THE STEREOSCOPE AND THE PHOTOGRAPH.

When once the availability of one great primitive agent is worked out, it is easy to foresee how extensively it will assist in unravelling other secrets in natural science. The simple principle of the Stereoscope, for instance, might have been discovered a century ago, for the reasoning which led to it was independent of all the properties of light; but it could never have been illustrated, far less multiplied as it now is, without Photography. A few diagrams, of sufficient identity and difference to prove the truth of the principle, might have been constructed by hand, for the gratification of a few sages; but no artist, it is to be hoped, could have been found possessing the requisite ability and stupidity to execute the two portraits, or two groups, or two interiors, or two landscapes, identical in every minutia of the most elaborate detail, and yet differing in point of view by the inch between the two human eyes, by which the principle is brought to the level of any capacity. Here, therefore, the accuracy and insensibility of a machine could alone avail; and if in the order of things the cheap popular toy which the stereoscope now represents was necessary for the use of man, the photograph was first necessary for the service of the stereoscope.—Quarterly Review, No. 202.

THE STEREOSCOPE SIMPLIFIED.

When we look at any round object, first with one eye, and then with the other, we discover that with the right eye we see most of the right-hand side of the object, and with the left eye most of the left-hand side. These two images are combined, and we see an object which we know to be round.

This is illustrated by the Stereoscope, which consists of two mirrors placed each at an angle of 45 deg., or of two semi-lenses turned with their curved sides towards each other. To view its phenomena two pictures are obtained by the camera on photographic paper of any object in two positions, corresponding with the conditions of viewing it with the two eyes. By the mirrors on the lenses these dissimilar pictures are combined within the eye, and the vision of an actually solid object is produced from the pictures represented on a plane surface. Hence the name of the instrument, which signifies Solid I see.—Hunt’s Poetry of Science.

PHOTO-GALVANIC ENGRAVING.

That which was the chief aid of Niepce in the humblest dawn of the art, viz. to transform the photographic plate into a surface capable of being printed, is in the above process done by the coöperation of Electricity with Photography. This invention of M. Pretsch, of Vienna, differs from all other attempts for the same purpose in not operating upon the photographic tablet itself, and by discarding the usual means of varnishes and bitings-in. The process is simply this: A glass tablet is coated with gelatine diluted till it forms a jelly, and containing bi-chromate of potash, nitrate of silver, and iodide of potassium. Upon this, when dry, is placed face downwards a paper positive, through which the light, being allowed to fall, leaves upon the gelatine a representation of the print. It is then soaked in water; and while the parts acted upon by the light are comparatively unaffected by the fluid, the remainder of the jelly swells, and rising above the general surface, gives a picture in relief, resembling an ordinary engraving upon wood. Of this intaglio a cast is now taken in gutta-percha, to which the electro process in copper being applied, a plate or matrix is produced, bearing on it an exact repetition of the original positive picture. All that now remains to be done is to repeat the electro process; and the result is a copper-plate in the necessary relievo, of which it has been said nature furnished the materials and science the artist, the inferior workman being only needed to roll it through the press.—Quarterly Review, No. 202.

SCIENCE OF THE SOAP-BUBBLE.

Few of the minor ingenuities of mankind have amused so many individuals as the blowing of bubbles with soap-lather from the bowl of a tobacco-pipe; yet how few who in childhood’s careless hours have thus amused themselves, have in after-life become acquainted with the beautiful phenomena of light which the soap-bubble will enable us to illustrate!

Usually the bubble is formed within the bowl of a tobacco-pipe, and so inflated by blowing through the stem. It is also produced by introducing a capillary tube under the surface of soapy water, and so raising a bubble, which may be inflated to any convenient size. It is then guarded with a glass cover, to prevent its bursting by currents of air, evaporation, and other causes.