It may be inferred from an ancient stained glass picture of a pedlar with his pack at his back, still to be seen in a South-east window of Lambeth Church,[4] a representation of which has been given by the author in a work entitled, “Antiquities of London,” that itinerant trades must have been of long standing.

It appears from the celebrated Comedy of Ignoramus, by George Ruggle, performed before King James the First on March the 8th, 1614, of which there is an English translation by Robert Codrington, published 1662, that books were at that period daily cried in the streets.

In the third scene of the second act, Cupes the itinerant Bibliopole exclaims,

Libelli, belli, belli; lepidi, novi libelli; belli, belli, libelli!

Trico. Heus, libelli belli.

Cupes. O Trico, mox tibi operam do. Ita vivam, ut pessimi sunt libelli.

In the time of Charles II. ballad singers and sellers of small books were required to be licensed. John Clarke, bookseller, rented the licensing of all ballad-singers of Charles Killigrew, Esq. master of the revels, for five years, which term expired in 1682. “These, therefore, are to give notice (saith the latter gentleman in the London Gazette) to all ballad-singers, that they take out licenses at the office of the Revels at Whitehall, for singing and selling of ballads and small books, according to an antient custom. And all persons concerned are hereby desired to take notice of, and to suppress, all mountebanks, rope-dancers, prize-players, ballad-singers, and such as make shew of motions and strange sights, that have not a license in red and black letters, under the hand and seal of the said Charles Killigrew, Esq. Master of the Revels to his Majesty; and in particular, to suppress one Mr. Irish, Mr. Thomas Varney, and Thomas Yeats, mountebank, who have no license, that they may be proceeded against according to law.”

The Gazette of April 14, 1684, contains another order relative to these licenses: “All persons concerned are hereby desired to take notice of and suppress all mountebanks, rope-dancers, ballad-singers, &c. that have not a license from the Master of his Majesty’s Revels (which, for this present year, are all printed with black letters, and the King’s Arms in red) and particularly Samuel Rutherford and —— Irish, mountebanks, and William Bevel and Richard Olsworth; and all those that have licenses with red and black letters, are to come to the office to change them for licenses as they are now altered.”

The origin of our early cries might be ascribed to the parent of invention. An industrious man finding perhaps his trade running slack, might have ventured abroad with his whole stock, and by making his case known, invited his neighbours to purchase; and this mode of vending commodities being adopted by others, probably established the custom of itinerant hawkers, to the great and truly serious detriment of those housekeepers who contributed to support their country by the payment of their taxes. An Act was passed in the reign of James the First, and is thus noticed in a work entitled, “Legal Provisions for the Poor, by S. C. of the Inner Temple, 1713.” “All Pedlars, Petty-chapmen, Tinkers, and Glass-men, per Statute 21 Jac. 28, abroad, especially if they be unknown, or have not a sufficient testimonial, and though a man have a certain habitation, yet if he goes about from place to place selling small wares, he is punishable by the 39 Eliz.”

Hawkers and Pedlars are obliged at this time, in consequence of an Act passed in the reign of King George the Third, to take out a license.