NOTE.
Perhaps there is no notable department of human effort and interest—not excepting literature itself—that furnishes such delightful and plentiful materials for anecdote and illustration, as Art and Artists. As the studios of eminent painters or sculptors afford a favourite lounge for men of taste and leisure; so, to those to whom such a pleasure is denied, or as regards those sovereigns of the pencil and chisel who are at rest from their labours, there is a peculiar gratification in being placed, in fancy, in contact with the creators of immortal things of beauty and of power. Artists, besides, have been and are, in very many cases, also men of culture and wit, of refined taste and powerful intellect—men remarkable quite apart from their performances on canvas or in marble. Their works, moreover, possess what we may almost term a personal history and vitality: they are each unique and full of character, like human beings; and their voyagings and vicissitudes are at times of even greater interest than those of their authors—whose life, too, is but as a span in comparison with theirs. This selection of facts and anecdotes relating to Art and Artists, therefore, seems to require for its subject-matter no strenuous recommendation to the favour of the reader; and it is put forth in the confident hope that it may not be found lacking either in variety or in interest.
ART AND ARTISTS.
CURIOUS FACTS AND CHARACTERISTIC SKETCHES.
TITIAN AND CHARLES V.
In 1547, at the invitation of Charles V., Titian joined the imperial court. The Emperor, then advanced in years, sat to him for the third time. During the sitting, Titian happened to drop one of his pencils; the Emperor took it up; and on the artist expressing how unworthy he was of such an honour, Charles replied that Titian was “worthy of being waited upon by Cæsar.”—(See the Frontispiece.)—After the resignation of Charles V., Titian found as great a patron in his son, Philip II.; and when, in 1554, the painter complained to Philip of the irregularity with which a pension of 400 crowns granted to him by the Emperor was paid to him, the King wrote an order for the payment to the governor of Milan, concluding with the following words:—“You know how I am interested in this order, as it affects Titian; comply with it, therefore, in such a manner as to give me no occasion to repeat it.”
The Duke of Ferrara was so attached to Titian, that he frequently invited him to accompany him, in his barge, from Venice to Ferrara. At the latter place, he became acquainted with Ariosto. But, to reckon up the protectors and friends of Titian, would be to name nearly all the persons of the age, to whom rank, talent, and exalted character appertained.