"The range of cresting towers has a double interest, whilst we think of gorgeous dames and barons bold, of Lely and Vandyke's beauties; and gay, and gallant, accomplished cavaliers like Surrey. And who ever sat in the stalls of St. George's Chapel, without feeling the impression, on looking at the illustrious names, that here the royal and ennobled knights, through so many generations, sat each installed, whilst arms, and crests, and banners glittered over the same seat?"[29]
The interior of Windsor Castle, half a century since, mostly presented the decorative taste of the time of Charles the Second. To the seventeen State Apartments the public were admitted, until they were wearied with the mythological ceilings of Thornhill, Rigaud, and Matthew Wyatt; and the crowning genius of Verrio, in St. George's Hall. Throughout the apartments was placed the royal collection of pictures, then including the cartoons of Raphael; and the seven pictures of the glories of Edward III. painted by West for George III., remarkable for their historical accuracy, attributable to the friendly aid of Sir Isaac Heard, Garter King-at-arms, who was constantly at the elbow of the artist. And foremost among the decorative furniture were the State Bed of Queen Anne, silver chandeliers and glass-frames, and a "massive silver table from Hanover." Most of Gibbons's fine carvings appear to have been removed to Hampton Court. The Keep, or Round Tower, was the residence of the Constable or Governor of the castle, which he defended against all enemies, and he had the charge of all prisoners brought thither: the last was Major Belleisle, who lived in tapestried chambers, and beguiled his captivity with the loves of Hero and Leander and Cupid and Psyche. In the guard-chamber was a small magazine of arms. At the top of the stairs, within the wall, was planted a large piece of cannon, levelled, through an aperture, at the lower gate; there were also seventeen pieces of cannon mounted at the embrasures round the curtain of the towers, which was then the only battery in the castle, though formerly the whole place was strongly fortified with cannon on each of the several towers, besides those on the two platforms in the Lower Ward.
The remodelling of the private apartments of the castle has been effected with due regard to convenience and splendour. Among the more pleasurable memorials of royal visits, are the fittings of the apartments refurnished for the Emperor and Empress of the French, in which satin hangings, bordered with long-stitch needlework, in the natural colours of the flowers portrayed, are much admired, as are also the Brussels lace and white silk toilet-table, &c. There are in the state-rooms some fine Gobelin tapestries, inlaid cabinets, superb clocks, and a malachite vase and doors. In the plate room, among other superb works, is a tall vase of oxydized silver, produced for the Prince Consort, a short time previous to his death, at the cost of 1,000l.; besides rock crystal cups and beakers, the gold mounts studded with jewels, and the cups engraved and ornamented with flowers in silver filigree. Two of the most splendid receptions at the castle in the present reign, were the fêtes at the christening of the Prince of Wales in 1842, and the visits of Louis Philippe and some of his family in 1844: upon the latter occasion, the castle, seen from a distance, in the shades of an autumnal evening, with lights gleaming from nearly every window of the long-extended and stately pile, had a most enchanting effect.
Next to Windsor, deserves to be ranked Warwick Castle, in picturesqueness of site rivalling the royal palace; it is one of the finest specimens in the kingdom of the ancient residences of our feudal nobles. Not only for its architecture, but for its scenic accessories, and the sylvan character of the surrounding grounds, Warwick Castle is of almost matchless beauty. Of its archæology, on reference to the Pipe Rolls, we find it first mentioned in the 19th of Henry II., when it was furnished and garrisoned, at an expense of 10l. (equal to 200l. now), on behalf of the king against his son, and so it remained in the hands of Henry II. for three years. In the 20th and 21st of Henry II. are records of outlay for the soldiers, and in the latter year 50l. was spent in repairs. In the 7th year of King John, the castle, then belonging to the Crown (not the present castle, but a castle on the same site), was defended for 253 days; and in the days of Henry III. the walls were completely thrown down and destroyed. In the 9th of Edward II. (1315) it was returned, on an inquisition, as worth nothing except for the herbage in the courts and ditches, valued at 6s. 8d. a year. In the reign of Edward III. (1357) a new building was commenced by Thomas Beauchamp, Earl of Warwick, and finished about 1380. Guy's Tower was built in 1394. The next period in the architectural history of the castle is two or three hundred years later. The castle was then used as a gaol. The next work was the erection of the entrance-hall. Mr. Salvia, the architect, has been called in by the Earl of Warwick, and has made habitable a portion of the castle which before had been unused. The extreme beauty of the two towers is considered as unequalled in the world.
In the valuable collection of pictures in Warwick Castle are a curious portrait of Queen Elizabeth, painted very early in her reign; portrait of Sir Philip Sydney, the intimate friend of Fulke Greville; Charles I. on horseback, probably a copy made by Vandyke from that at Blenheim; and the colossal picture of Charles I. copied from the original in the Vandyke Room at Windsor, a duplicate of which is to be seen at Hampton Court. At Warwick, too, is Holbein's portrait of Henry VIII. noted for the exquisite finish of its details. The collection of ancient and modern armour is very valuable. The great hall of the castle, in its appearance and furniture, retains much of its ancient character. Externally, the form of the building has sustained little alteration; its site is a solid rock, in which the cellars are excavated. Cæsar's Tower is the most ancient; Guy's Tower, of Decorated English character, is la fine preservation. In one of the greenhouses is the celebrated ancient marble vase brought to England by the Earl of Warwick, to whom it had been given by Sir William Hamilton; it is known as the Warwick Vase, and has been copied in various materials.
