If the instinct of womanhood be vitiated in a person of strong character, who insists upon being admired, and sweeps into her net all the adoration that is afloat, or if she is unsexed by any kind of mean ambition, her touch for man will be blunted. She will probably report his cutaneous defect, and overlook his spiritual substance. In treasuries and mints, the selection of women is made to count the coin, because by the mere handling they can detect and throw aside the light weights and the spurious metal. In the test to which women subject men, the hands must be unsophisticated, and the blood of a born lady, high or low, must feed the subtle finger-ends.
When Sir Toby Belch says that Sir Andrew hath all the good gifts of nature, Maria's quick taste answers, "He hath, indeed,—all most natural." A great many men are boozily unconscious of the traits of their companions; but all women know each other thoroughly; and they tacitly allow for each defect, unless some spiteful moment aggravates them. To say that they know each other like a book is to overestimate the great majority of books. The more delightedly they greet each other, the more keenly are they remembering mutual frailties. Perhaps those of the charming morning-caller will transpire when her call is over. To your surprise, you learn that she is intriguing; that, indeed, she will not stick at a falsehood,—well, an indirection; that she is a very pushing woman, and quite capable of fawning if any social thrift will follow. And this absent friend atones for the constraint of her call by unbosoming her hostess to some other listener, who is pleased to learn that the fabric of the world will not crumble so long as both of them have daughters and sisters, who must get into society where marriage benedictions are pronounced, or where style, at least, is piety.
How nicely Maria decants the essence of Malvolio, without spilling or clouding, when Sir Toby asks her, "Tell us something of him"! Now Maria wants to marry Sir Toby, so she bends to every breeze of his humor, but is never overset: she could not misrepresent Malvolio even to please Sir Toby who has been so rated for overdrinking. She tells the simple truth of her observation: the steward is "the best persuaded of himself; so crammed, as he thinks, with excellences, that it is his ground of faith, that all that look on him love him." Sir Toby first sees Malvolio in his true aspect, and exclaims with admiration, "She's a beagle, true bred!" So is every sound woman who is not called off the track by the small game of feminine crotchets and conceits.
Queen Margaret, the wife of Henry VI., has a mind so distempered by a hankering for political distinction that she misreads the grief of the good Duke Humphrey, the king's uncle, when she succeeds in degrading and banishing the Duchess. And she asks the King,—
"Can you not see? or will you not observe
The strangeness of his alter'd countenance?"
She interprets the sombre mien, the fixed look, and the stiff gait of the sorrowing Duke into evidence of a rancorous and treasonable purpose. But the King knows better.
"Our kinsman Gloster is as innocent
From meaning treason to our royal person,
As is the sucking lamb or harmless dove."
He sees in Humphrey's face "the map of honor, truth, and loyalty." The Queen's ambitious discontent with the popularity of Humphrey discolors all his actions, so that she half believes he is at work to win the heart of the common people, that he may supplant the King. This half belief is flung by her upon the face of Humphrey, into the very eyes of his loyalty, and embosses it with the leprosy of her slander.
The English people were scandalized by the interference of Alice Perers with the politics of the reign of Edward III. She was a "fair piece of sin," for whose sake Edward anticipated his dotage. When Parliament interfered to break up a scandal that astonished even the court of France, Alice was perfectly ready to take an oath never again to see the King; for she knew that he valued her counsels because he drivelled over her person. So she returned from exile in time to misrepresent the most honest and outspoken man in Parliament, Peter de la Marr, who was well acquainted with the back-stairs policy which she would fain import into the government of England. As history bids her shift across its light in the various outlines of her domineering temper, to show her to us seated on the bench with the judges, suggesting to them what their ruling must be, or as she drives a trade between the court and foreign envoys, and mistranslates to the King the bias of popular opinion, we perceive a woman whose facile sex is merely a sop to drug a king in order to control his policy. The pages of royal and republican annals are mildewed with these old spots of decayed womanhood. Like dead flowers put to be pressed against some sweet or lofty rhyme, their musty petals mark the place where a single vice enlisted all the fine perception of the sex against honest manhood and the spirit of the age.