CHAPTER XXV
ABOUT SWALING-FIRES
Peter sat by his hearthstone and repeated with the monotony of a tolling bell—
"There be a lot o' volks in the world, and some be vulish, and some be artful, but me, Peter, be artful."
This was numbered one-hundred-and-seventy, and it was the latest gem from his book of aphorisms; artful meaning in that connection clever, the author having a tendency to use irregular forms of speech. Peter read the thought aloud until most people would have found him tedious; he recited it to every one; he had carried it to Master, and made the old man commit it to memory. Master finally inscribed it, number and all, in his presentation copy of Shakespeare, thinking the sentiment well worthy of being incorporated with the work of the poet, and declared that Peter's literary fame was assured. He added the information that his old pupil was beyond question a philosopher, and Peter agreed, then asked Master for his dictionary. It was an old book, however, and the word was not given, at least not in its proper place, under the letter F; so Peter failed at that time to discover his precise position in the intellectual world.
The diary was certainly advancing, as Peter was already in his second pennyworth of paper, and his bottle of ink was on the ebb. Thoughts had been coming so freely of late that interesting details of the daily life were crowded out. He omitted such confidential details as Mary was dunging the potato-patch, or he had just mended his trousers; he filled his pages instead with ingenious reflections which he supposed, and not without some justification, had possibly not occurred to the minds of thinkers in the past. He neglected biography for philosophy, and the fluency with which such aphorisms as "'Tis better to be happy than good" came from his pen, merely confirmed his earlier impression that the manufacture of literary works was child's play. He would not have allowed that he had been assisted by collaboration, even if the meaning of the word had been explained to him; although most of the sentiments which adorned, or rather which blotted, his pages were distorted versions of remarks which had fallen from the lips of Boodles. His work was entirely original in one respect; the style of spelling was unique.
Boodles did not know that she had developed into an inspiration, and the poor child was certainly far too miserable to care. She came to Ger Cottage every evening in the dimsies, stopped the night with Mary, and went home in the morning. She followed Mary like a dog, knowing that the strong creature would protect her. Her mind would have gone entirely had she stayed at Lewside during those endless winter evenings and the long nights. She owed her life, or at least her reason, to Mary. There was a good heart under that strong creature's rough hide, a heart as soft and tender as Boodles who clung to her. At first the child had refused to leave Lewside Cottage, but when she screamed, "The shadows are getting awful, Mary; they seem to bite me," the stalwart savage picked her up like a baby, finding her much too light, and stalked over the moor deaf to protest. She made up a little bed for Boodles in the corner of her hut, and every night there was the strange sight of Mary bringing the little girl a glass of hot milk to drink before going to sleep, and singing quaint old ballads to her when she couldn't. Mary had got into the way of asking Boodles for a kiss every night; she said it did her good, and no doubt she spoke the truth. It seemed to give her something she had missed.
"But I am ugly now, Mary," said Boodles, in response to her nurse's oft-repeated "purty dear."
"That yew bain't," came the decided answer. "You'm butiful. I never saw ye look nothing like so butiful as yew be now."