BLIND HARRY or HENRY THE MINSTREL (fl. 1470-1492). —Is spoken of by John Major in his History of Scotland as a wandering minstrel, skilled in the composition of rhymes in the Scottish tongue, who "fabricated" a book about William Wallace, and gained his living by reciting it to his own accompaniment on the harp at the houses of the nobles. Harry claims that it was founded on a Latin Life of Wallace written by Wallace's chaplain, John Blair, but the chief sources seem to have been traditionary. Harry is often considered inferior to Barbour as a poet, and has little of his moral elevation, but he surpasses him in graphic power, vividness of description, and variety of incident. He occasionally shows the influence of Chaucer, and is said to have known Latin and French.
BLIND, MATHILDE (1841-1896). —Poetess, b. at Mannheim, but settled in London about 1849, and pub. several books of poetry, The Prophecy of St. Oran (1881), The Heather on Fire (1886), Songs and Sonnets (1893), Birds of Passage (1895), etc. She also translated Strauss's Old Faith and New, and other works, and wrote Lives of George Eliot and Madame Roland. Her own name was Cohen, but she adopted that of her stepfather, Karl Blind.
BLOOMFIELD, ROBERT (1766-1823). —Poet, b. at Honington in Suffolk, lost his f. when he was a year old, and received the rudiments of education from his mother, who kept the village school. While still a boy he went to London, and worked as a shoemaker under an elder brother, enduring extreme poverty. His first and chief poem, The Farmer's Boy, was composed in a room where half a dozen other men were at work, and the finished lines he carried in his head until there was time to write them down. The manuscript, after passing through various hands, fell into those of Capel Lofft, a Suffolk squire of literary tastes, by whose exertions it was pub. with illustrations by Bewick in 1800. It had a signal success, 26,000 copies having been sold in three years. The Duke of Grafton obtained for him an appointment in the Seal Office, and when, through ill-health, he was obliged to resign this, allowed him a pension of 1s. a day. Other works were Rural Tales (1804), Wild Flowers (1806), The Banks of the Wye (1811), and May Day with the Muses (1817). An attempt to carry on business as a bookseller failed, his health gave way, his reason was threatened, and he d. in great poverty at Shefford in 1823. B.'s poetry is smooth, correct, and characterised by taste and good feeling, but lacks fire and energy. Of amiable and simple character, he was lacking in self-reliance.
BODENHAM, JOHN (fl. 1600). —Anthologist, is stated to have been the ed. of some of the Elizabethan anthologies, viz., Politeuphuia (Wits' Commonwealth) (1597), Wits' Theater (1598), Belvidere, or the Garden of the Muses (1600), and England's Helicon (1600). Mr. Bullen says that B. did not himself ed. any of the Elizabethan miscellanies attributed to him by bibliographers: but that he projected their publication, and he befriended the editors.
BOECE, or BOETHIUS, HECTOR (1465?-1536). —Historian, probably b. at Dundee, and ed. there and at Paris, where he was a regent or professor, 1492 to 1498. While there he made the acquaintance of Erasmus. Returning to Scotland he co-operated with Elphinstone, Bishop of Aberdeen, in founding the univ. there of which he was the first Principal. His literary fame rests on two works, his Lives of the Bishops of Mortlach and Aberdeen, in which his friend Elphinstone figures prominently, and his History of Scotland to the accession of James III. These works were, of course, composed in Latin, but the History was translated into Scottish prose by John Bellenden, 1530 to 1533, and into English for Hollinshed's Chronicle. The only predecessor of the work was the compendium of Major, and as it was written in a flowing and pleasing style it became very popular, and led to ecclesiastical preferment and Royal favour. B. shared in the credulity of his age, but the charge of inventing his authorities formerly brought against him has been shown to be, to some extent at any rate, unfounded.