A Short Biographical Dictionary of English Literature

by John W. Cousin

BROWNE, WILLIAM (1590?-1645?). —Poet, b. at Tavistock, ed. at Oxf., after which he entered the Inner Temple. His poems, which are mainly descriptive, are rich and flowing, and true to the phenomena of nature, but deficient in interest. Influenced by Spenser, he in turn had an influence upon such poets as Milton and Keats. His chief works were Britannia's Pastorals (1613), and The Shepheard's Pipe (1614).

BROWNING, ELIZABETH BARRETT (1806-1861). —Poetess, was the dau. of Edward Barrett Moulton Barrett, who assumed the last name on succeeding to the estates of his grandfather in Jamaica. She was b. at Coxhoe Hall, Durham, but spent her youth at Hope End, near Great Malvern. While still a child she showed her gift, and her f. pub. 50 copies of a juvenile epic, on the Battle of Marathon. She was ed. at home, but owed her profound knowledge of Greek and much mental stimulus to her early friendship with the blind scholar, Hugh Stuart Boyd, who was a neighbour. At the age of 15 she met with an injury to her spine which confined her to a recumbent position for several years, and from the effects of which she never fully recovered. In 1826 she pub. anonymously An Essay on Mind and Other Poems. Shortly afterwards the abolition of slavery, of which he had been a disinterested supporter, considerably reduced Mr. B.'s means: he accordingly disposed of his estate and removed with his family first to Sidmouth and afterwards to London. At the former Miss B. wrote Prometheus Bound (1835). After her removal to London she fell into delicate health, her lungs being threatened. This did not, however, interfere with her literary labours, and she contributed to various periodicals The Romaunt of Margaret, The Romaunt of the Page, The Poet's Vow, and other pieces. In 1838 appeared The Seraphim and Other Poems (including "Cowper's Grave.") Shortly thereafter the death, by drowning, of her favourite brother gave a serious shock to her already fragile health, and for a time she hovered between life and death. Eventually, however, she regained strength, and meanwhile her fame was growing. The pub. about 1841 of The Cry of the Children gave it a great impulse, and about the same time she contributed some critical papers in prose to R.H. Horne's New Spirit of the Age. In 1844 she pub. two vols. of Poems, which comprised "The Drama of Exile," "Vision of Poets," and "Lady Geraldine's Courtship." In 1845 she met for the first time her future husband, [Robert Browning] (q.v.). Their courtship and marriage, owing to her delicate health and the extraordinary objections entertained by Mr. B. to the marriage of any of his children, were carried out under somewhat peculiar and romantic circumstances. After a private marriage and a secret departure from her home, she accompanied her husband to Italy, which became her home almost continuously until her death, and with the political aspirations of which she and her husband both thoroughly identified themselves. The union proved one of unalloyed happiness to both, though it was never forgiven by Mr. Barrett. In her new circumstances her strength greatly increased. Her husband and she settled in Florence, and there she wrote Casa Guidi Windows (1851)—by many considered her strongest work—under the inspiration of the Tuscan struggle for liberty. Aurora Leigh, her largest, and perhaps the most popular of her longer poems, appeared in 1856. In 1850 The Sonnets from the Portuguese—the history of her own love-story, thinly disguised by its title—had appeared. In 1860 she issued a coll. ed. of her poems under the title, Poems before Congress. Soon thereafter her health underwent a change for the worse; she gradually lost strength, and d. on June 29, 1861. She is generally considered the greatest of English poetesses. Her works are full of tender and delicate, but also of strong and deep, thought. Her own sufferings, combined with her moral and intellectual strength, made her the champion of the suffering and oppressed wherever she found them. Her gift was essentially lyrical, though much of her work was not so in form. Her weak points are the lack of compression, an occasional somewhat obtrusive mannerism, and frequent failure both in metre and rhyme. Though not nearly the equal of her husband in force of intellect and the higher qualities of the poet, her works had, as might be expected on a comparison of their respective subjects and styles, a much earlier and wider acceptance with the general public. Mrs. B. was a woman of singular nobility and charm, and though not beautiful, was remarkably attractive. [Miss Mitford] (q.v.) thus describes her as a young woman: "A slight, delicate figure, with a shower of dark curls falling on each side of a most expressive face; large, tender eyes, richly fringed by dark eyelashes, and a smile like a sunbeam."

