CHRISTIE’S AS “RAINY DAY” SMITH KNEW IT
Mr. Mitchell had a most serious antipathy to a kitten. He could sit in a room without experiencing the least emotion from a cat; but directly he perceived a kitten, his flesh shook on his bones, like a snail in vinegar. I once relieved him from one of these paroxysms, by taking a kitten out of the room; on my return he thanked me, and declared his feelings to be insupportable upon such an occasion. Long subsequently I asked him whether he could in any way account for this agitation. He said he could not, adding that he experienced no such sensations upon seeing a full-grown cat; but that a kitten, after he had looked at it for a minute or two, in his imagination grew to the size of an overpowering elephant.
At this period Hogarth’s prints were in such high request, that whenever anything remarkable appeared, it was stoutly contested: for Mr. Packer, of Combe’s Brewhouse, was one of the most enterprising of the Hogarth collectors. This gentleman, though his manners sometimes appeared blunt, was highly respected by all who really knew him: it was at this time he became my friend.[219]
He was tall, of good proportion, and well-favoured. He had his peculiarities in dress, particularly as to his hat, which was an undoubted original. Mr. Packer’s opponents in Hogarth prints were two persons, one of the name of Vincent, a tall, half-starved-looking man, who walked with a high gilt chased-headed cane (he had been a chaser of milk-pots, watch-cases, and heads of canes, and he always walked with this cane as a show-article), and the other of the name of Powell, better known under the appellation of “Old black wig.”
Henderson, the player,[220] who was also a collector of Hogarth’s works, seldom made his appearance on these boards—John Ireland being his deputy-manager.[221]
I must not omit to mention another singular but most honourable character, of the name of Heywood, nicknamed “Old Iron Wig.” His dress was precise, and manner of walking rather stiff. He was an extensive purchaser of every kind of article in art, particularly Rowlandson’s drawings; for this purpose he employed the merry and friendly Mr. Seguier,[222] the picture-dealer, a schoolfellow of my father’s, to bid for him.
I shall now close this list by observing that my early friend and fellow-pupil, Rowlandson, who has frequently made drawings of Hutchins and his print-auctions, has produced a most spirited etching, in which not only many of the above-described characters are introduced, but also most of the printsellers of the day. There is another, though it must be owned very indifferent, plate, containing what the publisher called “Portraits of Printsellers,” from a monotonous drawing by the late Silvester Harding, whose manner of delineation made persons appear to be all of one family, particularly his sleepy-eyed and gaudily-coloured drawings of ladies.
1787.
At this time my mimic powers induced Delpini the clown,[223] who had often been amused with several of my imitations of public characters, to mention me to Mr. John Palmer,[224] who, after listening to my specimens, promised me an engagement at the Royalty Theatre, which was then erecting; but as that gentleman was too sanguine, and failed in procuring a licence, I, as well as many other strutting heroes, was disappointed.
After this my friends advised me to resume the arts; and, with the usual confidence of an unskilful beginner, I at once presumed to style myself “drawing-master.” However, my slender abilities, or rather industry, were noticed by my kind patrons, who soon recommended me to pupils, and by that pursuit I was enabled, with some increase of talent, to support myself for several years. It is rather extraordinary that mimicry with me was not confined to the voice, for I could in many instances throw my features into a resemblance of the person whose voice I imitated. Indeed, so ridiculous were several of these gesticulations, that I remember diverting one of my companions by endeavouring to look like the various lion-headed knockers as we passed through a long street. Skilful, however, as I was declared to be in some of my attempts, I could not in any way manage the dolphin knockers in Dean Street, Fetter Lane. Their ancient and fish-like appearance was certainly many fathoms beyond my depth; and as much by reason of my being destitute of gills, and the nose of that finny tribe, extending nearly in width to its tremendous mouth, I was obliged to give up the attempt.