It was long asserted of Slaughter's Coffee-house that there never had been a person of that name as master of the house, but that it was named from its having been opened for the use of the men who slaughtered the cattle for the butchers of Newport Market, in an open space then adjoining. "This," says J. T. Smith, "may be the fact, if we believe that coffee was taken as refreshment by slaughtermen, instead of purl or porter; or that it was so called by the neighbouring butchers in derision of the numerous and fashionable Coffee-houses of the day; as, for instance, 'The Old Man's Coffee-house,' and 'The Young Man's Coffee-house.' Be that as it may, in my father's time, and also within memory of the most aged people, this Coffee-house was called 'Old Slaughter's,' and not The Slaughter, or The Slaughterer's Coffee-house."
In 1827, there was sold by Stewart, Wheatley, and Adlard, in Piccadilly, a picture attributed to Hogarth, for 150 guineas; it was described A Conversation over a Bowl of Punch, at Old Slaughter's Coffee-house, in St. Martin's-lane, and the figures were said to be portraits of the painter, Doctor Monsey, and the landlord, Old Slaughter. But this picture, as J. T. Smith shows, was painted by Highmore, for his father's godfather, Nathaniel Oldham, and one of the artist's patrons; "it is neither a scene at Old Slaughter's, nor are the portraits rightly described in the sale catalogue, but a scene at Oldham's house, at Ealing, with an old schoolmaster, a farmer, the artist Highmore, and Oldham himself."
WILL'S AND SERLE'S COFFEE-HOUSES.
At the corner of Serle-street and Portugal-street, most invitingly facing the passage to Lincoln's Inn New-square, was Will's, of old repute, and thus described in the Epicure's Almanack, 1815: "This is, indubitably, a house of the first class, which dresses very desirable turtle and venison, and broaches many a pipe of mature port, double voyaged Madeira, and princely claret; wherewithal to wash down the dust of making law-books, and take out the inky blots from rotten parchment bonds; or if we must quote and parodize Will's, 'hath a sweet oblivious antidote which clears the cranium of that perilous stuff that clouds the cerebellum.'" The Coffee-house has some time being given up.
Serle's Coffee-house is one of those mentioned in No. 49, of the Spectator: "I do not know that I meet in any of my walks, objects which move both my spleen and laughter so effectually as those young fellows at the Grecian, Squire's, Serle's, and all other Coffee-houses adjacent to the Law, who rise for no other purpose but to publish their laziness."
THE GRECIAN COFFEE-HOUSE,
Devereux-court, Strand, (closed in 1843,) was named from Constantine, of Threadneedle-street, the Grecian who kept it. In the Tatler announcement, all accounts of learning are to be "under the title of the Grecian;" and, in the Tatler, No. 6: "While other parts of the town are amused with the present actions, [Marlborough's,] we generally spend the evening at this table [at the Grecian], in inquiries into antiquity, and think anything new, which gives us new knowledge. Thus, we are making a very pleasant entertainment to ourselves in putting the actions of Homer's Iliad into an exact journal."
The Spectator's face was very well-known at the Grecian, a Coffee-house "adjacent to the law." Occasionally, it was the scene of learned discussion. Thus Dr. King relates that one evening, two gentlemen, who were constant companions, were disputing here, concerning the accent of a Greek word. This dispute was carried to such a length, that the two friends thought proper to determine it with their swords: for this purpose they stepped into Devereux-court, where one of them (Dr. King thinks his name was Fitzgerald) was run through the body, and died on the spot.