HAYNE, PAUL HAMILTON (1830-1886). —Poet, b. at Charleston, S. Carolina, of an old family, contributed to various magazines, and pub. Poems (1885), containing "Legends and Lyrics." His graceful verses show the influence of Keats. His sonnets are some of his best work.
HAYWARD, ABRAHAM (1802-1884). —Miscellaneous writer, belonged to an old Wiltshire family and was ed. at Tiverton School. He studied law at the Inner Temple, and was called to the Bar 1832. He had a great reputation as a raconteur and sayer of good things, and he was a copious contributor to periodicals, especially the Quarterly Review. Many of his articles were reprinted as Biographical and Critical Essays, and Eminent Statesmen and Writers; he also wrote Lives of George Selwyn and Lord Chesterfield, and books on Whist, Junius, and The Art of Dining. His Select Correspondence appeared posthumously.
HAYWARD, SIR JOHN (1564?-1627). —Historian, b. at Felixstowe, was the author of various historical works, the earliest of which, The First Part of the Life and Reign of King Henry IV., was pub. in 1599, and gave such offence to Queen Elizabeth that the author was imprisoned. He, however, managed to ingratiate himself with James I. by supporting his views of kingly prerogative. He also, at the request of Prince Henry, wrote a History of the three Norman Kings of England (William I., William II., and Henry I.) The Life and Reign of Edward VI. was pub. posthumously in 1630.
HAYWOOD, MRS. ELIZA (FOWLER) (1693-1756). —Dramatist and novelist, b. in London, was early m. to a Mr. H., but the union turning out unhappily, she took to the stage, upon which she appeared in Dublin about 1715. She afterwards settled in London, and produced numerous plays and novels, into which she introduced scandalous episodes regarding living persons whose identity was very thinly veiled, a practice which, along with her political satires, more than once involved her in trouble, and together with certain attacks upon Pope, made in concert with Curll the bookseller, procured for her a place in The Dunciad. Her enemies called her reputation in question, but nothing very serious appears to have been proved. She is repeatedly referred to by Steele, and has been doubtfully identified with his "Sappho." Some of her works, such as The History of Jemmy and Jenny Jessamy had great popularity. Others were The Fair Captive (1721), Idalia (1723), Love in Excess (1724), Memoirs of a Certain Island adjacent to Utopia (anonymously) (1725), Secret History of Present Intrigues at the Court of Caramania (anonymously) (1727). She also conducted The Female Spectator, and other papers.
HAZLITT, WILLIAM (1778-1830). —Essayist and critic, b. at Maidstone, was the s. of a Unitarian minister. At his father's request he studied for the ministry at a Unitarian Coll. at Hackney. His interests, however, were much more philosophical and political than theological. The turning point in his intellectual development was his meeting with Coleridge in 1798. Soon after this he studied art with the view of becoming a painter, and devoted himself specially to portraiture, but though so good a judge as his friend, J. Northcote, R.A., believed he had the talent requisite for success, he could not satisfy himself, and gave up the idea, though always retaining his love of art. He then definitely turned to literature, and in 1805 pub. his first book, Essay on the Principles of Human Action, which was followed by various other philosophical and political essays. About 1812 he became parliamentary and dramatic reporter to the Morning Chronicle; in 1814 a contributor to the Edinburgh Review; and in 1817 he pub. a vol. of literary sketches, The Round Table. In the last named year appeared his Characters of Shakespeare's Plays, which was severely attacked in the Quarterly Review and Blackwood's Magazine, to which his democratic views made him obnoxious. He defended himself in a cutting Letter to William Gifford, the ed. of the former. The best of H.'s critical work—his three courses of Lectures, On the English Poets, On the English Comic Writers, and On the Dramatic Literature of the Age of Queen Elizabeth—appeared successively in 1818, 1819, and 1820. His next works were Table Talk, in which he attacked Shelley (1821-22), and The Spirit of the Age (1825), in which he criticised some of his contemporaries. He then commenced what he intended to be his chief literary undertaking, a life of Napoleon Buonaparte, in 4 vols. (1828-30). Though written with great literary ability, its views and sympathies were unpopular, and it failed in attaining success. His last work was a Life of Titian, in which he collaborated with Northcote. H. is one of the most subtle and acute of English critics, though, when contemporaries came under review, he sometimes allowed himself to be unduly swayed by personal or political feeling, from which he had himself often suffered at the hands of others. His chief principle of criticism as avowed by himself was that "a genuine criticism should reflect the colour, the light and shade, the soul and body of a work." In his private life he was not happy. His first marriage, entered into in 1807, ended in a divorce in 1822, and was followed by an amour with his landlady's dau., which he celebrated in Liber Amoris, a work which exposed him to severe censure. A second marriage with a Mrs. Bridgewater ended by the lady leaving him shortly after. The fact is that H. was possessed of a peculiar temper, which led to his quarrelling with most of his friends. He was, however, a man of honest and sincere convictions. There is a coll. ed. of his works, the "Winterslow," by A.R. Waller and A. Glover, 12 vols., with introduction by W.E. Henley, etc.