[130] A single short fall of lace from the hat has been far from unfashionable in recent years. Fans were carried later than 1776. A print of two ladies in outdoor costume in the Gallery of Fashion, published in May 1796, is reproduced by Fairholt, who remarks: “Both ladies carry the then indispensable article—a fan.” Indeed, the fashion-plates of the eighteenth century disclose hardly any period in which fans were not carried out of doors.
[131] Norton Street is now Bolsover Street, running south from near Portland Road Station, parallel east of Great Portland Street. In the eighteenth century it had considerable pretensions. From it Sir William Chambers’s funeral proceeded to the Abbey in March 1796. Wilson, Turner, and Wilkie all painted here. It is now a dull macadamised street in whose houses upholstering, steel-cutting, etc., are carried on.
[132] Smith erroneously notes that “this house, subsequently inhabited by the Duchess of Bolton, Sir John Nicholl, Sir Vicary Gibbs, and by Sir Charles Flower, Bart., has been recently pulled down, and several houses built upon the site.” The premises remain to this day, but they form several houses. As early as 1776 Northouck noted that Baltimore House was “either built without a plan, or else has had very whimsical owners; for the door has been shifted to different parts of the house, being now carried into the stable-yard.”
[133] The map engraved for Northouck’s History of London in 1772 shows that Smith was justified in these statements. The unexpected break in the houses which still occurs on the south side of Guilford Street is a relic of the desire to leave this square open to Highgate. This intention was defeated when the north side of Guilford Street was built. Thenceforward the north-westward growth of London was rapid, and by 1845 rurality had been pushed up to Chalk Farm by advancing brick and mortar.
[134] This Italian painter exhibited portraits and water colours at the Royal Academy from 1774 to 1778. He painted the principal ceiling at the old East India House.
[135] This painting is said to represent Mary, and her son James (afterwards James I. of England) as a boy four years of age. Doubts have been thrown on its history. (See Gentleman’s Magazine, vols. xlviii. and xlix.)
[136] A fortune-teller by tea-leaves, the leaves being “grouted” or turned over in the cup.
[137] At this time Charles Towneley (1737-1805) was living at No. 7 Park Street (now, with Queen Anne’s Square, named Queen Anne’s Gate), where he entertained, among others, Sir Joshua Reynolds, Nollekens, and Johann Zoffany. The Townley collection of Greek and Roman statues, altars, urns, busts, etc., now in the British Museum, was freely shown to the public in Park Street.
[138] It was from Mr. Tunnard’s house, on Bankside, that Smith etched the river procession which brought Nelson’s body to Whitehall, mentioned in Smith’s note, [p. 182].
[139] The manager, and afterwards part proprietor, of Thrale’s brewery. He hung a fine mezzotint portrait of Johnson in the counting-house, and when Mrs. Thrale, in Johnson’s presence, asked him why he had done so, he replied, “Because, madam, I wish to have one wise man there.” “Sir,” said Johnson, “I thank you. It is a very handsome compliment, and I believe you speak sincerely.”