LANGHORNE, JOHN (1735-1779). —Poet, s. of a clergyman, was b. at Kirkby Stephen; having taken orders, he was for two years a curate in London, and from 1776 Rector of Blagdon, Somerset, and Prebendary of Wells. He is chiefly remembered as being the translator, jointly with his brother, Rev. William L., of Plutarch's Lives, but in his day he had some reputation as a poet, his chief work in poetry being Studley Park and Fables of Flora. In his Country Justice (1774-77) he dimly foreshadows Crabbe, as in his descriptive poems he dimly foreshadows Wordsworth. He was twice married, and both of his wives d. in giving birth to a first child.

LANGLAND, WILLIAM (OR WILLIAM of LANGLEY) (1330?-1400?). —Poet. Little can be gleaned as to his personal history, and of that little part is contradictory. In a note of the 15th century written on one MS. he is said to have been b. in Oxfordshire, the s. of a freeman named Stacy de Rokayle, while Bale, writing in the 16th century, makes his name Robert (certainly an error), and says he was b. at Cleobury Mortimer in Shropshire. From his great poem, Piers the Plowman, it is to be gathered that he was bred to the Church, and was at one time an inmate of the monastery at Great Malvern. He m., however, and had a dau., which, of course, precluded him from going on to the priesthood. It has further been inferred from his poem that his f., with the help of friends, sent him to school, but that on the death of these friends the process of education came to an end, and he went to London, living in a little house in Cornhill and, as he says, not only in but on London, supporting himself by singing requiems for the dead. "The tools I labour with ... [are] Paternoster, and my primer Placebo, and Dirige, and my Psalter, and my seven Psalms." References to legal terms suggest that he may have copied for lawyers. In later life he appears to have lived in Cornwall with his wife and dau. Poor himself, he was ever a sympathiser with the poor and oppressed. His poem appears to have been the great interest of his life, and almost to the end he was altering and adding to, without, however, improving it. The full title of the poem is The Vision of Piers Plowman. Three distinct versions of it exist, the first c. 1362, the second c. 1377, and the third 1393 or 1398. It has been described as "a vision of Christ seen through the clouds of humanity." It is divided into nine dreams, and is in the unrhymed, alliterative, first English manner. In the allegory appear such personifications as Meed (worldly success), Falsehood, Repentance, Hope, etc. Piers Plowman, first introduced as the type of the poor and simple, becomes gradually transformed into the Christ. Further on appear Do-well, Do-bet, Do-best. In this poem, and its additions, L. was able to express all that he had to say of the abuses of the time, and their remedy. He himself stands out as a sad, earnest, and clear-sighted onlooker in a time of oppression and unrest. It is thought that he may have been the author of a poem, Richard the Redeless: if so he was, at the time of writing, living in Bristol, and making a last remonstrance to the misguided King, news of whose death may have reached him while at the work, as it stops in the middle of a paragraph. He is not much of an artist, being intent rather on delivering his message than that it should be in a perfect dress. Prof. Manley, in the Cambridge History of English Literature, advances the theory that The Vision is not the work of one, but of several writers, W.L. being therefore a dramatic, not a personal name. It is supported on such grounds as differences in metre, diction, sentence structure, and the diversity of view on social and ecclesiastic matters expressed in different parts of the poem.

LANIER, SIDNEY (1842-1881). —Miscellaneous writer, s. of a lawyer of Huguenot descent, was b. at Macon, Georgia. He had a varied career, having been successively soldier, shopman, teacher, lawyer, musician, and prof. His first literary venture was a novel, Tiger Lilies (1867). Thereafter he wrote mainly on literature, his works including The Science of English Verse (1881), The English Novel (1883), and Shakespeare and his Forerunners (1902); also some poems which have been greatly admired, including "Corn," "The Marshes of Glynn," and "The Song of the Chattahoochee"; ed. of Froissart, and the Welsh Mabinogion for children. He worked under the shadow of serious lung trouble, which eventually brought about his death.

LARDNER, DIONYSIUS (1793-1859). —Scientific writer, s. of a solicitor in Dublin, and b. there, was intended for the law, but having no taste for it, he entered Trinity Coll., Dublin, and took orders, but devoted himself to literary and scientific pursuits, and became a contributor to the Edinburgh Review, and various Encyclopædias. In 1827 he was appointed Prof. of Natural Philosophy and Astronomy in the Univ. of London (afterwards Univ. Coll.), and in 1829 began his great work, The Cabinet Cyclopædia, which was finished in 133 vols. 20 years later. In his literary undertakings, which included various other schemes of somewhat similar character, he was eminently successful, financially and otherwise. He lived in Paris from 1845 until his death.

LATIMER, HUGH (1485-1555). —Reformer and divine, s. of a Leicestershire yeoman, went to Camb. in 1500, and became Fellow of Clare Hall. Taking orders, he was at first a defender of the ancient faith, but convinced by the arguments of Bilney, embraced the reformed doctrines. He was called to appear before Wolsey, but dismissed on subscribing certain articles. His opposition to the Pope, and his support of the King's supremacy, brought him under the notice of Henry, and he was appointed chaplain to Anne Boleyn, and in 1535 Bishop of Worcester. For preaching in favour of the reformed doctrines he was twice imprisoned in the Tower, 1539 and 1546, and on the former occasion resigned his bishopric, which he declined to resume on the accession of Edward VI. On the accession of Mary he was with Ridley, Bishop of London, thrown into prison (1554), and on October 16, 1555, burned at Oxf. His words of encouragement to his fellow-martyr are well known, "Be of good comfort, Master Ridley, and play the man; we shall this day light such a candle by God's grace in England as I trust shall never be put out." He holds his place in English literature by virtue of his sermons—especially that on The Ploughers—which, like himself, are outspoken, homely, and popular, with frequent touches of kindly humour.