Life by J.H. Ingram (1889); Letters of R. Browning and E.B. Browning (1889). Coll. ed. of her works, see above.

BROWNING, ROBERT (1812-1889). —Poet, only s. of Robert B., a man of fine intellect and equally fine character, who held a position in the Bank of England, was b. in Camberwell. His mother, to whom he was ardently attached, was the dau. of a German shipowner who had settled in Dundee, and was alike intellectually and morally worthy of his affection. The only other member of the family was a younger sister, also highly gifted, who was the sympathetic companion of his later years. In his childhood he was distinguished by his love of poetry and natural history. At 12 he had written a book of poetry which he destroyed when he could not find a publisher. After being at one or two private schools, and showing an insuperable dislike to school life, he was ed. by a tutor, and thereafter studied Greek at Univ. Coll., London. Through his mother he inherited some musical talent, and composed settings, for various songs. His first pub. was Pauline, which appeared anonymously in 1833, but attracted little attention. In 1834 he paid his first visit to Italy, in which so much of his future life was to be passed. The publication of Paracelsus in 1835, though the poem had no general popularity, gained the notice of Carlyle, Wordsworth, and other men of letters, and gave him a reputation as a poet of distinguished promise. Two years later his drama of Stratford was performed by his friend Macready and Helen Faucit, and in 1840 the most difficult and obscure of his works, Sordello, appeared; but, except with a select few, did little to increase his reputation. It was followed by Bells and Pomegranates (containing Pippa Passes) (1841), A Blot in the 'Scutcheon (drama) (1843), Luria and A Soul's Tragedy (1846). In this year he married [Miss Elizabeth Barrett] (q.v.), the poetess, a union of ideal happiness. Thereafter his home until his wife's death in 1861 was in Italy, chiefly at Florence. In 1850 he wrote Christmas Eve and Easter Day, and in 1855 appeared Men and Women. After the death of Mrs. Browning he returned to England, paying, however, frequent visits to Italy. Settling in London he published successively Dramatis Personæ (1864), The Ring and the Book (1868-69), his greatest work, Balaustion's Adventure, and Prince Hohenstiel-Schwangau (1871), Fifine at the Fair (1872), Red Cotton Night-cap Country (1873), The Inn Album (1875), Pacchiarotto (1876), translation of Agamemnon (1879), La Saisiaz, etc. (1878), Dramatic Idylls (1879 and 1880), Asolando (1889) appeared on the day of his death. To the great majority of readers, probably, B. is best known by some of his short poems, such as, to name a few, "Rabbi Ben Ezra," "How they brought the good News to Aix," "Evelyn Hope," "The Pied Piper of Hammelin," "A Grammarian's Funeral," "A Death in the Desert." It was long before England recognised that in B. she had received one of the greatest of her poets, and the causes of this lie on the surface. His subjects were often recondite and lay beyond the ken and sympathy of the great bulk of readers; and owing, partly to the subtle links connecting the ideas and partly to his often extremely condensed and rugged expression, the treatment of them was not seldom difficult and obscure. Consequently for long he appealed to a somewhat narrow circle. As time went on, however, and work after work was added, the circle widened, and the marvellous depth and variety of thought and intensity of feeling told with increasing force. Societies began to be formed for the study of the poet's work. Critics became more and more appreciative, and he at last reaped the harvest of admiration and honour which was his due. Many distinctions came to him. He was made LL.D. of Edin., a life Governor of London Univ., and had the offer of the Lord Rectorship of Glasgow. He d. in the house of his son at Venice, and was buried in Westminster Abbey. The keynote of his teaching is a wise and noble optimism. His poems were collected in 2 vols. in 1896. Some vols. of his correspondence with Mrs. B. were also pub.

Uniform ed. of Works (17 vols. 1888-90); Furnivall's Browning Bibliography (1883), Lives by Mrs. Sutherland Orr (1891); Gosse (1890); Dowden (1904), G.K. Chesterton (English Men of Letters), etc.; Poetry of Robert Browning by Stopford Brooke, 1902, etc.

SUMMARY.—B. 1812, pub. Paracelsus 1835, Sordello 1840, Bells and Pomegranates 1841, m. to E.B.B. 1846, lives chiefly in Italy till her d., 1861, when he returned to England and continued to write until his d., pub. Dramatis Personæ, Ring and Book 1868-9, Asolando 1889, d. 1889.