FIGURE 32. THE JORDAN FARM HOUSE, NEAR WINDSOR.
FIGURE 33. NEWBOLD-WHITE HOUSE, NEAR HERTFORD.
[Figure 33], the Newbold-White house near Hertford, is also of the early 18th century, but is smaller and closer to the ground than the Jordan farm. The wooden lean-to on the right is a later addition. This side with three dormer windows was once the front of the house. The base has been plastered over, to protect the brick which at this level often disintegrates.
This picture was made by the master photographer, Frances Benjamin Johnston. It brings out the dazzling brick surface of the old structure and other details of brickwork design, such as the window tops set in gentle arches and the horizontal line which runs across the end wall. This line is a shadow cast by two slightly projecting courses of brick and marks the division between first and second floors; on the inside, the offset courses provide a ledge on which to lay floor beams.
Brick, as may be inferred from above, was used in a number of structural and decorative ways; some are suggested in [figure 34]. Flemish bond ([figure 34]a) we have already noted. English bond ([34]b) has courses entirely of stretchers alternating with courses entirely of headers. This bonding system is illustrated in chimneys from the Palmer house, [figure 13], and from the Sloop Point house to be seen later. Sometimes all the bricks in a course were set diagonally, thus producing a remarkable accent line ([34]c); or the square ends of a row of bricks were molded or rubbed into curves ([34]d). In some brick houses remaining from the later 18th century, as in the Salisbury area, bold and gay patterns were created through use of glazed, and lighter and darker bricks ([34]e).
FIGURE 34. A.
