The above artist, whose eye glanced at every description of nature, and whose mind was perpetually alive to those scenes which would in any way illustrate his various subjects, has introduced, in his inimitable print of Southwark Fair, the figure of a little man, at that time extremely well known in London, who performed various tricks with two dancing dolls strung to a flat board; his music was the bagpipes, on which he played quick or slow tunes, according to the expression he wished to give his puppets. These dolls were fastened to a board, and moved by a string attached to his knee, as appears in the figure of the boy represented in the present Plate. Since the late Peace, London has been infested with ten or twelve of these lads, natives of Lucca, whose importunities were at first made with all their native impudence and effrontery, for they attempted to thrash the English boys that stood between their puppets and the spectators, but in this they so frequently were mistaken that they behave now with a little more propriety.
The sounds they produce from their drums during the action of their dolls are full of noise and discord, nor are they masters of three notes of their flute. Lucca is also the birth place of most of those people who visit England to play the street organ, carry images, or attend dancing bears or dolls. In Italy there are many places which retain their peculiar trades and occupations; as for example, one village is inhabited by none but shoemakers, whose ancestors resided in the same place and followed a similar employment.
SPRIG OF SHILLELAH AND SHAMROCK SO GREEN.
Plate XXII.
The annexed etching was taken from Thomas M’Conwick, an Irishman, who traverses the western streets of London, as a vendor of matches, and, like most of his good-tempered countrymen, has his joke or repartee at almost every question put to him, duly attempered with native wit and humour. M’Conwick sings many of the old Irish songs with excellent effect, but more particularly that of the “Sprig of Shillelah and Shamrock so green,” dances to the tunes, and seldom fails of affording amusement to a crowded auditory.
The throne at St. James’s was first used on the Birth Day of Queen Charlotte, after the union of the Kingdoms of Great Britain and Ireland, and the Shamrock, the badge of the Irish nation, is introduced among the decorations upon it.
M’Conwick assured me, when he came to London, that the English populace were taken with novelty, and that by either moving his feet, snapping his fingers, or passing a joke upon some one of the surrounding crowd, he was sure of gaining money. He carries matches as an article of sale, and thereby does not come under the denomination of a pauper. Now and then, to please his benefactors, he will sport a bull or two, and when the laugh is increasing a little too much against him, will, in a low tone, remind them that bulls are not confined to the lower orders of Irish. The truth of this assertion may be seen in Miss Edgworth’s Essay on Irish bulls, published 1803, from which the following is an extract: