Immediately upon the Failure of this Opera, Sir John Vanbrugh brought on his Comedy, called The Confederacy, taken, but very greatly improved, from Les Bourgeoises à la Mode, of Monsieur D'Ancourt. The Success of this Play was not equal to its Merit; for it is written with an uncommon Vein of Wit and Humour; which plainly shews that the difficulty of hearing, distinctly, in that large Theatre, was no small Impediment to the Applause that might have followed the same Actors on any other Stage; and indeed every Play acted there before the House was altered, seemed to suffer greatly from the same Inconvenience; for what few could plainly hear, it was not likely many could applaud. In a Word, the Prospect of Profits from this Theatre was so very barren, that Mr. Congreve, in a few Months, gave up his Share in it wholly to Sir John Vanbrugh; who, as he had a happier Talent of throwing the English Spirit into his Translations, than any other Author who had borrowed from them, he in the same Season produced The Mistake, a Comedy, taken from Le D'epit Amoureux, of Moliere; and The Country House, a Farce, translated from The French, which has been acted at all the Theatres with general Applause.
Sir John soon afterwards, thoroughly tired of Theatrical Affairs, determined to get rid of his Patent on the best Terms he could; he accordingly made an Offer to Mr. Owen Swiney of his House, Clothes, and Scenes, with the Queen's Licence to employ them, upon Payment of the Rent of five Pounds upon every acting Day, and not to exceed 700 l. in the Year; with which Proposal Mr. Swiney soon complied, and managed that Stage for some Time after.
Sir John is not a little to be admired for his Spirit, and readiness in producing Plays so fast upon the Neck of one another; for, notwithstanding his quick Dispatch, there is a clear and lively Simplicity in his Wit, that neither wants the Ornaments of Learning, nor has the least Smell of the Lamp, as the Face of a fine Woman, with her Locks loose about her, may then be in its greatest Beauty; such were his Productions, only adorned by Nature. And there is, besides, something so catching to the Ear, and so easy to the Memory, in all he writ, that it has been observed by all the Actors of those Times, the Stile of no Author whatsoever gave their Memory less Trouble, than that of Sir John Vanbrugh. And indeed his Wit and Humour was so little laboured, that his most entertaining Scenes seem to be no more than his common Conversation committed to Paper. As his Conceptions were so full of Life and Humour, it is not much to be wondered at, if his Muse should be sometimes too warm to wait the slow Pace of Judgment, or to endure the Drudgery of forming a regular Fable to them.
Besides the Plays already mentioned, Sir John left behind him Part of a Comedy, called A Journey to London, which has since been made an entire Play of by Mr. Cibber, and called The Provoked Husband, and was acted at the Theatre-Royal, in Drury Lane, in 1727, for twenty-eight Nights successively, with universal Applause.
In 1703, he was appointed Clarencieux King of Arms, and in 1706 was commissioned by Queen Anne to carry the Habit and Ensigns of the Order of the Garter to King George the First, then at Hanover; he was likewise Comptroller-General of the Board of Works, and Surveyor of the Gardens and Waters. In the Year 1714, he received the Order of Knighthood; and in 1719 he married Henrietta Maria, Daughter of Colonel Yarborough, of Haslington, near York, by whom he had three Children; Charles the eldest was killed at the Battle of Fontenoy, the other two died young.
Sir John died at his House in Scotland-Yard, the 26th of March, 1726, and is interred in the Family Vault, under the Church of St. Stephen's, Wallbrook.
