THE STONE-CROP
I remember that April day when I first saw the stone-crop in bloom.
Across the valley from the dairy is the blue grass pasture of the cows; and on a hillside studded with dwarf cedars, Nature's first efforts to cover up her nakedness after man's ax has passed, runs a streak of bare, brown limestone, winding across the hills an acre wide. Above it the grass and cedars grew down to the bare rocks, and then they stopped short, for no soil was there. Years before, pioneer men, fighting, unthinking, world-conquering, with the primal instinct of the Aryan wander-lust in their blood, had stripped that spot of earth of its clothing, leaving the naked ground beneath, lifeless and bare. In all the beautiful blue grass pasture this was the one scar: on this green shield of Nature, the one rent. The birds, which love the deep shade of the cedars, stopped at its borders and flew back from the strip of brown desert.
The rabbits, hiding in the tangled thickets above, and whose spring-water ran in the glen below, made a path around it, through the concealing grass and cedar boughs that brushed their furry coats. None would cross this bare spot, hot to their feet in summer and freezing to them in winter, where they would be stared at by every bird, or hunted by the eyes of men.
Even the crows drew their line there, and would not fly over it; for the crow makes no path in the sky above that does not parallel a path of supplies below. Often had I seen the Jersey herd, brown and gray and chocolate, browsing in a phalanx, following the earliest grass which grew closest to the rocks, come to the very border of this scar in the cheek of the earth and then in sudden anger plunge in and seek the cedars on the hill, anywhere to forget this outrage on Nature!
I remember the spring I first saw the stone-crop. The winter had been long and raw. Even the blue grass had had a struggle to keep green, and the cedars' stems had become black under the bite of frost. But blacker yet lay the earth's scar beyond them.
Then one day in the spring I went over the hill to Tammas's home. As I came up from the slope and out from the great lindens, and looked across at the other hill for the ugly scar, I stopped thrilled with a strange and nameless beauty. I have no word for the exultation that swept over me.
But I remembered when Elizabeth Browning was dying—she so unbeautiful in face and so star-like in mind,—she uttered a poem which seemed to me to surpass all that great woman ever wrote. For the characters in it were she, her husband, and her God: and the subject was The Beauty of Immortality.
"How do you feel, dearest?" he asked, holding her in his arms and looking into her dying face.
"Oh, I feel beautiful," she said, as she smiled back into his face and died.