These spirited etchings having become the property of the present Editor, they are now for the first time submitted to the public; who will, it is hoped, consider this volume an appropriate companion to Mr. Smith’s “Vagabondiana; or, Anecdotes of Mendicant Wanderers through the Streets of London,” which work was honoured by a masterly Introduction from the pen of Mr. Douce.
The Editor has taken the liberty, occasionally, to adapt the letter-press to the present day; but the reader will kindly bear in mind that the work was written several years since; and that in the interval many changes have taken place, which it was not thought necessary to point out.
J. B. Nichols.
May, 1839.
CONTENTS, AND LIST OF PLATES.
| Page | ||
| MEMOIR OF THE AUTHOR, with a Portrait | [ix] | |
| INTRODUCTION | [1] | |
| Plates. | ANTIENT TRADES. | |
| I. | WATCHMAN, from a rare woodcut temp. James I. | [13] |
| II. | BELLMAN, from a work entitled “Villanies discovered by Lanthorne and Candle Light” | [14] |
| III. | BILL-MAN, from a print published by Overton, temp. Charles II. | [16] |
| IV. | WATER-CARRIER, from a print published by Overton | [17] |
| V. | CORPSE-BEARER, in the time of a plague at London | [20] |
| VI. | HACKNEY-COACHMAN, from a print published by Overton | [25] |
| VII. | JAILOR, from a tract, entitled “Essayes and Characters of a Prison and Prisoners, by Geffray Mynshul, 1638” | [27] |
| VIII. | PRISON BASKET-MAN, from a print published by Overton, temp. Charles II. | [30] |
| IX. | RAT-CATCHER | [33] |
| X. | MARKING-STONES, from a rare woodcut, temp. James I. | [37] |
| XI. | BUY A BRUSH, OR A TABLE BOOK, from a print published by Overton | [39] |
| XII. | FIRE-SCREENS, from a print published by Overton | [42] |
| XIII. | SAUSAGES, from a print temp. Charles II. | [44] |
| MODERN TRADERS. | ||
| XIV. | NEW ELEGY | [47] |
| XV. | ALL IN FULL BLOOM | [50] |
| XVI. | OLD CHAIRS TO MEND—Portrait of Israel Potter | [53] |
| XVII. | THE BASKET OR PRICKLE MAKER | [55] |
| XVIII. | THE POTTER | [58] |
| XIX. | STAFFORDSHIRE WARE | [61] |
| XX. | HARD METAL SPOONS—Portrait of William Conway | [63] |
| XXI. | DANCING DOLLS | [65] |
| XXII. | SPRIG OF SHILLELAH AND SHAMROCK SO GREEN—Portrait of Thomas McConwick, the dancing ballad singer | [67] |
| XXIII. | GINGERBREAD NUTS, OR JACK’S LAST SHIFT—Portrait of Daniel Clarey | [69] |
| XXIV. | CHICKWEED—Portrait of George Smith | [73] |
| XXV. | BILBERRIES | [75] |
| XXVI. | Three female SIMPLERS | [77] |
| XXVII. | WASHERWOMAN, CHAR-WOMAN, and STREET NURSES | [81] |
| XXVIII. | SMITHFIELD BARGAINS—Saloop | [85] |
| XXIX. | SMITHFIELD-PUDDING | [88] |
| XXX. | THE BLADDER-MAN—Portrait of Bernardo Millano | [92] |
| POSTSCRIPT, by the Editor | [96] |