With a marginal difference of path of four semi-undulations we have a second extinction of the entire beam, because here the beam can be divided into four equal parts, every two of which quench each other. A second space of absolute darkness will therefore correspond to the obliquity producing this difference. In this way we might proceed further, the general result being that, whenever the direction of wave-motion is such as to produce a marginal difference of path of an even number of semi-undulations, we have complete extinction; while, when the marginal difference is an odd number of semi-undulations, we have only partial extinction, a portion of the beam remaining as a luminous band.
A moment's reflection will make it plain that the wider the slit the less will be the obliquity of direction needed to produce the necessary difference of path. With a wide slit, therefore, the bands, as observed, will be closer together than with a narrow one. It is also plain that the shorter the wave, the less will be the obliquity required to produce the necessary retardation. The maxima and minima of violet light must therefore fall nearer to the centre than the maxima and minima of red light. The maxima and minima of the other colours fall between these extremes. In this simple way the undulatory theory completely accounts for the extraordinary appearance above referred to.
When a slit and telescope are used, instead of the slit and naked eye, the effects are magnified and rendered more brilliant. Looking, moreover, through a properly adjusted telescope with a small circular aperture in front of it, at a distant point of light, the point is seen encircled by a series of coloured bands. If monochromatic light be used, these bands are simply bright and dark, but with white light the circles display iris-colours. If a slit be shortened so as to form a square aperture, we have two series of spectra at right angles to each other. The effects, indeed, are capable of endless variation by varying the size, shape, and number of the apertures through which the point of light is observed. Through two square apertures, with their corners touching each other as at A, Schwerd observed the appearance shown in fig. 20. Adding two others to them, as at B, he observed the appearance represented in fig. 21. The position of every band of light and shade in such figures has been calculated from theory by Fresnel, Fraunhofer, Herschel, Schwerd, and others, and completely verified by experiment. Your eyes could not tell you with greater certainty of the existence of these bands than the theoretic calculation.
Fig. 20.
The street-lamps at night, looked at through the meshes of a handkerchief, show diffraction phenomena. The diffraction effects obtained in looking through a bird's feathers are, as shown by Schwerd, very brilliant. The iridescence of certain Alpine clouds is also an effect of diffraction which may be imitated by the spores of Lycopodium. When shaken over a glass plate these spores cause a point of light, looked at through the dusted plate, to be surrounded by coloured circles, which rise to actual splendour when the light becomes intense. Shaken in the air the spores produce the same effect. The diffraction phenomena obtained during the artificial precipitation of clouds from the vapours of various liquids in an intensely illuminated tube are, as I have elsewhere shewn, exceedingly fine.
Fig. 21.
One of the most interesting cases of diffraction by small particles that ever came before me was that of an artist whose vision was disturbed by vividly coloured circles. He was in great dread of losing his sight; assigning as a cause of his increased fear that the circles were becoming larger and the colours more vivid. I ascribed the colours to minute particles in the humours of the eye, and ventured to encourage him by the assurance that the increase of size and vividness on the part of the circles indicated that the diffracting particles were becoming smaller, and that they might finally be altogether absorbed. The prediction was verified. It is needless to say one word on the necessity of optical knowledge in the case of the practical oculist.
Without breaking ground on the chromatic phenomena presented by crystals, two other sources of colour may be mentioned here. By interference in the earth's atmosphere, the light of a star, as shown by Arago, is self-extinguished, the twinkling of the star and the changes of colour which it undergoes being due to this cause. Looking at such a star through an opera-glass, and shaking the glass so as to cause the image of the star to pass rapidly over the retina, you produce a row of coloured beads, the spaces between which correspond to the periods of extinction. Fine scratches drawn upon glass or polished metal reflect the waves of light from their sides; and some, being reflected from the opposite sides of the same scratch, interfere with and quench each other. But the obliquity of reflection which extinguishes the shorter waves does not extinguish the longer ones, hence the phenomena of colours. These are called the colours of striated surfaces. They are beautifully illustrated by mother-of-pearl. This shell is composed of exceedingly thin layers, which, when cut across by the polishing of the shell, expose their edges and furnish the necessary small and regular grooves. The most conclusive proof that the colours are due to the mechanical state of the surface is to be found in the fact, established by Brewster, that by stamping the shell carefully upon black sealing-wax, we transfer the grooves, and produce upon the wax the colours of mother-of-pearl.