LYLY, JOHN (1554?-1606). —Dramatist and miscellaneous writer, was b. in the Weald of Kent, and ed. at both Oxf. and Camb. He wrote several dramas, most of which are on classical and mythological subjects, including Campaspe and Sapho and Phao (1584), Endymion (1591), and Midas (1592). His chief fame, however, rests on his two didactic romances, Euphues, the Anatomy of Wit (1579), and Euphues and his England (1580). These works, which were largely inspired by Ascham's Toxophilus, and had the same objects in view, viz., the reform of education and manners, exercised a powerful, though temporary, influence on the language, both written and spoken, commemorated in our words "euphuism" and "euphuistic." The characteristics of the style have been set forth as "pedantic and far-fetched allusion, elaborate indirectness, a cloying smoothness and drowsy monotony of diction, alliteration, punning, and such-like puerilities, which do not, however, exclude a good deal of wit, fancy, and prettiness." Many contemporary authors, including Shakespeare, made game of it, while others, e.g. Greene, admired and practised it. L. also wrote light dramatic pieces for the children of the Chapel Royal, and contributed a pamphlet, Pappe with an Hatchet (1589) to the Mar-prelate controversy in which he supported the Bishops. He sat in Parliament for some years.
LYNDESAY, SIR D., (see [LINDSAY].)
LYTE, HENRY FRANCIS (1793-1847). —Hymn-writer, b. at Ednam, near Kelso, of an ancient Somersetshire family, and ed. at Trinity Coll., Dublin, took orders, and was incumbent of Lower Brixham, Devonshire. He pub. Poems: chiefly religious (1833). He is chiefly remembered for his hymns, one of which, Abide with Me, is universally known and loved.
LYTTELTON, GEORGE, 1ST LORD LYTTELTON (1709-1773). —Poet, s. of Sir Thomas L., of Hagley, Worcestershire, ed. at Eton and Oxf., was the patron of many literary men, including Thomson and Mallet, and was himself a somewhat voluminous author. Among his works are Letters from a Persian in England to his friend in Ispahan (1735), a treatise On the Conversion of St. Paul (1746), Dialogues of the Dead (1760), which had great popularity, and a History of the Reign of Henry II., well-informed, careful, and impartial, but tedious. He is chiefly remembered by his Monody on the death of his wife. The stanza in The Castle of Indolence in which Thomson is playfully described (canto 1, st. lxviii.), is by L., who is himself referred to in lxv. He took some part in public affairs, and was Chancellor of the Exchequer in 1756.
LYTTON, EDWARD GEORGE EARLE LYTTON-BULWER, 1ST LORD (1803-1873). —Novelist and statesman, third son of General Earle Bulwer of Heydon and Dalling, Norfolk, and of Elizabeth Lytton, heiress of Knebworth, Herts, was b. in London, and ed. privately and at Camb. He began to write when still a boy, and pub., in 1820, Ismael and other Poems. His marriage in 1825 to Rosina Wheeler, an Irish beauty, caused a quarrel with his mother, and the loss of his income, and thus incidentally gave the impulse to his marvellous literary activity. The marriage proved an unhappy one, and was terminated by a separation in 1836. During its continuance, however, his life was a busy and productive one, its literary results including Falkland (1827), Pelham (1828), Paul Clifford (1830), Eugene Aram (1832), The Pilgrims of the Rhine, Last Days of Pompeii, Rienzi (1835), besides England and the English, Athens its Rise and Fall, and innumerable tales, essays, and articles in various reviews and magazines, including the New Monthly, of which he became ed. in 1831. In the same year he entered Parliament as a Liberal, but gradually gravitated towards Conservatism, and held office in the second government of Lord Derby as Colonial Sec. 1858-59. As a politician he devoted himself largely to questions affecting authors, such as copyright and the removal of taxes upon literature. He continued his literary labours with almost unabated energy until the end of his life, his works later than those already mentioned including the Last of the Barons (1843), Harold (1848), the famous triad of The Caxtons (1850), My Novel (1853), and What will he do with it? (1859); and his studies in the supernatural, Zanoni (1842), and A Strange Story (1862). Later still were The Coming Race (1870) and Kenelm Chillingly (1873). To the drama he contributed three plays which still enjoy popularity, The Lady of Lyons, Richelieu, both (1838), and Money (1840). In poetry he was less successful. The New Timon, a satire, is the best remembered, largely, however, owing to the reply by Tennyson which it brought down upon the author, who had attacked him. In his works, numbering over 60, L. showed an amazing versatility, both in subject and treatment, but they have not, with perhaps the exception of the Caxton series, kept their original popularity. Their faults are artificiality, and forced brilliancy, and as a rule they rather dazzle by their cleverness than touch by their truth to nature. L. was raised to the peerage in 1866.
Life, Letters, etc., of Lord Lytton by his son, 2 vols., comes down to 1832 only. Political Memoir prefaced to Speeches (2 vols., 1874).