Peter was not sure that Mary had spoken falsely when he came to test his 'prentice hand. In theory the art of writing was so simple, and consisted in nothing more difficult than setting down what he would otherwise have spoken, adding those gems of thought with which his mind was occasionally enriched under the ennobling influence of moderate beer. But nothing appeared upon the sheet of paper except dirt. Even the simplest art requires practice. Not every man can milk a cow at the first attempt. After much labour he recorded the statement: "This be a buke, and when 'tis dun 'twill be a dairy. All volks write bukes, and it bain't easy till you'm yused to it." There he stopped for the day. As soon as he left the paper all sorts of ideas crowded into his mind, and he hurried back to put them down, but directly he took up the pen his mind was a blank again. The ideas had been swept away like butterflies on a windy day. Mary called him "a proper old vule," and her thought was probably quite as good as any that were likely to occur to him. "'Tis bravish times us lives in. Us mun keep up wi' em," was Peter's answer.
The next day he tried again, but the difficulties remained. Peter managed to place on record such imperishable facts as there was snow and more would come likely, and he had got up later than usual, and he and Mary were tolerably well, and the fare for the day was turnips and bacon—he wanted to drag in turnips because he could spell the word, and he added a note to inform posterity that he had taught Master how to do so—but nothing came in the way of thoughts, and without them Peter was persuaded his book could not properly be regarded as belonging to the best order of literature. At the end of his second day of creation Peter began to entertain a certain feeling of respect, if not of admiration, for those who made a living with the pen; but on the third day inspiration touched his brain, and he became a literary soul. The old gentleman who shared his house, so called out of courtesy, as it contained only one room, was making more noise than usual, as if the cold had got into his chest. The diarist kept looking up to peer at Grandfather's worn features, wondering what was wrong, and at last the great idea came to him. "Dalled if Gran'vaither bain't a telling to I," he exclaimed; and then he got up and went cautiously across the room, which was the same thing as going from one side of the house to the other, his boots rustling in the fern which covered the floor.
"Be'ye alright, Gran'vaither?" he asked, lapping the old fellow's chest with great respect. He was accustomed to chat with the clock, when alone, as another man higher in the scale of civilisation might have talked to his dog. Peter noticed that it was getting dark around him, although it was still early in the afternoon.
"I be cruel sick," a voice answered.
Peter cried out and began to shiver. He stared at the window, the panes of which were no longer white, but blue. Something was taking place outside, not a storm, as the moor was unusually silent, and there seemed to be no wind. Peter tried to collect his thoughts into a form suitable for publication. He shivered his way to the other side of the room and wrote laboriously: "Gran'vaither be telling to I. Ses he be cruel sick." Then he had another attack of shivers.
"Who was that a telling to I?" he shouted, the noise of his voice making him bolder.
"'Twas me," came the answer at once; and Peter gulped like a dying fish, but managed to put it down in the diary.
"Who be ye?" he called.
"Old Gran'vaither."
Peter stood in the fern, biting his fingers and sweating. He was trembling too much to write any more. So Grandfather was a living creature after all. He had always supposed that the clock had a sort of existence, not the same as his own, but the kind of life owned by the pixies, and now he was sure of it.