Friday, day of regeneration, came clothed in a white mist, and found the girl asking herself: "Shall I try and make myself look older?" She peeped out, saw the moor shining, and thought she would be natural, and go out upon it young and fresh; dressed in white to suit the mist, like a little bride; and, having decided, she was soon trying to make herself look as sweet as possible. When she had finished, slanting the bedroom glass to take in as much of the picture as it would, she was fairly well satisfied, and was just beginning to sing the old song, "I'm only a baby," when she stopped herself severely with the rebuke that she was only a common person trying to let lodgings.
All the spring flowers lifted up their heads and laughed at the lodging-house keeper when she appeared among them—they were really spring flowers that morning—and the real sun smiled, and real singing-birds mocked the little girl in white as she tripped towards the woods, because it appeared to them quite ridiculous that Boodles should relinquish her claims to childhood. The book of fairy-tales had been shut up and put away, thought she; but somehow the young spring things about her would not admit that.
Everything in the woods was wide awake and laughing; not crying any more, and saying, lisping, murmuring, whispering: "Here's the happy-ever-after little girl." It was the proper ending of the story, the ending that the gods had written in their manuscript and the compositor-ogres had tried to mar in their wicked way. How could any story end unhappily on such a morning? The yellow patches in the woods were not artificial blobs of colour but real primroses, and the blue patches were bluebells, and the white patches were wind-flowers with warm mist hanging to them; and Boodles was not a mere girl any longer, but the presiding fairy of them all going out to find another fairy to play with. It was not the best ending perhaps, but it was the second best. So she went down to the woods and met another fairy, and they played together happily ever after. The furze, in genial generous mood, showered its blossoms at her feet and said: "Here is gold for you, fairy girl." The Tavy roared on cheerily, and a little cataract said to a conceited whirlpool too young to know how giddy it was: "Isn't that the goddess Flora crossing by the stepping-stones?" And the flowers said: "We are going to have a fine day." Boodles was ascending in the romantic scale. She had started as a lodging-house keeper; then she had become quite a young girl; from that to the fairy stage was only one step; and then at a single bound she became the goddess of flowers; and she went along "our walk" with sunshine for hair, and wind-flowers for eyes, and primroses for skin; and the world seemed very sweet and fresh as if the wonderful work of creation had only been finished that morning at nine o'clock punctually, and Boodles was just going through to see that the gardener had done his work properly.
Life at eighteen is glorious and imaginative; sorrows cannot quench its flame. One hour of real happiness makes the young soul sing again, as one burst of sunshine purges a haunted house of all its horror. Boodles was down by Tavy side to bathe in the flowers and wash off the past and the beastly origin of things; the black time of winter, the awful loneliness, the windy nights. She was going to meet a friend, a companion, somebody who would frighten the dark hours away. The past was to vanish, not as if it had never been, but because it really never had been. The story was to begin all over again, as the other one had been conceived so badly that nobody could stand it. The once upon a time stage had come again, and the ogres had agreed not to interfere this time. Boodles baptised herself in dew, and rose from the ceremony only a few hours old. The child's name was Flora; no connection of the poor little thing which had been flung out to perish because nobody wanted it except silly old Weevil, who hated to see animals hurt. Weevil belonged to the other story too, the rejected story, and therefore he had never existed. Nobody had wanted Boodles, which was natural enough, as she was merely a wretched illegitimate brat; but every one wanted Flora. The world would be a dreary place without its flowers. Flora could laugh Mr. Bellamie to scorn; for the sun was her father and the warm earth her mother; and nobody would stop to look at the flowers while she was going by with them all upon her face.
At last Boodles looked up. She had been sitting on the warm peat just outside the gate until all Nature struck eleven; and the warmth and fragrance of the wood had made her sleepy. Dreams are the natural accompaniment of sleep, and she was dreaming then; for the expected figure was close to her, the figure in grey flannel and a plain straw hat; not elderly certainly, not much older than herself; and it was true enough she would have liked that figure if it had only been real.
"Go away," she murmured, rather frightened. "Please go away."
There was something dreadfully wrong. It was a nice girl's face that she saw, at least she had often called it so, and it was not black, and the owner of that face was assuredly going to like her very much indeed, although it was hardly a case of love at first sight; for the girl had failed to keep her appointment, the foreign girl with the amazing name was not there, the Persian girl who was to adore the sun and the coals of Lewside Cottage was evidently a deceiver of the baser sort. She had not come, and instead she had sent some one who could not fail to recognise the little girl waiting at the gate of the wood, who was calling her fond names, and actually kissing her, just as if the story was going to end, not in the second best way, but in the most blissful manner possible, with a dance of fairies on Tavy banks and a wedding-march. It was Aubrey who had come to the gate of the wood.
"I wish you wouldn't," said Boodles rather sleepily. "I am waiting here for a girl."
Then something appeared before her eyes which woke her up; the letter which she had written to Devonport; and she heard a voice saying very close to her ear, so close indeed that the lips were touching it—