As you look from the castle windows upon the soft-flowing Avon, with its gentle ripple in your ears, the effect is fascinating, and you are almost carried back to the age of fays and fairies. Henry V. visited Guy's Cliff; and Shakspeare is supposed to have made it a favourite retirement.
Warwick has its apocryphal antiquities, more especially Guy's curiosities. The story of this famous fellow is said to have been taken from the exploits of Earl Leofric, husband of Lady Godiva; though the legendary Guy is derived by some from a French romance of the twelfth or thirteenth century. Guy, or a prototype, was reputed to be a living personage, and his sword and coat of mail formed the subject of a bequest in 1369. In the reign of Henry VIII. a pension was granted for the preservation of Guy's porridge-pot; but the conflict with the dun cow is not mentioned until in a seventeenth century play, though Dr. Caius, about 1552, saw a bone of a bonassus (cow) at Warwick Castle kept with the arms of Guy. In 1636 the rib of the dun cow was exhibited at Warwick. Guy's armour is a medley: a bassinet of Edward III.; breast-plate, fifteenth and seventeenth century; sword, Henry VIII.; staff, an ancient tilting-lance, very curious; the horse-armour, and "Fair Phillis' slippers" (strap-irons), are fifteenth century. In conclusion, "the renowned Guy" is considered to be a myth.
The first historical Earl of Warwick was so created by the Conqueror. The history of the castle has some strange episodes. In 1468, Edward IV. marching towards Warwick, was met by an embassy from the Earl of Warwick to treat for peace; which the king, too credulously listening to, rested in his camp at Wolvey; but the Earl surprised him by night in his bed, and took him prisoner to his castle at Warwick. In the Civil War, 1642, Warwick Castle, garrisoned for the Parliament, was besieged; and, after the battle of Edge Hill, when Charles left Birmingham, the inhabitants seized the carriages containing the loyal plato, and conveyed them to Warwick Castle. Then Warwick and Kenilworth were in deadly hate: in 1230 (47th Hen. III.), Maudit, Earl of Warwick, and his Countess, were surprised in Warwick Castle, by a party of rebels from Kenilworth Castle, when the walls were thrown down lest the royalists should use them again; and the Earl and Countess were carried prisoners to Kenilworth Castle.
Kenilworth, five miles from Warwick and Coventry, respectively, had a castle which was demolished in the war of Edmund Ironside and Canute the Dane, early in the eleventh century. In the reign of Henry I. the manor was bestowed by the king on Geoffrey de Clinton, who built a strong castle, and founded a monastery. The castle keep is attributed to the reign of King John; the outer wall to the time of Henry III. The castle was one of the strongholds of Simon de Montfort, Earl of Leicester, in his insurrection against Henry III. and afforded shelter to his son, and others of his adherents, after the fatal battle of Evesham, in 1265; next year, however, it capitulated, after a gallant defence. A tournament of 100 knights was held here in 1278, the Earl of March principal challenger of the tilt-yard: of the ladies, who were splendidly attired, it is recorded, that they wore "silken mantles." The east range of buildings is referred to the middle of the reign of Edward II. who was confined in the castle, shortly before his murder in Berkeley Castle, in 1327. In the following reign, John of Gaunt became owner of the castle, which he much augmented by new and magnificent buildings. Henry IV. son of John of Gaunt, united the castle, which he inherited, to the domains of the Crown, of which it formed a part until the time of Elizabeth, who granted it to Robert Dudley, Earl of Leicester, who erected "Leicester's Buildings." The magnificent entertainments given here by Leicester to Elizabeth are minutely described by Laneham, an attendant on the court, in a tract, entitled The Princely Pleasures of Kenilworth. On her way thither, the Queen was entertained by Leicester under a splendid tent at Long Itchington. Kenilworth has been made familiar to the general reader by Sir Walter Scott's picturesque romance, which has sent thousands to pic-nic among the castle ruins: it was dismantled after the Civil War of Charles I.
Kenilworth ruins remind one of a puzzle, a few of the pieces of which have been lost, but are so few as to be readily supplied. The ruins are principally Late Perpendicular, but there are some Norman portions. Cæar's Tower, of which three sides remain, has walls sixteen feet thick. John of Gaunt's large and massive additions are in decay; and the Leicester Buildings, though comparatively modern, present, from the friable nature of the stone, an appearance of great antiquity: they contain the remains of the noble banqueting-hall. The gate-house, also Leicester's, is better preserved, and has in our time been occupied as a farm-house. The ruins are, in many parts, mantled with ivy, which adds to their picturesqueness; and being on an elevated, rocky site, they command extensive views of the country round: