Sharp was, at one time, so infected with wild notions of political liberty, and so free in his talk, that he was placed under arrest by the Government and several times examined before the Privy Council, for the purpose of ascertaining whether or not, in his speeches or writings, he had committed himself far enough to be tried with Horne Tooke for high treason; but Sharp, being a handsome-looking, jocular man, and too cheerful for a conspirator, the Privy Council came to a conclusion that the altar and the throne had not much to fear from him. At one of the examinations, when Mr. Pitt and Mr. Dundas were present, after he had been worried with questions, which, Sharp said, had little or nothing to do with the business, he deliberately took out of his pocket a prospectus for subscribing to his portrait of General Kociusko, after West, which he was then engraving; and handing the paper first to Pitt and Dundas, he requested them to put their names down as subscribers, and then to give his prospectus to the other members of the Council for their names. The singularity of the proposal set them laughing, and he was soon afterwards liberated.
Sharp possessed a fraternal regard for Bryan, had him instructed in copper-plate printing, supplied him with paper, &c., and enabled him to commence business; but they soon quarrelled. A strong tide of animal spirits, not unaccompanied by some intellectual pretensions and shrewdness of insight, characterized the mind of Jacob Bryan; which, when religion was launched on it, swelled to enthusiasm, tossed reason to the skies, or whirled her in mystic eddies. Sharp found him one morning groaning on the floor, between his two printing-presses, at his office in Marylebone Street, complaining how much he was oppressed, by bearing, after the pattern of the Saviour, part of the sins of the people; and he soon after had a vision, commanding him to proceed to Avignon on a Divine Mission. He accordingly set out immediately, in full reliance on Divine Providence, leaving his wife to negotiate the sale of his printing business: thus Sharp lost his printer, but Bryan kept his faith. The issue of this mission was so ambiguous, that it might be combined into an accomplishment of its supposed object, according as an ardent or a cool imagination was employed on the subject; but the missionary (Bryan) returned to England, and then became a dyer, and so much altered, that a few years after he could even pun upon the suffering and confession which St. Paul has expressed in his text—"I die daily."
The Animal Magnetism of Mesmer and the mysteries of Emanuel Swedenborg had, by some means or other, in Sharp's time, become mingled in the imaginations of their respective or their mutual followers; and Bryan and several others were supposed to be endowed, though not in the same degree, with a sort of half-physical and half-miraculous power of curing diseases, and imparting the thoughts or sympathies of distant friends. De Loutherbourg, the painter (one of the disciples), was believed by the sect to be a very Esculapius in this divine art; but Bryan was held to be far less powerful, and was so by his own confession. Sharp had also some inferior pretensions of the same kind, which gradually died away.
But, behold! Richard Brothers arose! The Millennium was at hand! The Jews were to be gathered together, and were to re-occupy Jerusalem; and Sharp and Brothers were to march thither with their squadrons! Due preparations were accordingly made, and boundless expectations were raised by the distinguished artist. Upon a friend remonstrating that none of their preparations appeared to be of a marine nature, and inquiring how the chosen colony were to cross the seas, Sharp answered, "Oh, you'll see; there'll be an earthquake, and a miraculous transportation will take place." Nor can Sharp's faith or sincerity on this point be in the least distrusted; for he actually engraved two plates of the prophet Brothers, having calculated that one would not print the great number of impressions that would be wanted when the important event should arrive; and he added to each the following inscription: "Fully believing this to be the man appointed by God, I engrave his likeness: W. Sharp." The writing engraver, Smith, put the comma after the word "appointed," and omitted it in the subsequent part of the sentence. The mistake was not discovered until several were worked off; the unrectified impressions are in great request. Whether this be true, or only a hoax by Smith to put collectors on a false scent, has not been ascertained; there is no such impression in the British Museum. If the reader paused in the place where Sharp intended, the sentence expressed, "Fully believing this to be the man appointed by God,"—to do what? to head the Jews in their predestined march to recover Jerusalem? or to die in a madhouse? one being expressed as much as the other.
Brothers, however, in his prophecy, had mentioned dates, which were stubborn things. Yet the failure of the accomplishment of this prophecy may have helped to recommend "the Woman clothed with the Sun!" who now arose, as might be thought somewhat mal à propos, in the West. Such was Joanna Southcote. The Scriptures had said: "The sceptre shall not depart from Israel, nor a lawgiver from between his feet, until Shiloh come; and to him shall the gathering of my people be." When Brothers was incarcerated in a madhouse in Clerkenwell, Johanna, then living in service at Exeter, persuaded herself that she held converse with the devil, and communion with the Holy Ghost, by whom she pretended to be inspired. When the day of dread that was to leave London in ruins, while it ushered forth Brothers and Sharp on their holy errand, passed calmly over, the seers of coming events began to look out for new ground, and to prevaricate most unblushingly. The days of prophecy, said Sharp, were sometimes weeks or months; nay, according to one text, a thousand years were but as a single day, and one day was but as a thousand years. But he finally clung to the deathbed prediction of Jacob, supported as it was by the ocular demonstration of the coming Shiloh. In vain Sir William Drummond explained that Shiloh was in reality the ancient Asiatic name of a star in Scorpio; or that Joanna herself sold for a trifle, or gave away in her loving kindness, the impression of a trumpery seal, which at the Great Day was to constitute the discriminating mark between the righteous and the ungodly. We shall hear more of Sharp in association with Joanna Southcote, presently.
Sharp died poor; he earned much money, but his egregious credulity accounts for its dispersion. He was an epicure in his living, he grew corpulent, and had gout; he died of dropsy, at Chiswick, July 25th, 1824, and was interred in the churchyard of that hamlet, near De Loutherbourg, for whom, at one period, he entertained much mystic reverence.
This great engraver, this William Sharp, was an enthusiast for human freedom. He engraved, from a liking for the man, Northcote's portrait of Sir Francis Burdett; and bestowed unusual care on an engraving after Stothard's beautiful bistre-drawing of "Boadicea animating the Britons." For many years preceding his death he was a wholesale believer in Joanna Southcote; as we have already seen—and he had implicit faith in mystical doctrines; of his portrait of Brothers, Horne Tooke well observed, that, coupled with its extraordinary inscription, it "exhibited one of the most eminent proofs of human genius and human weakness ever contained on the same piece of paper."
Burnet, the engraver, used to relate that Sharp had an ingenious way of carrying a proof print to a purchaser, in an umbrella contrived to serve two additional duties—a print-case, and a walking-stick.
When John Martin exhibited his picture of Belshazzar's Feast, Sharp called upon him at his house, introduced himself, praised his picture, and asked permission to engrave it. "That I was flattered by a request of the kind from so great an artist," says Martin, "you will readily imagine; and I so expressed myself." Sharp felt pleased. "My belief," said Sharp, "is, that yours is a divine work—an emanation immediately from the Almighty; and my belief further is, that while I am engaged on so divine a work, I shall never die." When Martin told this story, he added, with a smile, his eyes twinkling with mischief, "Poor Sharp! a wild enthusiast, but—a masterly engraver."[23]