Such was the man who succeeded the luxurious Beckford at Fonthill! He, however, sold the property about 1825, and died in the following year. The immense fortune he had struggled to make, and to increase which he had lived a solitary and comfortless life, he made no disposal of by will; the law distributed it among his next-of-kin, and those he favoured and those he neglected inherited equal portions. Three nephews and four nieces became entitled to 100,000l. each. Fonthill Abbey had been taken down, merely enough of its ruins being left to show where it had stood. Mr. Farquhar possessed Fonthill for so short a time, and it was demolished so soon after he had parted with it, and so many years before Mr. Beckford followed him to the grave, that the latter lived to know that its last proprietor was comparatively forgotten, and the strange glories of the fantastic pile will be connected by the public voice with no name but that of its eccentric architect.
On settling at Bath, Mr. Beckford was frequently seen on horseback in the streets with his groom, and appeared as the plain unostentatious country gentleman: he was no longer the wealthy lord of Fonthill; still his appearance always excited the gaze and speculation of idlers and gossips. A dwarf, an Italian named Piero, was occasionally seen on a pony with the groom, and strange conjectures were hazarded on the history of this human phenomenon. The fact is, Mr. Beckford had taken charge of him in Italy, when he was deserted by his parents and was homeless and friendless; and he was brought to England by a humane patron, who supported him through life.
In 1844, Mr. Cyrus Redding, when at Bath, had several interviews and conversations with Mr. Beckford, whose mind was then vigorous: his spirits were good, and he displayed his wonted activity of body nearly to the last. In his seventy-sixth year he said that he had never felt a moment's ennui in his life. He was the most accomplished man of his time: his reading was very extensive; he used to say that he could easily read and understand an octavo volume during his breakfast. Besides the classical languages of antiquity, he spoke four modern European tongues, and wrote three of them with great elegance. He read Russian and Arabic. We have said that he was taught music by Mozart, to whom he was so much attached, that when the great composer settled in Vienna, Mr. Beckford made a visit to that capital "that he might once more see his old master."
Mr. Redding tells us that Mr. Beckford's custom, "in fine weather, was to rise early, ride to the tower or about the grounds, walk back and breakfast, and then read until a little before noon, generally making pencil notes in the margin of every book, transact business with his steward; afterwards, until two o'clock, continue to read and write, and then ride out two or three hours." Mr. Beckford was never idle. When planning or building, he passed the larger part of the day where the work was proceeding. He sometimes expressed contempt by a sarcastic sneer, peculiar to himself. Few could utter more cutting things than the author of Vathek, the delivery with a caustic expression of countenance that made them tell with double effect. Mr. Redding once ventured to remark, "It must have cost you much pain to quit Fonthill." "Not so much as you might think. I can bend to fortune. I have philosophy enough not to cry like a child about a play-thing." Mr. Britton, who had seen much of Mr. Beckford, tells us that the remarks and opinions in the novels of Cecil a Coxcomb and Cecil a Peer, mostly written by Mrs. Gore when on a visit to Mr. Beckford at Bath, afford the nearest approach he had seen in print to the language, the ideas, the peculiar sentiments of the author of Vathek.
Mr. Beckford continued to reside in Bath (except his annual visits to the metropolis, when he lived in Park Lane and in Gloucester Place[3]) for about twenty years, and died there on May 2, 1844, in the eighty-fourth year of his age. His intention was to make the ground attached to the Lansdown tower the place of his sepulchre, and he had prepared and placed on the spot a granite sarcophagus, inscribed with a passage from Vathek; but the ecclesiastical authorities refused to consecrate the ground, the body was embalmed and placed in the sarcophagus in the cemetery of Lyncomb, to the south of Bath. It was afterwards removed to Lansdown, when the ground was consecrated.
The author of Vathek was unquestionably a man of genius and rare accomplishments. "But his abilities were overpowered and his character tainted by the possession of wealth so enormous. At every stage his money was like a millstone round his neck. He had taste and knowledge; but the selfishness of wealth tempted him to let these gifts of the mind run to seed in the gratification of extravagant freaks. He really enjoyed travelling and scenery, but he felt it incumbent on him, as a millionnaire, to take a French cook with him wherever he went;[4] and he found that the Spanish grandees and ecclesiastical dignitaries who welcomed him so cordially valued him as the man whose cook could make such wonderful omelettes. From the day when Chatham's proxy stood for him at the font till the day when he was laid in his pink granite sarcophagus, he was the victim of riches. Had he had only 5,000l. a year, and been sent to Eton, he might have been one of the foremost men of his time, and have been as useful in his generation as, under his unhappy circumstances, he was useless."[5] It may be added, that he was worse: for he so threw about his money at Fonthill as to corrupt and demoralise the simple country people.
Against this judgment must, however, be placed Mr. Beckford's own declaration, that he never felt a single moment of ennui.
Mr. Beckford left two daughters, the eldest of whom, Susan Euphemia, was married to the Marquis of Clydesdale in 1810, and became Duchess of Hamilton. The tomb at Lansdown, with its polished granite, emblazoned shields, and bronzed and gilt embellishments, was not long cared for; since in 1850, it presented in its neglected state a lamentable object. Vathek will be remembered. Byron, a good judge of such a subject, has pronounced that "for correctness of costume, beauty of description, and power of imagination," it far surpasses all other European imitations of the Eastern style of fiction.