CHAMOUNI AND THE MONTANVERT. 1857.
CHAMOUNI AND THE MONTANVERT.
(5.)
On the evening of the 12th of July I reached Chamouni; the weather was not quite clear, but it was promising; white cumuli had floated round Mont Blanc during the day, but these diminished more and more, and the light of the setting sun was of that lingering rosy hue which bodes good weather. Two parallel beams of a purple tinge were drawn by the shadows of the adjacent peaks, straight across the Glacier des Bossons, and the Glacier des Pèlerins was also steeped for a time in the same purple light. Once when the surrounding red illumination was strong, the shadows of the Grands Mulets falling upon the adjacent snow appeared of a vivid green.
This green belonged to the class of subjective colours, or colours produced by contrast, about which a volume might be written. The eye received the impression of green, but the colour was not external to the eye. Place a red wafer on white paper, and look at it intently, it will be surrounded in a little time by a green fringe: move the wafer bodily away, and the entire space which it occupied upon the paper will appear green. A body may have its proper colour entirely masked in this way. Let a red wafer be attached to a piece of red glass, and from a moderately illuminated position let the sky be regarded through the glass; the wafer will appear of a vivid green. If a strong beam of light be sent through a red glass and caused to fall upon a screen, which at the same time is moderately illuminated by a separate source of white light, an opaque body placed in the path of the beam will cast a green shadow upon the screen which may be seen by several hundred persons at once. If a blue glass be used, the shadow will be yellow, which is the complementary colour to blue.
COLOURED SHADOWS. 1857.
When we suddenly pass from open sunlight to a moderately illuminated room, it appears dark at first, but after a little time the eye regains the power of seeing objects distinctly. Thus one effect of light upon the eye is to render it less sensitive, and light of any particular colour falling upon the eye blunts its appreciation of that colour. Let us apply this to the shadow upon the screen. This shadow is moderately illuminated by a jet of white light; but the space surrounding it is red, the effect of which upon the eye is to blind it in some degree to the perception of red. Hence, when the feeble white light of the shadow reaches the eye, the red component of this light is, as it were, abstracted from it, and the eye sees the residual colour, which is green. A similar explanation applies to the shadows of the Grands Mulets.
On the 13th of July I was joined by my friend Mr. Thomas Hirst, and on the 14th we examined together the end of the Mer de Glace. In former times the whole volume of the Arveiron escaped from beneath the ice at the end of the glacier, forming a fine arch at its place of issue. This year a fraction only of the water thus found egress; the greater portion of it escaping laterally from the glacier at the summit of the rocks called Les Mottets, down which it tumbled in a fine cascade. The vault at the end of the glacier was nevertheless respectable, and rather tempting to a traveller in search of information regarding the structure of the ice. Perhaps, however, Nature meant to give me a friendly warning at the outset, for, while speculating as to the wisdom of entering the cavern, it suddenly gave way, and, with a crash which rivalled thunder, the roof strewed itself in ruins upon the floor.
SUNRISE AT CHAMOUNI. 1857.
Many years ago I had read with delight Coleridge's poem entitled 'Sunrise in the Valley of Chamouni,' and to witness in all perfection the scene described by the poet, I waited at Chamouni a day longer than was otherwise necessary. On the morning of Wednesday, the 15th of July, I rose before the sun; Mont Blanc and his wondrous staff of Aiguilles were without a cloud; eastward the sky was of a pale orange which gradually shaded off to a kind of rosy violet, and this again blended by imperceptible degrees with the deep zenithal blue. The morning star was still shining to the right, and the moon also turned a pale face towards the rising day. The valley was full of music; from the adjacent woods issued a gush of song, while the sound of the Arve formed a suitable bass to the shriller melody of the birds. The mountain rose for a time cold and grand, with no apparent stain upon his snows. Suddenly the sunbeams struck his crown and converted it into a boss of gold. For some time it remained the only gilded summit in view, holding communion with the dawn while all the others waited in silence. These, in the order of their heights, came afterwards, relaxing, as the sunbeams struck each in succession, into a blush and smile.
GLACIER DES BOIS. 1857.