“Pre, dire sistre, comme and se us, and pass the de here if yeux canne, and chat tu my dame, and dine here; and yeux mai go to the faire if yeux plaise; yeux mai have fiche, muttin, porc, buter, foule, hair, fruit, pigeon, olives, sallette, forure diner, and excellent te, cafe, port vin, an liqueurs; and tell ure bette and poll to comme; and Ile go tu the faire and visite the Baron. But if yeux dont comme tu us, Ile go to ure house and se oncle, and se houe he does; for mi dame se he bean ill; but deux comme; mi dire yeux canne ly here yeux nos; if yeux love musique, yeux mai have the harp, lutte, or viol heere. Adieu, mi dire sistre.”
RELICS OF IZAAK WALTON.
Flatman’s beautiful lines to Walton, (says Mr. Jesse) commencing—
“Happy old man, whose worth all mankind knows
Except himself,”
have always struck us as conveying a true picture of Walton’s character, and of the estimation in which he was held after the appearance of his “Angler.”
The last male descendant of our “honest father,” the Rev. Dr. Herbert Hawes, died in 1839. He very liberally bequeathed the beautiful painting of Walton, by Houseman, to the National Gallery; and it is a curious fact, as showing the estimation in which any thing connected with Walton is held in the present day, that the lord of the manor in which Dr. Hawes resided, laid claim to this portrait as a heriot, though not successfully. Dr. Hawes also bequeathed the greater portion of his library to the Dean and Chapter of Salisbury; and his executor and friend presented the celebrated prayer-book, which was Walton’s, to Mr. Pickering, the publisher. The watch which belonged to Walton’s connexion, the excellent Bishop Ken, has been presented to his amiable biographer, the Rev. W. Lisle Bowles.
Walton died at the house of his son-in-law, Dr. Hawkins, at Winchester. He was buried in Winchester Cathedral, in the south aisle, called Prior Silkstead’s Chapel. A large black marble slab is placed over his remains; and, to use the poetical language of Mr. Bowles, “the morning sunshine falls directly on it, reminding the contemplative man of the mornings when he was, for so many years, up and abroad with his angle, on the banks of the neighbouring stream.”