We start up a gulch; then pass to the left on a bench along the wall; then up again over broken rocks; then we reach more benches, along which we walk, until we find more broken rocks and crevices, by which we climb; still up, until we have ascended 600 or 800 feet, when we are met by a sheer precipice. Looking about, we find a place where it seems possible to climb. I go ahead; Bradley hands the barometer to me, and follows. So we proceed, stage by stage, until we are nearly to the summit. Here, by making a spring, I gain a foothold in a little crevice, and grasp an angle of the rock overhead. I find I can get up no farther and cannot step back, for I dare not let go with my hand and cannot reach foothold below without. I call to Bradley for help. He finds a way by which he can get to the top of the
FROM ECHO PARK TO THE MOUTH OF UINTA RIVER.
rock over my head, but cannot reach me. Then he looks around for some stick or limb of a tree, but finds none. Then he suggests that he would better help me with the barometer case, but I fear I cannot hold on to it. The moment is critical. Standing on my toes, my muscles begin to tremble. It is sixty or eighty feet to the foot of the precipice. If I lose my hold I shall fall to the bottom and then perhaps roll over the bench and tumble still farther down the cliff. At this instant it occurs to Bradley to take off his drawers, which he does, and swings them down to me. I hug close to the rock, let go with my hand, seize the dangling legs, and with his assistance am enabled to gain the top.
Then we walk out on the peninsular rock, make the necessary observations for determining its altitude above camp, and return, finding an easy way down.
June 19.--To-day, Howland, Bradley, and I take the "Emma Dean" and start up the Yampa River. The stream is much swollen, the current swift, and we are able to make but slow progress against it. The canyon in this part of the course of the Yampa is cut through light gray sandstone. The river is very winding, and the swifter water is usually
THE RESCUE.