Furze the Cruel

by John Trevena

"So he looked, my dears, and saw what the Little Water had done during those millions of years. On the top of every little mountain it had carved out a tor. They were rough heaps of rock, shapeless, and yet suggesting a shape. They were not buildings, and yet they suggested a building. The primitive man went up on the highest tor, and spoke to that Someone. But, my pretties, I'm afraid you can't understand all this."

The little round-eyed ones were yawning dreadfully. Grandmother was getting wearisome in her old age. They thought they would rather be in bed.

"The primitive man made himself a hut-circle. You see, my dears, the Little Water had taught him. He had become what is called imitative. When he made his hut-circle he just copied the tors. Later on he copied them on a larger scale and built castles. And then the time came when another man stood beside the Tavy and asked: 'I have had dreams of treasure in the earth. How can I get at that treasure?'

"Then the Little Water shouted back: 'Look at me. I have worn away the rocks. I have uncovered the metals. Work in the ground as I have done.'

"So the man imitated the river again and worked in the ground, until he found tin and copper; and the river went on roaring just as it does now. You see, my children, there would have been no river if there had been no raindrops; and without the river no tors and cleaves, no vuzzy-bushes and golden blossoms, no ferns or pink heather, no buildings, no mortals, and no pixies. Dartymore would have remained a cold grey mountain of granite, and the piece of jelly would never have become a primitive man if it hadn't rained."

"But what is the rain doing now?" cried the little round-eyed ones.

"Just the same, my pretties. Making the river flow on and on. And the river is making the cleave deeper, and Ger Tor higher, just as it has always been doing. Only it works so slowly that we don't notice any change. Now you must run away to bed, for it is quite late, and you are gaping like young chickens. Come and kiss your old granny, my dearies, and trot away and have your dew-baths. And when you are tucked up in the pink heather don't be afraid of the black cloud and the raindrops, for they won't harm little pisky boys and maids if they're good. They are too busy wearing away the granite, and cutting the cleaves deeper, and making the mountains higher and our dear old Tavyland stronger and fresher. There, that's all for to-night, my impets. I'll tell ye another story to-morrow."

"Funny old thing, G'an'mother," whispered the little round-eyed ones, while they washed their pink toes in the dew. "She'm old and dafty."

That's the story of river Tavy and its cleave; not all of it by any means, but the pixy grandmother did not know any more. Nobody knows all of it, except that Someone who sent the wind, which swept up the cloud, which brought the rain, which wetted the piece of jelly, which shivered on the top of the big grey mountain of Dartmoor.

The pixy grandmother was right about the primitive man who wanted so much to know things. She was right when she said that the river taught him. He looked about him and he imitated. The river had made him models and he copied them. The tor to which he ascended to speak to that Someone was the first temple and the first altar—made without noise, a temple of unhewn stone, an altar of whole stones over which no man had lifted up any iron. It was the earliest form of religion; a better and purer form than any existing now. It was the beginning of folk-lore. It was the first and best of mysteries: the savage, the hill-top, and the wind; the cloud and the sun; the rain-built temple; the rain-shaped altar. It was the unpolluted dwelling-place which Hebrew literature tried to realise and failed; which philosophers and theocrats have tried to realise and failed; which men are always trying to realise and must always fail, because it is the beginning of things, the awakening of the soul, the birth of the mind, the first cry of the new-born. It is the first of all stories, therefore it cannot die; but the condition can never come again. The story of the rain-shattered rocks must live for ever; but only in the dimly-lighted realm of folk-lore.