded in them when the kindly face smiled. Above them reigned a queenly forehead, and over the brown eyes a fine brow. The nose was straight, the upper lip short, and the features were regular. The owner of this face was tall and graceful, and her dark, glossy hair was combed plainly back. She was ever neatly dressed, and her favorite decoration was a wreath of the wild partridge vine, rich with its red berries, which added to her graceful presence. It was her sweet voice, soft and low, that chimed in, in our quartette. She came and went and seemed one of us, as in spirit she was, though in fact only a friendly visitor.

The other face was different and not as pretty, yet it grew upon you more and more.

There was no blue like those eyes of blue, if they were delicately small, and if there was a little drooping expression as though the sun above was a trifle too powerful for them. This was no detriment, however; it lent them a mildness, a soft haze, like that we so much admire in a landscape, and made them more in keeping with the mild, tranquil countenance.

The eyebrows were softly penciled—not bold, not prominent—and were not much arched, and the nose, that was Grecian, was full between the eyes. The lips were of good size as well as the mouth, and the upper lip long enough to indicate strength of character. The chin was finely drawn, and the throat rather large and full. About the mouth, even in repose, seemed to rest the faint semblance of a smile, as though it could not leave its pleasant dwelling place; as though it was akin to the features themselves, as the color of the eyes or hair. The forehead was pure, womanly; intellectual enough, full enough, high enough, but toned down to the sweet, womanly features. It was a fine face; a vigorous, womanly one, unmarked with a single manly symptom, but independent, pure and serene.

And what could set off this face better than that soft, light, blonde hair, that wound into full, large ringlets, looped up in Grecian style? In vain it is for me to describe the tints of it. It seemed as though the Divine Artist had taken the beautiful colors from his palette and mixed them for this especial head. There was a touch of sunshine in it also, and it seems but yesterday that I saw the old gardener take a stray one from the sleeve of his baize jacket, where by chance it had strayed and caught—for the fair owner liked to visit the greenhouse—and hold it admiringly and enthusiastically up in the morning sunlight, and I remember the golden shimmer it had in it, for he called my attention to it. A French writer's words seem to meet its description better than my own: "Non pas rouges—Mais blonde avec des reflets dorés, on delicatement se jouait la lumière du soleil."

In distinction to the lady named before, the present one was short, of fairly full figure, and not above the average grace. You might even say that the large head was carried a little too far forward for elegance. In distinction also to the calm, quiet manner of the other, she was vivacious, quick and spritely; was fond of conversation, but no matter how trivial the subject of discourse, it grew into earnestness in her mind unless she was wholly playful. But her chief distinction was her love and talent for music, and in the capacity of beautiful singer she was first introduced to us.

I cannot tell how this pure soul first took to the sublime idea of society founded on justice to all, the Christianity of the idea, and the truths of industry, or how the idea came to her that in this one way and only in this one way could the kingdom of God prayed for for eighteen centuries, come to us on earth; but I think it was born in her as jewels are born in the earth, and sparkle when they come to the sun. But this I know, that when they took possession of her she could not withstand their power, more than Saint Paul could the heavenly influences that brought his Jewish heart to love all, and live and die for all the races of God's humanity. Friends, relatives, companions, were opposed to her visits among the Brook Farmers. It was intimated to her that there were suspicious persons residing there. She bravely pinned her informers to facts; she made searching inquiries, and, convincing herself, boldly stood by the idea and the Brook Farmers as living symbols of a better and more Christian life, and triumphed over all in her sublime truthfulness and dignity.