Another consequence of this departure from the law of superposition is, that a single sounding body, which disturbs the air beyond the limits of the law of superposition, also produces secondary waves, which correspond to the harmonic tones of the vibrating body. For example, the rate of vibration of the first overtone of a tuning-fork, as stated in the fourth chapter, is 6-1/4 times the rate of the fundamental tone. But Helmholtz shows that a tuning-fork, not excited by a bow, but vigorously struck against a pad, emits the octave of its fundamental note, this octave being due to the secondary waves set up when the limits of the law of superposition have been exceeded.
These considerations make it probably evident to you that a coalescence of musical sounds is a far more complicated dynamical condition than you have hitherto supposed it to be. In the music of an orchestra, not only have we the fundamental tones of every pipe and of every string, but we have the overtones of each, sometimes audible as far as the sixteenth in the series. We have also resultant tones; both difference-tones and summation-tones; all trembling through the same air, all knocking at the self-same tympanic membrane. We have fundamental tone interfering with fundamental tone; overtone with overtone; resultant tone with resultant tone. And, besides this, we have the members of each class interfering with the members of every other class. The imagination retires baffled from any attempt to realize the physical condition of the atmosphere through which these sounds are passing. And, as we shall immediately learn, the aim of music, through the centuries during which it has ministered to the pleasure of man, has been to arrange matters empirically, so that the ear shall not suffer from the discordance produced by this multitudinous interference. The musicians engaged in this work knew nothing of the physical facts and principles involved in their efforts; they knew no more about it than the inventors of gunpowder knew about the law of atomic proportions. They tried and tried till they obtained a satisfactory result; and now, when the scientific mind is brought to bear upon the subject, order is seen rising through the confusion, and the results of pure empiricism are found to be in harmony with natural law.
SUMMARY OF CHAPTER VIII
When several systems of waves proceeding from distinct centres of disturbance pass through water or air, the motion of every particle is the algebraic sum of the several motions impressed upon it.
In the case of water, when the crests of one system of waves coincide with the crests of another system, higher waves will be the result of the coalescence of the two systems. But when the crests of one system coincide with the sinuses, or furrows, of the other system, the two systems, in whole or in part, destroy each other.
This coalescence and destruction of two systems of waves is called interference.
Similar remarks apply to sonorous waves. If in two systems of sonorous waves condensation coincides with condensation, and rarefaction with rarefaction, the sound produced by such coincidence is louder than that produced by either system taken singly. But if the condensations of the one system coincide with the rarefactions of the other, a destruction, total or partial, of both systems is the consequence.
Thus, when two organ-pipes of the same pitch are placed near each other on the same wind-chest and thrown into vibration, they so influence each other that as the air enters the embouchure of the one it quits that of the other. At the moment, therefore, the one pipe produces a condensation the other produces a rarefaction. The sounds of two such pipes mutually destroy each other.
When two musical sounds of nearly the same pitch are sounded together the flow of the sound is disturbed by beats.
These beats are due to the alternate coincidence and interference of the two systems of sonorous waves. If the two sounds be of the same intensity, their coincidence produces a sound of four times the intensity of either; while their opposition produces absolute silence.