A Short Biographical Dictionary of English Literature

by John W. Cousin

IRVING, EDWARD (1792-1834). —Theologian and orator, b. at Annan, Dumfriesshire, and ed. at Edin. Univ., for some years thereafter was engaged in teaching at Kirkcaldy. Ordained to the ministry of the Church of Scotland he became, in 1819, assistant to Dr. Chalmers in Glasgow, after which he went to the Scotch Church in Hatton Gardens, London, where he had an almost unprecedented popularity, his admirers including De Quincey, Coleridge, Canning, Scott, and others. The effect of his spoken oratory is not preserved in his writings, and was no doubt in a considerable degree due to his striking appearance and fine voice. He is described as "a tall, athletic man, with dark, sallow complexion and commanding features; long, glossy black hair, and an obvious squint." Soon after removing to a new church in Regent Square he began to develop his views relative to the near approach of the Second Advent; and his Homilies on the Sacraments involved him in a charge of heretical views on the person of Christ, which resulted in his ejection from his church, and ultimately in his deposition from the ministry. Thereafter his views as to the revival, as in the early Church, of the gifts of healing and of tongues, to which, however, he made no personal claim, underwent rapid development, and resulted in the founding of a new communion, the Catholic Apostolic Church, the adherents of which are commonly known as "Irvingites." Whether right or mistaken in his views there can be no doubt of the personal sincerity and nobility of the man. His pub. writings include For the Oracles of God, For Judgment to Come, and The Last Days, and contain many passages of majestic eloquence.

IRVING, WASHINGTON (1783-1859). —Essayist and historian, b. in New York, s. of William I. who had emigrated from Scotland. He was in his youth delicate, and his education was somewhat desultory, but his f. had a fine library, of which he had the run, and he was an omnivorous reader. In 1799 he entered a law office, but a threatening of consumption led to his going, in 1804, on a European tour in search of health. On his return in 1806 he was admitted to the Bar. He did not, however, prosecute law, but joined his brothers in business as a sleeping partner, while he devoted himself to literature. In 1807 he conducted Salmagundi, an amusing miscellany, and in 1809 appeared A History of New York by Diedrich Knickerbocker, a burlesque upon the old Dutch settlers, which has become a classic in America. He made in 1815 a second visit to Europe, from which he did not return for 17 years. In England he was welcomed by Thomas Campbell, the poet, who introduced him to Scott, whom he visited at Abbotsford in 1817. The following year the firm with which he was connected failed, and he had to look to literature for a livelihood. He produced The Sketch-Book (1819), which was, through the influence of Scott, accepted by Murray, and had a great success on both sides of the Atlantic. In 1822 he went to Paris, where he began Bracebridge Hall, followed in 1824 by Tales of a Traveller. In 1826 Everett, the American minister at Madrid, invited him to come and assist him by making translations relative to Columbus, which opened up to him a new field hitherto little cultivated. The result was a series of fascinating historical and romantic works, beginning with History of the Life and Voyages of Columbus (1828), and including The Conquest of Granada (1829), Voyages of the Companions of Columbus (1831), The Alhambra (1832), Legends of the Conquest of Spain (1835), and Mahomet and his Successors (1849). Meanwhile he had returned to England in 1829, and to America in 1832. In 1842 he was appointed Minister to Spain, and in 1846 he finally returned to America. In the same year he pub. a Life of Goldsmith, and his great work, the Life of Washington, came out 1855-59, Wolfert's Roost, a collection of tales and essays, appeared in 1855. I. was never m.: in his youth he had been engaged to a girl who d., and whose memory he faithfully cherished. His last years were spent at Sunnyside, an old Dutch house near his "sleepy hollow," and there he d. suddenly on Nov. 28, 1859. Though not, perhaps, a writer of commanding power or originality, I., especially in his earlier works, imparted by his style and treatment a singular charm to every subject he touched, and holds a high place among American men of letters, among whom he is the first who has produced what has, on its own merits, living interest in literature. He was a man of high character and amiable disposition.

JAMES I., KING of SCOTLAND (1394-1437). —Poet, the third s. of Robert III., was b. at Dunfermline. In 1406 he was sent for safety and education to France, but on the voyage was taken prisoner by an English ship, and conveyed to England, where until 1824 he remained confined in various places, but chiefly in the Tower of London. He was then ransomed and, after his marriage to Lady Jane or Joan Beaufort, dau. of the Duke of Somerset, and the heroine of The King's Quhair (or Book), crowned at Scone. While in England he had been carefully ed., and on his return to his native country endeavoured to reduce its turbulent nobility to due subjection, and to introduce various reforms. His efforts, however, which do not appear to have been always marked by prudence, ended disastrously in his assassination in the monastery of the Black Friars, Perth, in February, 1437. J. was a man of great natural capacity both intellectual and practical—an ardent student and a poet of no mean order. In addition to The King's Quhair, one of the finest love poems in existence, and A Ballad of Good Counsel, which are very generally attributed to him, he has been more doubtfully credited with Peeblis to the Play and Christis Kirke on the Greene.

JAMES, GEORGE PAYNE RAINSFORD (1801-1860). —Novelist and historical writer, s. of a physician in London, was for many years British Consul at various places in the United States and on the Continent. At an early age he began to write romances, and continued his production with such industry that his works reach to 100 vols. This excessive rapidity was fatal to his permanent reputation; but his books had considerable immediate popularity. Among them are Richelieu (1829), Philip Augustus (1831), The Man at Arms (1840), The Huguenot (1838), The Robber, Henry of Guise (1839), Agincourt (1844), The King's Highway (1840). In addition to his novels he wrote Memoirs of Great Commanders, a Life of the Black Prince, and other historical and biographical works. He held the honorary office of Historiographer Royal.

JAMESON, MRS. ANNA BROWNELL (MURPHY) (1794-1860). —Writer on art, dau. of Denis B.M., a distinguished miniature painter, m. Robert Jameson, a barrister (afterwards Attorney-General of Ontario). The union, however, did not turn out happily: a separation took place, and Mrs. J. turned her attention to literature, and specially to subjects connected with art. Among many other works she produced Loves of the Poets (1829), Celebrated Female Sovereigns (1831), Beauties of the Court of Charles II. (1833), Rubens (translated from the German), Hand Book to the Galleries of Art, Early Italian Painters, Sacred and Legendary Art (1848), etc. Her works show knowledge and discrimination and, though now in many respects superseded, still retain interest and value.