This view of Claude Monet’s art and the art of the so-called Impressionists is the very opposite of that entertained by many writers who have attributed to these painters careless rather than scientific methods.
If the principles laid down in this work are true, they become of vital importance. We will not think less of art, but we will be inspired by a new devotion to nature and the great laws which govern her. We will seek more diligently after the subtle harmonies and beauties in nature, those qualities which have been discovered by the great masters and translated with measurable success. We will go to nature with more intelligence and devotion, that we may there enjoy these things for ourselves at the source of all beauty. The student may lay aside all preconceived notions with reference to inspiration and creation, and address himself to his task as would any other workman. The result should be a more profound appreciation of all beauty and more joy in a world too often made commonplace by man.
References
| Aristotle | |
| p. 61 | William Angus Knight, “Philosophy of the Beautiful,” Part 1, p. 28. |
| Baumgarten, Alexander Gottlieb | |
| p. 52 | Enc. Brit. 9th Ed., Vol. 1, “Aesthetics.” |
| Blackie, John Stuart | |
| p. 62-63 | The Contemporary Review, Vol. 43, June, 1883, pp. 821-822. |
| Bryce, Lord James | |
| p. 67-69 | Founder’s Day Book, Carnegie Institute, 1908, pp. 12-16. |
| Constable, John | |
| p. 17-18 | C. R. Leslie, R. A., “Memoirs of the Life of John Constable, Esq., R. A.,” 1843, pp. 147-148. |
| p. 23-25 | C. R. Leslie, R. A., “Memoirs of the Life of John Constable, Esq., R. A.,” 1843, p. 66. |
| p. 34 | C. J. Holmes, “Constable and His Influence on Landscape Painting,” 1902, p. 131. |
| Corot, Jean-Baptiste Camille | |
| p. 25 | Mrs. Schuyler Van Rensselaer, “Six Portraits,” p. 160. |
| Dürer, Albrecht | |
| p. 20-21 | Wm. Angus Knight, “Philosophy of the Beautiful,” Part 1, p. 48, and Moriz Thausing, “Albert Dürer, His Life and Works,” 1882, p. 319. |
| Fabre, Jean Henri | |
| p. 60-61 | J. Henri Fabre, “Bramble Bees and Others,” p. 42. |
| Froude, James Anthony | |
| p. 51-52 | James Anthony Froude, “England’s Forgotten Worthies,” pub. in “Short Studies on Great Subjects,” Vol. 1, First Series, 1894, p. 360. |
| Hambidge, Jay | |
| p. 58 | Jay Hambidge, “Dynamic Symmetry: The Greek Vase.” |
| Hearn, Lafcadio | |
| p. 64-65 | Atlantic Monthly, Vol. 78, August, 1896, p. 224. |
| Hegel, Georg Wilhelm Friedrich | |
| p. 13-15 | “The German Classics of the Nineteenth and Twentieth Centuries,” trans. by Kuno Francke and Wm. G. Howard, Vol. 7, pp. 112-113. |
| p. 15 | “Philosophy of Fine Art,” trans. by Bernard Bosanquet, p. 105. |
| Hogarth, William | |
| p. 22 | William Hogarth, “Anecdotes of William Hogarth,” 1833, p. 47. |
| Homer, Winslow | |
| p. 37-39 | Author’s Notebook. |
| Kant, Immanuel | |
| p. 52-55 | Immanuel Kant, “Critique of Aesthetic Judgment,” trans. by James Creed Meredith, 1911, p. 181. |
| p. 62 | Immanuel Kant, “Critique of Aesthetic Judgment,” trans. by James Creed Meredith, 1911, pp. 216-217. |
