Fig. 152.
Sir John Herschel was the first to propose to divide a stream of sound into two branches, of different lengths, causing the branches afterward to reunite, and interfere with each other. This idea has been recently followed out with success by M. Quincke; and it has been still further improved upon by M. König. The principle of these experiments will be at once evident from Fig. 152. The tube o f divides into two branches at f, the one branch being carried round n, and the other round m. The two branches are caused to reunite at g, and to end in a common canal, g p. The portion b n of the tube which slides over a b can be drawn out as shown in the figure, and thus the sound-waves can be caused to pass over different distances in the two branches. Placing a vibrating tuning-fork at o, and the ear at p, when the two branches are of the same length, the waves through both reach the ear together, and the sound of the fork is heard. Drawing n b out, a point is at length obtained where the sound of the fork is extinguished. This occurs when the distance a b is one-fourth of a wave-length; or, in other words, when the whole right-hand branch is half a wave-length longer than the left-hand one. Drawing b n still further out, the sound is again heard; and when twice the distance a b amounts to a whole wave-length, it reaches a maximum. Thus, according as the difference of both branches amounts to half a wave-length, or to a whole wave-length, we have reinforcement or destruction of the two series of sonorous waves. In practice, the tube o f ought to be prolonged until the direct sound of the fork is unheard, the attention of the ear being then wholly concentrated on the sounds that reach it through the tube.
It is quite plain that the wave-length of any simple tone may be readily found by this instrument. It is only necessary to ascertain the difference of path which produces complete interference. Twice this difference is the wave-length; and if the rate of vibration be at the same time known, we can immediately calculate the velocity of sound in air.
Each of the two forks now before you executes exactly 256 vibrations in a second. Sounded together, they are in unison. Loading one of them with a bit of wax, it vibrates a little more slowly than its neighbor. The wax, say, reduces the number of vibrations to 255 in a second; how must their waves affect each other? If they start at the same moment, condensation coinciding with condensation, and rarefaction with rarefaction, it is quite manifest that this state of things cannot continue. At the 128th vibration their phases are in complete opposition, one of them having gained half a vibration on the other. Here the one fork generates a condensation where the other generates a rarefaction; and the consequence is, that the two forks, at this particular point, completely neutralize each other. From this point onward, however, the forks support each other more and more, until, at the end of a second, when the one has completed its 255th, and the other its 256th vibration, condensation again coincides with condensation, and rarefaction with rarefaction, the full effect of both sounds being produced upon the ear.
It is quite manifest that under these circumstances we cannot have the continuous flow of perfect unison. We have, on the contrary, alternate reinforcements and diminutions of the sound. We obtain, in fact, the effect known to musicians by the name of beats, which, as here explained, are a result of interference.
I now load this fork still more heavily, by attaching a fourpenny-piece to the wax; the coincidences and interferences follow each other more rapidly than before; we have a quicker succession of beats. In our last experiment, the one fork accomplished one vibration more than the other in a second, and we had a single beat in the same time. In the present case, one fork vibrates 250 times, while the other vibrates 256 times in a second, and the number of beats per second is 6. A little reflection will make it plain that in the interval required by the one fork to execute one vibration more than the other, a beat must occur; and inasmuch as, in the case now before us, there are six such intervals in a second, there must be six beats in the same time. In short, the number of beats per second is always equal to the difference between the two rates of vibration.
§ 4. Interference of Waves from Organ-pipes
Fig. 153.
Beats may be produced by all sonorous bodies. These two tall organ-pipes, for example, when sounded together, give powerful beats, one of them being slightly longer than the other. Here are two other pipes, which are now in perfect unison, being exactly of the same length. But it is only necessary to bring the finger near the embouchure of one of the pipes, Fig. 153, to lower its rate of vibration, and produce loud and rapid beats. The placing of the hand over the open top of one of the pipes also lowers its rate of vibration, and produces beats, which follow each other with augmented rapidity as the top of the pipe is closed more and more. By a stronger blast the first two harmonics of the pipes are brought out. These higher notes also interfere, and you have these quicker beats.