DUFFY, SIR CHARLES GAVAN (1816-1903). —Poet, b. in Monaghan, early took to journalism, and became one of the founders of the Nature newspaper, and one of the leaders of the Young Ireland movement. Thereafter he went to Australia, where he became a leading politician, and rose to be Premier of Victoria. His later years were spent chiefly on the Continent. He did much to stimulate in Ireland a taste for the national history and literature, started The Library of Ireland, and made a collection, The Ballad Poetry of Ireland, which was a great success. He also pub. an autobiography, My Life in Two Hemispheres.
DUGDALE, SIR WILLIAM (1605-1686). —Herald and antiquary, was b. at Coleshill, Warwickshire, and ed. at Coventry School. From early youth he showed a strong bent towards heraldic and antiquarian studies, which led to his appointment, in 1638, as a Pursuivant-extraordinary, from which he rose to be Garter-King-at-Arms. In 1655, jointly with Roger Dodsworth, he brought out the first vol. of Monasticon Anglicanum (the second following in 1661, and the third in 1673), containing the charters of the ancient monasteries. In 1656 he pub. the Antiquities of Warwickshire, which maintains a high place among county histories, and in 1666 Origines Judiciales. His great work, The Baronage of England, appeared in 1675-6. Other works were a History of Imbanking and Drayning, and a History of St. Paul's Cathedral. All D.'s writings are monuments of learning and patient investigation.
DU MAURIER, GEORGE LOUIS PALMELLA BUSSON (1834-1896). —Artist and novelist, b. and ed. in Paris, in 1864 succeeded John Leech on the staff of Punch. His three novels, Peter Ibbetson (1891), Trilby (1894), and The Martian (1896), originally appeared in Harper's Magazine.
DUNBAR, WILLIAM (1465?-1530?). —Poet, is believed to have been b. in Lothian, and ed. at St. Andrews, and in his earlier days he was a Franciscan friar. Thereafter he appears to have been employed by James IV. in some Court and political matters. His chief poems are The Thrissil and the Rois (The Thistle and the Rose) (1503), The Dance of the Seven Deadly Sins, a powerful satire, The Golden Targe, an allegory, and The Lament for the Makaris (poets) (c. 1507). In all these there is a vein of true poetry. In his allegorical poems he follows Chaucer in his setting, and is thus more or less imitative and conventional: in his satirical pieces, and in the Lament, he takes a bolder flight and shows his native power. His comic poems are somewhat gross. The date and circumstances of his death are uncertain, some holding that he fell at Flodden, others that he was alive so late as 1530. Other works are The Merle and The Nightingale, and the Flyting (scolding) of Dunbar and Kennedy. Mr. Gosse calls D. "the largest figure in English literature between Chaucer and Spenser." He has bright strength, swiftness, humour, and pathos, and his descriptive touch is vivid and full of colour.
DUNLOP, JOHN COLIN (c. 1785-1842). —Historian, s. of a Lord Provost of Glasgow, where and at Edin. he was ed., was called to the Bar in 1807, and became Sheriff of Renfrewshire. He wrote a History of Fiction (1814), a History of Roman Literature to the Augustan Age (1823-28), and Memoirs of Spain during the Reigns of Philip IV. and Charles II. (1834). He also made translations from the Latin Anthology.