The funds must have largely benefited by the payment of fines, some of which were very strange. Those paid "on increase of income, by inheritance, legacy, marriage, or preferment," are very odd; as, five guineas by Lord Grosvenor, on his marriage with Miss Leveson Gower; eleven guineas by the Duke of Bedford, on being appointed First Lord of the Admiralty; ten guineas compounded for by Bubb Dodington, as Treasurer of the Navy; two guineas by the Duke of Kingston for a Colonelcy of Horse (then valued at 400l. per annum); twenty-one pounds by Lord Sandwich on going out as Ambassador to the Congress at Aix-la-Chapelle; and twopence three-farthings by the same nobleman, on becoming Recorder of Huntingdon; thirteen shillings and fourpence by the Duke of Bedford, on getting the Garter; and sixteen shillings and eightpence (Scotch) by the Duke of Buccleuch, on getting the Thistle; twenty-one pounds by the Earl of Holdernesse, as Secretary of State; and nine pounds, nineteen shillings and sixpence, by Charles James Fox, as a Lord of the Admiralty.
In 1814, another expedition was undertaken by the Society, when Sir William Gell, with Messrs. Gandy and Bedford, professional architects, proceeded to the Levant. Smyrna was again appointed the head-quarters of the mission, and fifty pounds per month was assigned to Gell, and two hundred pounds per annum to each of the architects. An additional outlay was required; and by this means the classical and antique literature of England was enriched with the fullest and most accurate descriptions of important remains of ancient art hitherto given to the world.
The contributions of the Society to the æsthetic studies of the time also deserve notice. The excellent design to publish Select Specimens of Antient Sculpture preserved in the several Collections of Great Britain was carried into effect by Messrs. Payne Knight and Mr. Towneley, 2 vols. folio, 1809-1835. Then followed Mr. Penrose's Investigations into the Principles of Athenian Architecture, printed in 1851.
About the year 1820, those admirable monuments of Grecian art, called the Bronzes of Siris, were discovered on the banks of that river, and were brought to this country by the Chevalier Brondsted. The Dilettanti Society immediately organized a subscription of 800l., and the Trustees of the British Museum completed the purchase by the additional sum of 200l.
It was mainly through the influence and patronage of the Dilettanti Society that the Royal Academy obtained a Charter. In 1774, the interest of 4000l. three per cents. was appropriated by the former for the purpose of sending two students, recommended by the Royal Academy, to study in Italy or Greece for three years.
In 1835 appeared a Second Volume on Ancient Sculpture. The Society at this time included, among a list of sixty-four names of the noble and learned, those of Sir William Gell, Mr. Towneley, Richard Westmacott, Henry Hallam, the Duke of Bedford, Sir M. A. Shee, P.R.A., Henry T. Hope; and Lord Prudhoe, afterwards Duke of Northumberland.
That a Society possessing so much wealth and social importance as the Dilettanti should not have built for themselves a mansion is surprising. In 1747 they obtained a plot of ground in Cavendish Square, for this purpose; but in 1760, they disposed of the property. Between 1761 and 1764 the project of an edifice in Piccadilly, on the model of the Temple of Pola, was agitated by the Committee; two sites were proposed, one between Devonshire and Bath Houses, the other on the west side of Cambridge House. This scheme was also abandoned.
Meanwhile the Society were accustomed to meet at the Thatched House Tavern, the large room of which was hung with portraits of the Dilettanti. Sir Joshua Reynolds, who was a member, painted for the Society three capital pictures:—1. A group in the manner of Paul Veronese, containing the portraits of the Duke of Leeds, Lord Dundas, Constantine Lord Mulgrave, Lord Seaforth, the Hon. Charles Greville, Charles Crowle, Esq., and Sir Joseph Banks. 2. A group in the manner of the same master, containing portraits of Sir William Hamilton, Sir Watkin W. Wynne, Richard Thomson, Esq., Sir John Taylor, Payne Galway, Esq., John Smythe, Esq., and Spencer S. Stanhope, Esq. 3. Head of Sir Joshua, dressed in a loose robe, and in his own hair. The earlier portraits are by Hudson, Reynolds's master.
Some of these portraits are in the costume familiar to us through Hogarth; others are in Turkish or Roman dresses. There is a mixture of the convivial in all these pictures: many are using wine-glasses of no small size: Lord Sandwich, for instance, in a Turkish costume, casts a most unorthodox glance upon a brimming goblet in his left hand, while his right holds a flask of great capacity. Sir Bouchier Wray is seated in the cabin of a ship, mixing punch, and eagerly embracing the bowl, of which a lurch of the sea would seem about to deprive him: the inscription is Dulce est desipere in loco. Here is a curious old portrait of the Earl of Holdernesse, in a red cap, as a gondolier, with the Rialto and Venice in the background; there is Charles Sackville, Duke of Dorset, as a Roman senator, dated 1738; Lord Galloway, in the dress of a cardinal; and a very singular likeness of one of the earliest of the Dilettanti, Lord Le Despencer, as a monk at his devotions: his Lordship is clasping a brimming goblet for his rosary, and his eyes are not very piously fixed on a statue of the Venus de' Medici. It must be conceded that some of these pictures remind one of the Medmenham orgies, with which some of the Dilettanti were not unfamiliar. The ceiling of the large room was painted to represent sky, and crossed by gold cords interlacing each other, and from their knots were hung three large glass chandeliers.
The Thatched House has disappeared, but the pictures have been well cared for. The Dilettanti have removed to another tavern, and dine together on the first Sunday in every month, from February to July. The late Lord Aberdeen, the Marquises of Northampton and Lansdowne, and Colonel Leake, and Mr. Broderip, were members; as was also the late Lord Northwick, whose large collection of pictures at Thirlestane, Cheltenham, was dispersed by sale in 1859.