[488] Clarkson Stanfield (1793-1867), the marine and landscape painter, was scene-painter at three London theatres, including Drury Lane. “Incomparably the noblest master of cloud-form of all our artists,” was Ruskin’s praise of this artist; “the soul of frankness, generosity, and simplicity,” was Dickens’s praise of the man.
[489] Roubiliac’s statue of Newton, made for Trinity College, was pronounced by Chantrey “the noblest, I think, of all our English statues.” Similarly Roubiliac’s figure of Eloquence was considered by Canova “one of the noblest statues he had seen in England”: it occurs in the monument to John, Duke of Argyll and Greenwich, in Poets’ Corner.
John Bacon, R.A. (1740-99), established his reputation by his figure of Mars, which won him the good word of West, the patronage of the Archbishop of York, and his election as A.R.A. See note on [p. 33].
John Charles Felix Rossi, R.A. (1762-1839), was born at Nottingham. He executed statues of Lord Cornwallis, Lord Heathfield, and others in St. Paul’s Cathedral, and decorated Buckingham Palace. His “Celadon and Amelia” was executed in Rome. His is the colossal figure of Britannia in Liverpool Exchange. He was buried in St. James’s churchyard, Hampstead Road.
Flaxman’s “Michael vanquishing Satan” was commissioned by Lord Egremont, and is now at Petworth.
Of busts, alone, Nollekens executed at least two hundred.
Chantrey’s genius was fully acknowledged by Nollekens, who would say when asked to model a bust: “Go to Chantrey; he’s the man for a bust! he’ll make a good bust for you! I always recommend him” (Smith: Nollekens).
Londoners see Sir Richard Westmacott’s statues every day without knowing it. His is the Achilles statue to Wellington in Hyde Park, the Duke of York on the York Column, and the statue of Fox in Bloomsbury Square. His statues in St. Paul’s and the Abbey are numerous; the Abbey has his beautiful monument to Mrs. Warren, a mother and child.
Edward Hodges Baily, R.A. (1788-1867), studied under Flaxman. The bas-relief on the Marble Arch is his, several statues in St. Paul’s, and the figure of Nelson in Trafalgar Square.
[490] William Young Ottley (1771-1836), author of The Origin and Early History of Engraving. His knowledge of painting is described as “astonishing” by Samuel Rogers. On Smith’s death Ottley became Keeper of the Prints.