ERIGENA, or SCOTUS, JOHN (fl. 850). —Philosopher, b. in Scotland or Ireland, was employed at the Court of Charles the Bald, King of France. He was a pantheistic mystic, and made translations from the Alexandrian philosophers. He was bold in the exposition of his principles, and had both strength and subtlety of intellect. His chief work is De Divisione Naturæ, a dialogue in which he places reason above authority.
ERSKINE, RALPH (1685-1752). —Scottish Divine and poet, was b. near Cornhill, Northumberland, where his f., a man of ancient Scottish family, was, for the time, a nonconforming minister. He became minister of Dunfermline, and, with his brother Ebenezer, was involved in the controversies in the Church of Scotland, which led to the founding of the Secession Church in 1736. He has a place in literature as the writer of devotional works, especially for his Gospel Sonnets (of which 25 ed. had appeared by 1797), and Scripture Songs (1754).
ERSKINE, THOMAS (1788-1870). —Theologian, s. of David E., of Linlathen, to which property he succeeded, his elder brother having d. He was called to the Bar in 1810, but never practised. Having come under unusually deep religious impressions he devoted himself largely to the study of theology, and pub. various works, including The Internal Evidence for the Truth of Revealed Religion (1820), Unconditional Freeness of the Gospel, and The Spiritual Order. He was a man of singular charm of character, and wielded a great influence on the religious thought of his day. He enjoyed the friendship of men of such different types as Carlyle, Chalmers, Dean Stanley, and Prévost Paradol. His Letters were ed. by Dr. W. Hanna (1877-78).
ETHEREGE, SIR GEORGE (1635?-1691). —Dramatist, was at Camb., travelled, read a little law, became a man-about-town, the companion of Sedley, Rochester, and their set. He achieved some note as the writer of three lively comedies, Love in a Tub (1664), She would if she Could (1668), and The Man of Mode (1676), all characterised by the grossness of the period. He was sent on a mission to Ratisbon, where he broke his neck when lighting his guests downstairs after a drinking bout.
EVANS, MARY ANN or MARIAN ("GEORGE ELIOT") (1819-1880). —Novelist, was b. near Nuneaton, Warwickshire, dau. of Robert E., land agent, a man of strong individuality. Her education was completed at a school in Coventry, and after the death of her mother in 1836, and the marriage of her elder sister, she kept house for her f. until his death in 1849. In 1841 they gave up their house in the country, and went to live in Coventry. Here she made the acquaintance of Charles Bray, a writer on phrenology, and his brother-in-law Charles Hennell, a rationalistic writer on the origin of Christianity, whose influence led her to renounce the evangelical views in which she had been brought up. In 1846 she engaged in her first literary work, the completion of a translation begun by Mrs. Hennell of Strauss's Life of Jesus. On her f.'s death she went abroad with the Brays, and, on her return in 1850, began to write for the Westminster Review, of which from 1851-53 she was assistant-editor. In this capacity she was much thrown into the society of [Herbert Spencer] and [George Henry Lewes] (q.v.), with the latter of whom she in 1854 entered into an irregular connection which lasted until his death. In the same year she translated Feuerbach's Essence of Christianity, the only one of her writings to which she attached her real name. It was not until she was nearly 40 that she appears to have discovered the true nature of her genius; for it was not until 1857 that The Sad Fortunes of the Rev. Amos Barton appeared in Blackwood's Magazine, and announced that a new writer of singular power had arisen. It was followed by Mr. Gilfil's Love Story and Janet's Repentance, all three being reprinted as Scenes from Clerical Life (1857); Adam Bede was pub. in 1859, The Mill on the Floss, in its earlier chapters largely autobiographical, in 1860, Silas Marner, perhaps the most artistically constructed of her books, in 1861. In 1860 and 1861 she visited Florence with the view of preparing herself for her next work, Romola, a tale of the times of Savonarola, which appeared in 1863 in the Cornhill Magazine. Felix Holt the Radical followed in 1866. Miss E. now for a time abandoned novel-writing and took to poetry, and between 1868 and 1871 produced The Spanish Gipsy, Agatha, The Legend of Jubal, and Armgart. These poems, though containing much fine work, did not add to her reputation, and in fact in writing them she had departed from her true vocation. Accordingly, she returned to fiction, and in Middlemarch, which appeared in parts in 1871-72, she was by many considered to have produced her greatest work. Daniel Deronda, which came out in 1874-76, was greatly inferior, and it was her last novel. In 1878 she pub. The Impressions of Theophrastus Such, a collection of miscellaneous essays. In the same year Mr. Lewes d., an event which plunged her into melancholy, which was, however, alleviated by the kindness of Mr. John Cross, who had been the intimate friend of both L. and herself, and whom she m. in March, 1880. The union was a short one, being terminated by her death on December 22 in the same year.
George Eliot will probably always retain a high place among writers of fiction. Her great power lies in the minute painting of character, chiefly among the lower middle classes, shopkeepers, tradesmen, and country folk of the Midlands, into whose thoughts and feelings she had an insight almost like divination, and of whose modes of expression she was complete mistress. Her general view of life is pessimistic, relieved by a power of seizing the humorous elements in human stupidity and ill-doing. There is also, however, much seriousness in her treatment of the phases of life upon which she touches, and few writers have brought out with greater power the hardening and degrading effects of continuance in evil courses, or the inevitable and irretrievable consequences of a wrong act. Her descriptions of rural scenes have a singular charm.