| Knight, William Angus | |
| p. 61-62 | Wm. Angus Knight, “Philosophy of the Beautiful,” Part 1, pp. 40-41 and page 19. |
| Kuo Hsi | |
| p. 64 | Sei-ichi Taki, “Three Essays on Oriental Painting,” pp. 43-45, quoting from Kuo Hsi, “Noble Features of the Forest and Stream.” |
| La Farge, John | |
| p. 42 | John La Farge, “An Artist’s Letters From Japan,” p. 141. |
| p. 65-66 | John La Farge, “An Artist’s Letters From Japan,” p. 145. |
| Lawrence, Sir Thomas | |
| p. 25 | C. R. Leslie, R. A., “Memoirs of the Life of John Constable, Esq., R. A.,” 1843, p. 148. |
| Leibnitz, Baron Gottfried Wilhelm Von | |
| p. 52 | Bernard Bosanquet, “A History of Aesthetics,” 1892, p. 185. |
| Leonardo da Vinci | |
| p. 21 | “Leonardo da Vinci’s Notebooks,” trans. by Edward McCurdy, p. 156 and p. 160. |
| Maeterlinck, Maurice | |
| p. 55-56 | Maurice Maeterlinck, “The Life of the Bee,” p. 5. |
| Mauve, Anton | |
| p. 44-46 | Author’s Notebook. |
| Michelangelo Buonarotti | |
| p. 19-20 | Francisco D’Ollanda, “Third Dialogue on Painting,” pub. in “Michael Angelo Buonarotti,” by Charles Holroyd, Appendix, p. 323. |
| Millet, Jean François | |
| p. 25-26 | Romain Rolland, “Millet,” trans. by Clementina Black, pp. 383-385, 162, and 180. |
| Plato | |
| p. 61 | Plato’s Republic, pub. in “Dialogues of Plato,” trans. by B. Jowett, Vol. 3, pp. 86-87, and Enc. Brit. 9th Ed., Vol. 1, “Aesthetics.” |
| Ranger, Henry Ward | |
| p. 39-41 | Author’s Notebook. |
| Reynolds, Sir Joshua | |
| p. 22-23 | Henry William Beechy, “The Literary Works of Sir Joshua Reynolds,” Vol. 1, pp. 385 and 317, and G. Clausen, “Royal Academy Lectures on Painting,” p. 137. |
| Rodin, Auguste | |
| p. 46-47 | Auguste Rodin, “Art,” trans. from the French of Paul Gsell by Mrs. Romilly Fedden, pp. 30-33, and Literary Digest, June 4, 1910, p. 1127. |
| Schopenhauer, Arthur | |
| p. 48-49 | “The German Classics of the Nineteenth and Twentieth Centuries,” trans. by Kuno Francke and Wm. G. Howard, Vol. 15, p. 48. |
| Segantini, Giovanni | |
| p. 43-44 | Author’s Notebook. |
| Socrates | |
| p. 15-16 | Enc. Brit. 9th Ed., Vol. 1, “Aesthetics.” |
| Stuart, Gilbert | |
| p. 25 | George C. Mason, “The Life and Works of Gilbert Stuart,” 1894, pp. 68-69. |
| Taine, Hippolyte Adolphe | |
| p. 50-51 | H. Taine, “Philosophy of Art,” trans. by Durand, 1865, pp. 41, 57, 73, and H. Taine, “Lectures on Art,” Vol. 1, 1889, pp. 163, 197, and 353. |
| Taki, Sei-ichi | |
| p. 64 | Sei-ichi Taki, “Three Essays on Oriental Painting,” p. 48. |
| Thayer, Abbott Handerson | |
| p. 30-32 | Carnegie Institute Catalogue, Abbott H. Thayer Exhibition, 1919, p. 9. |
| Tolstoi, L. N. | |
| p. 39 | L. N. Tolstoi, “What is Art,” p. 43. |
| Whistler, James Abbott McNeill | |
| p. 26-30 | Author’s Notebook, and James McNeill Whistler, “The Gentle Art of Making Enemies,” pp. 142-143, and James McNeill Whistler, “Ten O’clock,” pp. 13-14. |
| Wordsworth, William | |
| p. 34 | Wm. Wordsworth, “Upon the Sight of a Beautiful Picture,” lines 12-14. |
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