"Six men to be my bearers, who are known to be the greatest snuff-takers in the parish of St. James, Westminster; instead of mourning, each to wear a snuff-coloured beaver hat, which I desire may be bought for that purpose, and given to them. Six maidens of my old acquaintance, viz. &c., to bear my pall, each to bear a proper hood, and to carry a box filled with the best Scotch snuff to take for their refreshment as they go along. Before my corpse, I desire the minister may be invited to walk and to take a certain quantity of the said snuff, not exceeding one pound, to whom also I bequeath five guineas on condition of his so doing. And I also desire my old and faithful servant, Sarah Stuart, to walk before the corpse, to distribute every twenty yards a large handful of Scotch snuff to the ground and upon the crowd who may possibly follow me to the burial-place; on which condition I bequeath her 20l. And I also desire that at least two bushels of the said snuff may be distributed at the door of my house in Boyle Street."
She then particularizes her legacies; and over and above every legacy she desires may be given one pound of good Scotch snuff, which she calls the grand cordial of nature.
[Burial Bequests.]
In June, 1864, there died at Drogheda one Miss Hardman, at the advanced age of ninety-two years. She was buried in the family vault in Peter's Protestant Church. The funeral took place on the eighth day of her decease. It is not usual in Ireland to allow so long an interval to elapse between the time of a person's death and burial; in this instance it was owing to the expressed wish of the deceased, and this originated in a very curious piece of family and local history. Everybody has heard of the lady who was buried, being supposed dead, and who bearing with her to the tomb, on her finger, a ring of rare price, this was the means of her being rescued from her charnel prison-house. A butler in the family of the lady, having his cupidity excited, entered the vault at midnight in order to possess himself of the ring, and in removing it from the finger the lady was restored to consciousness and made her way in her grave-clothes to her mansion. She lived many years afterwards before she was finally consigned to the vault. The heroine of the story was a member of the Hardman family—in fact, the late Miss Hardman's mother—and the vault in Peter's Church was the locality where the startling revival scene took place.
The story is commonly told in explanation of a monument in the Church of St. Giles, Cripplegate, London, which is commemorative of Constance Whitney, and represents a female rising from a coffin. "This," says Mr. Godwin, in his popular history of the Churches of London, "has been erroneously supposed to commemorate a lady, who, having been buried in a trance, was restored to life through the cupidity of the sexton, which induced him to dig up the body to obtain possession of a ring." The female rising from the coffin is undoubtedly emblematic of the Resurrection, and may have been repeated upon other monuments elsewhere; but there is no such monument at Drogheda, which as above is claimed as the actual locality.
On May 24th, 1837, there died at Primrose Cottage, High Wycombe, Bucks, Mr. John Guy, aged sixty-four. His remains were interred in a brick grave in Hughenden Churchyard: on a marble slab, on the lid of the coffin, is inscribed:
Here, without nail or shroud, doth lie,
Or covered with a pall, John Guy,
Born May 17th, 1773.
Died, „ 24th, 1837.
On his gravestone are the following lines:—
In coffin made without a nail,
Without a shroud his limbs to hide;
For what can pomp or show avail,
Or velvet pall to swell the pride?
Mr. Guy was possessed of considerable property, and was a native of Gloucestershire. His grave and coffin were made under his directions more than a twelvemonth previous to his death; he wrote the inscriptions, he gave the orders for his funeral, and wrapped in separate pieces of paper five shillings for each of the bearers. The coffin was very neatly made, and looked more like a piece of cabinet-work for a drawing-room than a receptacle for the dead.