[123] The “Forge of Vulcan” was Signor Torré’s masterpiece; in it appeared Venus and Cupid in dialogue, in more or less relevant circumstances of flame and lava.
[124] Fantoccino, the Italian puppet-entertainment, was introduced to France by an Italian named Marion (hence “marionettes”), and then into England. The great London Fantoi show of the eighteenth century was Flockton’s.
Breslaw, the conjurer, began his London appearances in 1772, in Cockspur Street. In 1774 he gave his entertainment on alternate days here and at the “King’s Arms” opposite the Royal Exchange. It is told of him while performing at Canterbury, he promised the Mayor that if the duration of his licence were extended he would give one night’s receipts to the poor. The Mayor agreed, and the conjurer had a full house. Hearing nothing further of the money, the Mayor called on Breslaw to inquire. The following dialogue ensued.
“Mr. Mayor, I have distributed the money myself.”
“Pray, sir, to whom?”
“To my own company, than whom none can be poorer.”
“This is a trick!”
“Sir, we live by tricks.”
[125] Baggio Rebecca, decorative painter, died in 1808. Of his election as Associate of the Royal Academy in 1771, Leslie says: “Academic advancement was rapid in those days. Every man who displayed the least ability was certain of election.” Rebecca had a small share in decorating the Royal Academy lecture-room at Somerset House.
[126] Most of these localities have ceased to be the resort of bird-fanciers. To-day the chief London quarters for song-birds are St. Giles’s, Leadenhall Market, and, above all, Sclater Street in Spitalfields, known as “Club Row.”