STORY, WILLIAM WETMORE (1819-1895). —Sculptor, poet, etc., b. at Salem, Mass., was intended for the law, but became a sculptor and an eminent man of letters. His writings include Roba di Roma (1862), The Tragedy of Nero (1875), The Castle of St. Angelo (1877), He and She (1883), Conversations in a Studio, A Poet's Portfolio (1894), etc.
STOW, JOHN (1525-1605). —Historian and antiquary, b. in London, s. of a tailor, and brought up to the same trade. He had, however, an irresistible taste for transcribing and collecting ancient documents, and pursuing antiquarian and historical researches, to which he ultimately entirely devoted himself. This he was enabled to do partly through the munificence of Archbishop Parker. He made large collections of old books and manuscripts, and wrote and ed. several works of importance and authority, including The Woorkes of Geoffrey Chaucer, Summarie of Englyshe Chronicles (1561), afterwards called Annales of England, ed. of the chronicles of Matthew Paris and others, of Holinshed's Chronicle, and A Survey of London (1598). It is sad to think that the only reward of his sacrifices and labours in the public interest was a patent from James I. to collect "among our loving subjects their voluntary contributions and kind gratuities."
STOWE, MRS. HARRIET BEECHER (1811?-1896). —Novelist and miscellaneous writer, dau. of Dr. Lyman Beecher, a well-known American clergyman, and sister of Henry Ward B., one of the most popular preachers whom America has produced, was b. at Litchfield, Connecticut, in 1811 or 1812. After spending some years as a teacher, she m. the Rev. Calvin E. Stowe. Up till 1852 all she had written was a little vol. of stories which failed to attract attention. In that year, at the suggestion of a sister-in-law, she decided to write something against slavery, and produced Uncle Tom's Cabin, which originally appeared in serial form in a magazine, The National Era. It did not at the time receive much attention, but on its appearance in a separate form it took the world by storm. Its sale soon reached 400,000 copies, and the reprints have probably reached a far greater number. It was translated into numerous foreign languages, and had a powerful effect in hurrying on the events which ultimately resulted in emancipation. Her later works include Dred, The Minister's Wooing, Agnes of Sorrento, The Pearl of Orr's Island, and Old Town Folks. Some of these, especially the last, are in a literary sense much superior to Uncle Tom's Cabin, but none of them had more than an ordinary success. In 1869 an article on Lord Byron involved her in a somewhat unfortunate controversy.
STRICKLAND, AGNES (1796 or 1806-1874). —Historical writer, dau. of Thomas S., of Royden Hall, Suffolk, was ed. by her f., and began her literary career with a poem, Worcester Field, followed by The Seven Ages of Woman and Demetrius. Abandoning poetry she next produced among others Historical Tales of Illustrious British Children (1833), The Pilgrims of Walsingham (1835), Tales and Stories from History (1836). Her chief works, however, are Lives of the Queens of England from the Norman Conquest, and Lives of the Queens of Scotland, and English Princesses, etc. (8 vols., 1850-59), Lives of the Bachelor Kings of England (1861), and Letters of Mary Queen of Scots, in some of which she was assisted by her sister Elizabeth. Though laborious and conscientious she lacked the judicial faculty, and her style does not rise above mediocrity.
STRODE, WILLIAM (1600-1645). —Poet, only s. of Philip S., who belonged to an old Devonshire family, he was b. at Plympton, Devonshire, and showing studious tendencies, was sent to Westminster School and Oxf. While at the Univ. he began to manifest his poetic talents, and generally distinguished himself, being elected in 1629 Public Orator. He took orders and, on [Richard Corbet] (q.v.) becoming Bishop of Oxf., became his chaplain. Later he was Rector of E. Bredenham, Norfolk, and of Badley, Northants, and Canon of Christ Church. On the outbreak of the Civil War he attached himself warmly to the cause of the King. He was a High Churchman, and had a reputation as "a witty and sententious preacher, an exquisite orator, and an eminent poet." It is therefore singular that, until the recovery of his poems by Mr. B. Dobell, he had fallen into absolute oblivion. As a poet he shines most in lyrics and elegies. With much of the artificiality of his age he shows gracefulness, a feeling for the country, and occasional gleams of tenderness. His play, The Floating Island, a political allegory, was produced in 1633 and played before the Court then on a visit to Oxf., where it was a subject of complaint that it had more moralising than amusement. Mr. Dobell, who ed. his poems in 1907, claims for S. the poem on "Melancholy" ("Hence all you vain delights"), hitherto attributed to Fletcher.